Isbn: 9780253206800 - performance practices in classic piano music : their principles and applications (33 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condizione: like_new. Fast Free Shipping â" Excellent condition book with clean cover and pages. Barely handled, with minimal wear. An outstanding copy, close to enjoy.

Softcover. Condizione: sehr gut. leichte Gebrauchsspuren, ohne SU, broschiert, 546, Format: 8°. Buch.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility. Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. " . . . is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." -American Music Teacher "Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." -Journal of Musicological Research "The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." -Early Keyboard Journal "Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." -The Musical Times "Its importance to thoughtful musicians cannot be overstated." -Choice " . . . thoroughly musicological." -Performance Practice Review " . . . indispensable . . . " -New York Times.…

Paperback or Softback. Condizione: New. Performance Practices in Classic Piano Music: Their Principles and Applications. Book.

Paperback. Condizione: new. Paperback. Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility.Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. . is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." -American Music TeacherRosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." -Journal of Musicological ResearchThe extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." -Early Keyboard JournalHer attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." -The Musical TimesIts importance to thoughtful musicians cannot be overstated." -Choice. thoroughly musicological." -Performance Practice Review Examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: new.

Condizione: New. pp. 544 53 Illus.

Paperback. Condizione: New.

Condizione: New. Examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources Series: Music: Scholarship & Performance S. Num Pages: 546 pages, black & white illustrations. BIC Classification: AVRG; AVS. Category: (P) Professional & Vocational. Dimension: 244 x 173 x 29. Weight in Grams: 902. . 1988. 1st Midland Book Ed. Paperback. . . . . …

Condizione: New.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources Series: Music: Scholarship & Performance S. Num Pages: 546 pages, black & white illustrations. BIC Classification: AVRG; AVS. Category: (P) Professional & Vocational. Dimension: 244 x 173 x 29. Weight in Grams: 902. . 1988. 1st Midland Book Ed. Paperback. . . . . Books ship from the US and Ireland. …

Condizione: New. pp. 544.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. pp. 544.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Paperback. Condizione: Brand New. reprint edition. 544 pages. 9.50x7.00x1.50 inches. In Stock.

Condizione: New. Examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources&Uumlber den AutorSandra P. Rosenblum has lectured widely on performance practice.

Taschenbuch. Condizione: Neu. Neuware - Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility. Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. ' . . . is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period.' -American Music Teacher 'Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses.' -Journal of Musicological Research 'The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice.' -Early Keyboard Journal 'Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated.' -The Musical Times 'Its importance to thoughtful musicians cannot be overstated.' -Choice ' . . . thoroughly musicological.' -Performance Practice Review ' . . . indispensable . . . ' -New York Times.…

Paperback. Condizione: new. Paperback. Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility.Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. . is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." -American Music TeacherRosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." -Journal of Musicological ResearchThe extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." -Early Keyboard JournalHer attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." -The Musical TimesIts importance to thoughtful musicians cannot be overstated." -Choice. thoroughly musicological." -Performance Practice Review Examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condizione: Neu. Performance Practices in Classic Piano Music | Their Principles and Applications | Sandra P. Rsoenblum (u. a.) | Taschenbuch | Indiana University Press (IPS) | Einband - flex.(Paperback) | Englisch | 2000 | Indiana University Press | EAN 9780253206800 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…