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EUR 13,90
Da: Canada a: U.S.A.
Descrizione libro Paperback. Condizione: New. 1. ed. Excellent condition. This study of the recurrent symbol of the prison (jail cell, cayman jaws, labyrinth .) and the use of the myth of Theseus provides a new perspective on Buero Vallejo s theatre. In her reading of Buero s tragedies, Martha Halsey draws attention to the constant allusions to immurement, entrapment and impasse, but also argues that the symbol of the prison carries within it the idea of reversibility: prison walls imply an exit and the writer s purspose is to show his audience this exit. This dialectic of freedom is central to Buero s work since his tragic vision never excludes hope and the prospect of change. Professor Halsey examines the opposing sets of symbols that often establish the dialectical structure of Buero s plays and reflect his dynamic view of history. The writer emerges not only as the intransigent realist he is usually considered to be, but also as a visionary. This book offers an analysis of Buero s seven most recent plays: La Fundación, La detonación, Jueces en la noche, Caimán, Diálogo secreto, Lázaro en el laberinto and Música cercana. If book and packaging weight exceeds 400gms, additional shipping charges may apply. Editor: José M. Ruano de la Haza; Nigel Dennis. New. Ottawa Hispanic Studies 17. 312 pp. Codice articolo 2269
Descrizione libro Tapa blanda. Condizione: New. 1ª edición. HALSEY, M. T.: FROM DICTATORSHIP TO DEMOCRACY: THE RECENT PLAYS OF BUERO VALLEJO (FROM "LA FUNDACION" TO "MUSICA CERCANA"). OTTAWA, ONTARIO, 1994, 312 p. fotografias, 456 gr. Encuadernacion original. Nuevo. (NC-T-4) 456 gr. Libro. Codice articolo 55669
Descrizione libro Condizione: New. Codice articolo XBC--239