ISBN 10: 0292762070 / ISBN 13: 9780292762077
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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: One of the most impressive examples of the reinvention of authorship studies for the transmedia era. Gallagher ditches narrow, outworn conceptions of cinema and signature to reveal Soderbergh as a category-busting industrial force that cuts across different media platforms, budgets, genres, and reception cultures. A well-written, carefully researched, and extremely insightful account of one of the true innovators in contemporary cinema and electronic media. Codice inventario libreria

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Riassunto: How do we determine authorship in film, and what happens when we look in-depth at the creative activity of living filmmakers rather than approach their work through the abstract prism of auteur theory? Mark Gallagher uses Steven Soderbergh's career as a lens through which to re-view screen authorship and offer a new model that acknowledges the fundamentally collaborative nature of authorial work and its circulation. Working in film, television, and digital video, Soderbergh is the most prolific and protean filmmaker in contemporary American cinema. At the same time, his activity typifies contemporary screen industry practice, in which production entities, distribution platforms, and creative labor increasingly cross-pollinate. Gallagher investigates Soderbergh's work on such films as The Limey, Erin Brockovich, Ocean's Eleven and its sequels, Solaris, The Good German, Che, and The Informant!, as well as on the K Street television series. Dispensing with classical auteurist models, he positions Soderbergh and authorship in terms of collaborative production, location filming activity, dealmaking and distribution, textual representation, genre and adaptation work, critical reception, and other industrial and cultural phenomena. Gallagher also addresses Soderbergh's role as standard-bearer for U.S. independent cinema following 1989's sex, lies and videotape, as well as his cinephilic dialogues with different forms of U.S. and international cinema from the 1920s through the 1970s. Including an extensive new interview with the filmmaker, Another Steven Soderbergh Experience demonstrates how industries and institutions cultivate, recognize, and challenge creative screen artists.

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Gallagher, Mark
Editore: University of Texas Press (2013)
ISBN 10: 0292762070 ISBN 13: 9780292762077
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Descrizione libro University of Texas Press, 2013. Soft cover. Condizione: Very Good. Pictorial wrappers are clean and bright, just the slightest bit of rubbing at the corners. Binding is tight and sound, opens as if unread. Interior is clean and unmarked throughout. Codice articolo N0280

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Descrizione libro University of Texas Press, 2014. PAP. Condizione: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice articolo CA-9780292762077

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Descrizione libro University of Texas Press, United States, 2014. Paperback. Condizione: New. Language: English . Brand New Book. How do we determine authorship in film, and what happens when we look in-depth at the creative activity of living filmmakers rather than approach their work through the abstract prism of auteur theory? Mark Gallagher uses Steven Soderbergh s career as a lens through which to re-view screen authorship and offer a new model that acknowledges the fundamentally collaborative nature of authorial work and its circulation. Working in film, television, and digital video, Soderbergh is the most prolific and protean filmmaker in contemporary American cinema. At the same time, his activity typifies contemporary screen industry practice, in which production entities, distribution platforms, and creative labor increasingly cross-pollinate. Gallagher investigates Soderbergh s work on such films as The Limey, Erin Brockovich, Ocean s Eleven and its sequels, Solaris, The Good German, Che, and The Informant!, as well as on the K Street television series. Dispensing with classical auteurist models, he positions Soderbergh and authorship in terms of collaborative production, location filming activity, dealmaking and distribution, textual representation, genre and adaptation work, critical reception, and other industrial and cultural phenomena. Gallagher also addresses Soderbergh s role as standard-bearer for U.S. independent cinema following 1989 s sex, lies and videotape, as well as his cinephilic dialogues with different forms of U.S. and international cinema from the 1920s through the 1970s. Including an extensive new interview with the filmmaker, Another Steven Soderbergh Experience demonstrates how industries and institutions cultivate, recognize, and challenge creative screen artists. Codice articolo AAJ9780292762077

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Descrizione libro Condizione: Good. May have some shelf-wear due to normal use. Codice articolo 0KVBKG004FCP

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Descrizione libro University of Texas Press, United States, 2014. Paperback. Condizione: New. Language: English . Brand New Book. How do we determine authorship in film, and what happens when we look in-depth at the creative activity of living filmmakers rather than approach their work through the abstract prism of auteur theory? Mark Gallagher uses Steven Soderbergh s career as a lens through which to re-view screen authorship and offer a new model that acknowledges the fundamentally collaborative nature of authorial work and its circulation. Working in film, television, and digital video, Soderbergh is the most prolific and protean filmmaker in contemporary American cinema. At the same time, his activity typifies contemporary screen industry practice, in which production entities, distribution platforms, and creative labor increasingly cross-pollinate. Gallagher investigates Soderbergh s work on such films as The Limey, Erin Brockovich, Ocean s Eleven and its sequels, Solaris, The Good German, Che, and The Informant!, as well as on the K Street television series. Dispensing with classical auteurist models, he positions Soderbergh and authorship in terms of collaborative production, location filming activity, dealmaking and distribution, textual representation, genre and adaptation work, critical reception, and other industrial and cultural phenomena. Gallagher also addresses Soderbergh s role as standard-bearer for U.S. independent cinema following 1989 s sex, lies and videotape, as well as his cinephilic dialogues with different forms of U.S. and international cinema from the 1920s through the 1970s. Including an extensive new interview with the filmmaker, Another Steven Soderbergh Experience demonstrates how industries and institutions cultivate, recognize, and challenge creative screen artists. Codice articolo AAJ9780292762077

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Descrizione libro Univ Texas Press. Condizione: BRAND NEW. BRAND NEW Softcover - This title is now printed on demand - please allow added time for shipment! A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice articolo 2117069

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Descrizione libro University of Texas Press. Paperback. Condizione: New. New copy - Usually dispatched within 2 working days. Codice articolo B9780292762077

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Descrizione libro University of Texas Press, 2014. PAP. Condizione: New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice articolo IP-9780292762077

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Descrizione libro University of Texas Press, 2014. PAP. Condizione: New. New Book. Delivered from our US warehouse in 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND.Established seller since 2000. Codice articolo IP-9780292762077

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Descrizione libro University of Texas Press. Condizione: New. pp. 336. Codice articolo 104163789

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