Anders Zorn: His Life and Work

Asplund, Karl

Editore: The Studio Ltd, 1921
Usato / Hard Cover / Quantità: 0
Da Baggins Book Bazaar Ltd (Rochester, KENT, Regno Unito)
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87pp; edges worn; pages foxed and yellowed Size: 4to - over 9¾" - 12" tall. Codice inventario libreria 025014

Dati bibliografici

Titolo: Anders Zorn: His Life and Work
Casa editrice: The Studio Ltd
Data di pubblicazione: 1921
Legatura: Hard Cover
Condizione libro: Good

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Asplund, Karl
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ISBN 10: 1230403744 ISBN 13: 9781230403748
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Descrizione libro TheClassics.us. Condizione libro: New. Brand New! Ships next business day!. Codice libro della libreria OFH-2990000435316

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Karl Asplund
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Descrizione libro Theclassics.Us, United States, 2013. Paperback. Condizione libro: New. 246 x 189 mm. Language: English . Brand New Book ***** Print on Demand *****. This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1921 edition. Excerpt: . When Zorn was working in London in 1882 it was natural that the young Swedish artist should visit his fellow-countryman who was then best known in England, Axel Herman Haig, the etcher, who had already achieved a certain success. This meeting was to be of importance for Zorn. Haig immediately appreciated his dazzling gifts and became his instructor in the art of etching. In 1882 Zorn executed his first plate, a portrait of Haig, and this marks the beginning of his triumphal progress as an etcher, which is familiar to everyone interested in this branch of art. Swedish graphic art at the period of this memorable event forms a dark background to Zorn s own brilliant contribution. Copper engraving and lithography had by this time lost their importance as means of artistic expression. We had really one etcher of importance, Georg von Rosen, who had, however, devoted only a small portion of his creative power to his historical etched glass of the sixties and seventies. In the spring of 1875 original etching began for the first time to be regarded with interest by leading artists in Sweden. It was then that the Belgian artist, L. Lowenstam, opened his school of etching in Stockholm and some well-known artists began to practise the art, either directly as his pupils, or under the influence of the newly aroused interest for this branch of art. The painters of paysage intime were most typical of this period. But the pupil of Lowenstam who was to have the most brilliant future was Carl Larsson, well known later as one of the few Swedes, after Zorn, who were successful in achieving some reputation as etchers. But it was only the technique of etching that Zorn had to learn from Haig. The most thorough investigation would not produce any evidence. Codice libro della libreria AAV9781230403748

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Karl Asplund
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ISBN 10: 1296034712 ISBN 13: 9781296034719
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Descrizione libro Scholar s Choice, United States, 2015. Paperback. Condizione libro: New. 246 x 189 mm. Language: English . Brand New Book ***** Print on Demand *****.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. Codice libro della libreria AAV9781296034719

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Asplund, Karl
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Descrizione libro TheClassics.us, 2013. Paperback. Condizione libro: New. book. Codice libro della libreria 1230403744

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Asplund, Karl
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Descrizione libro Scholar's Choice, 2016. Paperback. Condizione libro: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Codice libro della libreria ria9781296034719_lsuk

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Karl Asplund
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Descrizione libro TheClassics.us. Paperback. Condizione libro: New. This item is printed on demand. Paperback. 30 pages. Dimensions: 9.7in. x 7.4in. x 0.1in.This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1921 edition. Excerpt: . . . When Zorn was working in London in 1882 it was natural that the young Swedish artist should visit his fellow-countryman who was then best known in England, Axel Herman Haig, the etcher, who had already achieved a certain success. This meeting was to be of importance for Zorn. Haig immediately appreciated his dazzling gifts and became his instructor in the art of etching. In 1882 Zorn executed his first plate, a portrait of Haig, and this marks the beginning of his triumphal progress as an etcher, which is familiar to everyone interested in this branch of art. Swedish graphic art at the period of this memorable event forms a dark background to Zorns own brilliant contribution. Copper engraving and lithography had by this time lost their importance as means of artistic expression. We had really one etcher of importance, Georg von Rosen, who had, however, devoted only a small portion of his creative power to his historical etched glass of the sixties and seventies. In the spring of 1875 original etching began for the first time to be regarded with interest by leading artists in Sweden. It was then that the Belgian artist, L. Lowenstam, opened his school of etching in Stockholm and some well-known artists began to practise the art, either directly as his pupils, or under the influence of the newly aroused interest for this branch of art. The painters of paysage intime were most typical of this period. But the pupil of Lowenstam who was to have the most brilliant future was Carl Larsson, well known later as one of the few Swedes, after Zorn, who were successful in achieving some reputation as etchers. But it was only the technique of etching that Zorn had to learn from Haig. The most thorough investigation would not produce any evidence. . . This item ships from La Vergne,TN. Paperback. Codice libro della libreria 9781230403748

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Karl Asplund
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ISBN 10: 1230403744 ISBN 13: 9781230403748
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Descrizione libro Theclassics.Us, United States, 2013. Paperback. Condizione libro: New. 246 x 189 mm. Language: English . Brand New Book ***** Print on Demand *****.This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1921 edition. Excerpt: . When Zorn was working in London in 1882 it was natural that the young Swedish artist should visit his fellow-countryman who was then best known in England, Axel Herman Haig, the etcher, who had already achieved a certain success. This meeting was to be of importance for Zorn. Haig immediately appreciated his dazzling gifts and became his instructor in the art of etching. In 1882 Zorn executed his first plate, a portrait of Haig, and this marks the beginning of his triumphal progress as an etcher, which is familiar to everyone interested in this branch of art. Swedish graphic art at the period of this memorable event forms a dark background to Zorn s own brilliant contribution. Copper engraving and lithography had by this time lost their importance as means of artistic expression. We had really one etcher of importance, Georg von Rosen, who had, however, devoted only a small portion of his creative power to his historical etched glass of the sixties and seventies. In the spring of 1875 original etching began for the first time to be regarded with interest by leading artists in Sweden. It was then that the Belgian artist, L. Lowenstam, opened his school of etching in Stockholm and some well-known artists began to practise the art, either directly as his pupils, or under the influence of the newly aroused interest for this branch of art. The painters of paysage intime were most typical of this period. But the pupil of Lowenstam who was to have the most brilliant future was Carl Larsson, well known later as one of the few Swedes, after Zorn, who were successful in achieving some reputation as etchers. But it was only the technique of etching that Zorn had to learn from Haig. The most thorough investigation would not produce any evidence. Codice libro della libreria AAV9781230403748

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Karl Asplund
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Descrizione libro Andesite Press, United States, 2015. Hardback. Condizione libro: New. 234 x 156 mm. Language: English . Brand New Book ***** Print on Demand *****.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. Codice libro della libreria APC9781298491916

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Karl Asplund
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Descrizione libro Andesite Press, United States, 2015. Hardback. Condizione libro: New. 234 x 156 mm. Language: English . Brand New Book ***** Print on Demand *****. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. Codice libro della libreria APC9781298491916

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Karl Asplund
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Descrizione libro Andesite Press, 2015. Hardcover. Condizione libro: New. book. Codice libro della libreria 1298491916

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