Henri Matisse: The Cut-Outs

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9780870709159: Henri Matisse: The Cut-Outs

Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse’s paper cut-outs, made from the early 1940s until the artist’s death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse’s colorful and innovative final chapter. The result of research conducted on two fronts--conservation and curatorial--the catalogue offers a reconsideration of the cut-outs by exploring a host of technical and conceptual issues: the artist’s methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing. Richly illustrated to present the cut-outs in all of their vibrancy and luminosity, the book includes an introduction and a conservation essay that consider the cut-outs from new theoretical and technical perspectives, and five thematic essays, each focusing on a different moment in the development of the cut-out practice, that provide a chronicle of this radical medium’s unfolding, and period photographs that show the works in process in Matisse’s studio.
One of modern art’s towering figures, Henri Matisse (1869–1954) was a painter, draftsman, sculptor and printmaker before turning to paper cut-outs in the 1940s. From the clashing hues of his Fauvist works made in the South of France in 1904–05, to the harmonies of his Nice interiors from the 1920s, to this brilliant final chapter, Matisse followed a career-long path that he described as "construction by means of color."

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About the Author:

Karl Buchberg is Senior Conservator at The Museum of Modern Art.

Nicholas Cullinan is Director of the National Portrait Gallery in London.

Jodi Hauptman is a Senior Curator at The Museum of Modern Art.

Samantha Friedman is an assistant curator of the Department of Drawings and Prints at The Museum of Modern Art.

Flavia Frigeri is an assistant curator at Tate Modern in London; she is the organizing curator for Tate’s Young Patrons.

Nicholas Serota is director of Tate Modern's art museums and galleries.

Review:

Gift Guide: Books (The Editors Yahoo: Style)

The catalogue for the Tate's exhibition Henri-Matisse: The Cut-Outs surveys Matisse's late collages, including Jazz and the Vence chapel. Works from small-scale collages to frand mural projects are not only illustrated in their final forms but also seen in progres in numerous studio photographs. Fold-out pages give an idea of teh expansive nature of The Parakeet and teh Mermaid, 1952, and The Swimming Pool, 1952, at 16m wide. A technical summary of the cut-outs explains the range of papers used, the paint used to colour the sheets and the method of composition. (Alexander Adams The Art Newspaper)

in the 1950's, Matisse competed, consciously or not, with the very latest development in painting, Abstract Expressionism, filling vast surfaces with iconic forms and radiant color. (Joseph Wolin Time Out Magazine)

Vibrant designs of apparent simplicity spooling from a master's hands in the last decade of his life, each one a tableau of luminosity and power. (The Economist)

In the late 1940s, suffering from ill health, the French artist Henri Matisse retired his paintbrush. A spirit as creative as his, however, was not to be restrained. (Samuel Cochran Architectural Digest)

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Descrizione libro The Museum of Modern Art, New York. Hardcover. Condizione libro: New. Hardcover. 302 pages. Dimensions: 10.9in. x 9.1in. x 1.4in.Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisses paper cut-outs, made from the early 1940s until the artists death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisses colorful and innovative final chapter. The result of research conducted on two fronts--conservation and curatorial--the catalogue offers a reconsideration of the cut-outs by exploring a host of technical and conceptual issues: the artists methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing. Richly illustrated to present the cut-outs in all of their vibrancy and luminosity, the book includes an introduction and a conservation essay that consider the cut-outs from new theoretical and technical perspectives, and five thematic essays, each focusing on a different moment in the development of the cut-out practice, that provide a chronicle of this radical mediums unfolding, and period photographs that show the works in process in Matisses studio. One of modern arts towering figures, Henri Matisse (1869-1954) was a painter, draftsman, sculptor and printmaker before turning to paper cut-outs in the 1940s. From the clashing hues of his Fauvist works made in the South of France in 1904-05, to the harmonies of his Nice interiors from the 1920s, to this brilliant final chapter, Matisse followed a career-long path that he described as construction by means of color. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Codice libro della libreria 9780870709159

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Descrizione libro MUSEUM OF MODERN ART, United States, 2014. Hardback. Condizione libro: New. Language: English . Brand New Book. Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse s paper cut-outs, made from the early 1940s until the artist s death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse s colorful and innovative final chapter. The result of research conducted on two fronts--conservation and curatorial--the catalogue offers a reconsideration of the cut-outs by exploring a host of technical and conceptual issues: the artist s methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing. Richly illustrated to present the cut-outs in all of their vibrancy and luminosity, the book includes an introduction and a conservation essay that consider the cut-outs from new theoretical and technical perspectives, and five thematic essays, each focusing on a different moment in the development of the cut-out practice, that provide a chronicle of this radical medium s unfolding, and period photographs that show the works in process in Matisse s studio. One of modern art s towering figures, Henri Matisse (1869-1954) was a painter, draftsman, sculptor and printmaker before turning to paper cut-outs in the 1940s. From the clashing hues of his Fauvist works made in the South of France in 1904-05, to the harmonies of his Nice interiors from the 1920s, to this brilliant final chapter, Matisse followed a career-long path that he described as construction by means of color. Codice libro della libreria AAS9780870709159

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Samantha Friedman
Editore: MUSEUM OF MODERN ART, United States (2014)
ISBN 10: 0870709151 ISBN 13: 9780870709159
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Descrizione libro MUSEUM OF MODERN ART, United States, 2014. Hardback. Condizione libro: New. Language: English . Brand New Book. Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse s paper cut-outs, made from the early 1940s until the artist s death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse s colorful and innovative final chapter. The result of research conducted on two fronts--conservation and curatorial--the catalogue offers a reconsideration of the cut-outs by exploring a host of technical and conceptual issues: the artist s methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing. Richly illustrated to present the cut-outs in all of their vibrancy and luminosity, the book includes an introduction and a conservation essay that consider the cut-outs from new theoretical and technical perspectives, and five thematic essays, each focusing on a different moment in the development of the cut-out practice, that provide a chronicle of this radical medium s unfolding, and period photographs that show the works in process in Matisse s studio. One of modern art s towering figures, Henri Matisse (1869-1954) was a painter, draftsman, sculptor and printmaker before turning to paper cut-outs in the 1940s. From the clashing hues of his Fauvist works made in the South of France in 1904-05, to the harmonies of his Nice interiors from the 1920s, to this brilliant final chapter, Matisse followed a career-long path that he described as construction by means of color. Codice libro della libreria AAS9780870709159

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