British Art and the Seven Years' War: Allegiance and Autonomy

Fordham, Douglas

Editore: University of Pennsylvania Press
ISBN 10: 0812242432 / ISBN 13: 9780812242430
Usato / Hardcover / Quantità: 0
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0812242432 ACCEPTABLE - This is a very damaged hardcover with a torn dust jacket; a READING COPY ONLY; do not purchase it if you are uncomfortable with significant tearing, scuffing, bumping, marking, taping and creasing. The flaws are significant but do not render the book unsusable. Codice inventario libreria

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Between the Jacobite Rebellion of 1745 and the American Declaration of Independence, London artists transformed themselves from loosely organized professionals into one of the most progressive schools of art in Europe. In British Art and the Seven Years' War Douglas Fordham argues that war and political dissent provided potent catalysts for the creation of a national school of art. Over the course of three tumultuous decades marked by foreign wars and domestic political dissent, metropolitan artists—especially the founding members of the Royal Academy, including Joshua Reynolds, Paul Sandby, Joseph Wilton, Francis Hayman, and Benjamin West—creatively and assiduously placed fine art on a solid footing within an expansive British state.

London artists entered into a golden age of art as they established strategic alliances with the state, even while insisting on the autonomy of fine art. The active marginalization of William Hogarth's mercantile aesthetic reflects this sea change as a newer generation sought to represent the British state in a series of guises and genres, including monumental sculpture, history painting, graphic satire, and state portraiture. In these allegories of state formation, artists struggled to give form to shifting notions of national, religious, and political allegiance in the British Empire. These allegiances found provocative expression in the contemporary history paintings of the American-born artists Benjamin West and John Singleton Copley, who managed to carve a patriotic niche out of the apolitical mandate of the Royal Academy of Arts.

About the Author: Douglas Fordham teaches art history at the University of Virginia.

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Titolo: British Art and the Seven Years' War: ...
Casa editrice: University of Pennsylvania Press
Legatura: Hardcover
Condizione libro: Fair

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Descrizione libro University of Pennsylvania Press, 2010. Hardcover. Condizione libro: Used: Acceptable. Codice libro della libreria SONG0812242432

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Descrizione libro University of Pennsylvania Press. Hardcover. Condizione libro: Fair. 0812242432 ACCEPTABLE - This is a very damaged hardcover with a torn dust jacket; a READING COPY ONLY; do not purchase it if you are uncomfortable with significant tearing, scuffing, bumping, marking, taping and creasing. The flaws are significant but do not render the book unsusable. Codice libro della libreria Z0812242432Z4

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Descrizione libro University of Pennsylvania Press. Condizione libro: Good. 2010 - Hardcover - Used - Good - - Previous owner applied a self-adhesive, textured, clear mylar material to covers for protection. - - Shows some shelf-wear. May contain old price stickers or their residue, inscriptions or dedications from previous owners in first few pages and remainder marks. - Hall Street Books proudly ships from Brooklyn, NY. All orders are processed and shipped within 24 business hours, Sunday - Thursday. Expedited shipping and tracking available within the US. Hall Street's No-Worry guarantee lets you buy with confidence!. Codice libro della libreria NM-14-4-0123

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Descrizione libro University of Pennsylvania Press. Hardback. Condizione libro: new. BRAND NEW, British Art and the Seven Years' War: Allegiance and Autonomy, Douglas Fordham, Between the Jacobite Rebellion of 1745 and the American Declaration of Independence, London artists transformed themselves from loosely organized professionals into one of the most progressive schools of art in Europe. In British Art and the Seven Years' War Douglas Fordham argues that war and political dissent provided potent catalysts for the creation of a national school of art. Over the course of three tumultuous decades marked by foreign wars and domestic political dissent, metropolitan artists-especially the founding members of the Royal Academy, including Joshua Reynolds, Paul Sandby, Joseph Wilton, Francis Hayman, and Benjamin West-creatively and assiduously placed fine art on a solid footing within an expansive British state. London artists entered into a golden age of art as they established strategic alliances with the state, even while insisting on the autonomy of fine art. The active marginalization of William Hogarth's mercantile aesthetic reflects this sea change as a newer generation sought to represent the British state in a series of guises and genres, including monumental sculpture, history painting, graphic satire, and state portraiture. In these allegories of state formation, artists struggled to give form to shifting notions of national, religious, and political allegiance in the British Empire. These allegiances found provocative expression in the contemporary history paintings of the American-born artists Benjamin West and John Singleton Copley, who managed to carve a patriotic niche out of the apolitical mandate of the Royal Academy of Arts. Codice libro della libreria B9780812242430

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Douglas Fordham
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Descrizione libro University of Pennsylvania Press, United States, 2010. Hardback. Condizione libro: New. New.. Language: English . Brand New Book. Between the Jacobite Rebellion of 1745 and the American Declaration of Independence, London artists transformed themselves from loosely organized professionals into one of the most progressive schools of art in Europe. In British Art and the Seven Years War Douglas Fordham argues that war and political dissent provided potent catalysts for the creation of a national school of art. Over the course of three tumultuous decades marked by foreign wars and domestic political dissent, metropolitan artists-especially the founding members of the Royal Academy, including Joshua Reynolds, Paul Sandby, Joseph Wilton, Francis Hayman, and Benjamin West-creatively and assiduously placed fine art on a solid footing within an expansive British state. London artists entered into a golden age of art as they established strategic alliances with the state, even while insisting on the autonomy of fine art. The active marginalization of William Hogarth s mercantile aesthetic reflects this sea change as a newer generation sought to represent the British state in a series of guises and genres, including monumental sculpture, history painting, graphic satire, and state portraiture.In these allegories of state formation, artists struggled to give form to shifting notions of national, religious, and political allegiance in the British Empire. These allegiances found provocative expression in the contemporary history paintings of the American-born artists Benjamin West and John Singleton Copley, who managed to carve a patriotic niche out of the apolitical mandate of the Royal Academy of Arts. Codice libro della libreria AAJ9780812242430

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Douglas Fordham
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ISBN 10: 0812242432 ISBN 13: 9780812242430
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Descrizione libro University of Pennsylvania Press, United States, 2010. Hardback. Condizione libro: New. New.. Language: English . Brand New Book. Between the Jacobite Rebellion of 1745 and the American Declaration of Independence, London artists transformed themselves from loosely organized professionals into one of the most progressive schools of art in Europe. In British Art and the Seven Years War Douglas Fordham argues that war and political dissent provided potent catalysts for the creation of a national school of art. Over the course of three tumultuous decades marked by foreign wars and domestic political dissent, metropolitan artists-especially the founding members of the Royal Academy, including Joshua Reynolds, Paul Sandby, Joseph Wilton, Francis Hayman, and Benjamin West-creatively and assiduously placed fine art on a solid footing within an expansive British state. London artists entered into a golden age of art as they established strategic alliances with the state, even while insisting on the autonomy of fine art. The active marginalization of William Hogarth s mercantile aesthetic reflects this sea change as a newer generation sought to represent the British state in a series of guises and genres, including monumental sculpture, history painting, graphic satire, and state portraiture.In these allegories of state formation, artists struggled to give form to shifting notions of national, religious, and political allegiance in the British Empire. These allegiances found provocative expression in the contemporary history paintings of the American-born artists Benjamin West and John Singleton Copley, who managed to carve a patriotic niche out of the apolitical mandate of the Royal Academy of Arts. Codice libro della libreria AAJ9780812242430

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