This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: Once upon a time, on the banks of the River Moth, a city sprang up like no other in or out of history. Founded on the blood of the original inhabitants, the stealthy gray caps, and steeped for centuries in the aftermath of that struggle, Ambergris has become a cruelly beautiful metropolis - a haven for artists and thieves, for composers and murderers. City of Saints and Madmen collects, for the first time, all of the Ambergris novellas. Codice inventario libreria
Riassunto: From the vignette incorporated into the cover design to an encrypted story mischieviously embedded within the book and a major new novella, "The Cage", the deluxe hardcover version of City of Saints & Madmen represents an innovative re-imagining of the original trade paperback (published in 2001). The 55,000 words of new material, work from seven artists, and the subtle but important revisions to the four main novellas, make the hardcover an entirely different book from the Locus-recommended trade paperback.
City of Saints & Madmen holds a number of unique pleasures for readers with a strong sense of play and literary adventure. At least two or three elements of the hardcover have rarely, if ever, been attempted before in fiction.
"I like the idea of books as artifacts, a concept that sometimes slips away from us in this electronic era. I had a lot of fun putting this book together--working with artists, graphic designers, for example. The encrypted story turned out to be more involved than I thought it would be. The numbers in the encryption refer to words in the four main novellas. I quickly found that using an 'of' from one section of a novella created a different emotional resonance than from other sections. The reader who takes the time to decrypt the story will be rewarded by seeing both the decoded story and the four main novellas in a different light."
Readers have been beguiled by VanderMeer's strange and ancient metropolis, a city that developed in the author's imagination almost by accident. "I never set out to create Ambergris - it just sort of happened. One night, I woke up at about midnight and suddenly had this image in my head of a busy street and a missionary looking up at a woman in a third-story window. I sat down and typed out the first few pages of Dradin, In Love. After I finished that piece, I realized the setting had infinite possibilities. I've been gratified by the response from readers and critics. And I've tried to build on the original novella and flesh out a complete setting while still retaining a sense of mystery."
As Michael Moorcock writes in his introduction, "Examining VanderMeer, one is reminded of the glories of Angkor and Anudhapura combined with the bustle and swagger of Captain Conrad's Indonesia, the adventurous intrigues of Byzantium and Venice, the brutal Spice Wars of the Dutch. But sometimes it is as if Proust intrudes, insensed and reminiscent. VanderMeer describes a world so rich and exaggerated and full of mysterious life that it draws you away from any intended moral or pasquinade deep into the wealth of the world's womb."
The "mysterious life" alluded to by Moorcock manifests itself most uniquely in the form of the gray caps or "mushroom dwellers," the indigenous race slaughtered and driven underground by the first settlers of Ambergris.This event, the subsequent retaliation, and the uneasy co-existence with dangerous subterranean neighbors, has shaped most all historical and social issues in Ambergris.
"The thing that most intrigued me about Dradin, In Love, when I tried to distance myself from the text, was the presence of the gray caps. Who they are and how they fit in is something I've given a lot of thought to and will continue to explore even in the material I'm writing now."
VanderMeer's work has appeared in ten languages in 17 countries, including in such magazines and an-thologies as Asimov's SF Magazine, Amazing Stories, Weird Tales, Interzone, The Third Alternative, Nebula Awards 30, Best New Horror 7, The Year's Best Fantastical Fiction, Infinity Plus: The Anthology, Dark Terrors, and The Year's Best Dark Fantasy 2001. Forthcoming books include the mass market paperback Veniss Underground, also from Prime, and the nonfiction collection Why Should I Cut Your Throat? from Cosmos. VanderMeer has also completed work as co-editor on two ambitious projects: Leviathan 3 (Ministry of Whimsy/ Prime) and The Thackery T. Lambshead Pocket Guide to Eccentric & Discredited Diseases (Chimeric). He is 33 years old and can be reached at firstname.lastname@example.org.
Dall'editore: THE COLLECTION THAT CHINA MIEVILLE CALLED "ONE OF THE BEST BOOKS OF 2001"--ENHANCED WITH 55,000 WORDS OF NEW MATERIAL and innovative artwork and design by seven artists and three designers. A SUMPTUOUS FEAST OF TEXT AND ILLUSTRATION. This collection contains VanderMeer's Theodore Sturgeon Award finalist novella "Dradin, In Love" and his World Fantasy Award winning novella "Transformation of Martin Lake". Garry Nurrish served as chief designer on this ground-breaking project. John Coulthart, of Hawkwind and Lovecraft illustration fame, contributed several title pages. Here are comments on prior Ambergris titles by reviewers and authors:
"City of Saints packs so much literary and emotional matter into the confines of one city, it defies both the standard category of 'collection' and the newer label 'story suite'. Other fantasy authors may stripmine their invented worlds...for the last scrap of ore; VanderMeer keeps going deeper, and finding new forms of gold." -Faren Miller, Locus.
"...enormously talented, possessing a painterly mastery of the Grotesque that makes his intensely-wrought dark fantasy an experience to be savored." - Nick Gevers, Locus Online, the Top 10 SF & Fantasy Short Story Writers
"Ambergris is one of the great and unforgettable fantastic cities...it is a magnificent darkness." – Redsine
"[a] truly wonderful creation, the strange and ancient city of Ambergris pulls [the reader] deeper and deeper into pause-producing insights or startlingly nasty and/or beautiful revelations." - Gahan Wilson, Realms of Fantasy
"Written with a richness of language and imagery uncommon for fantasy, and the equivalent of the best offered by contemporary literary stylists, the authors blends... traditions both literary and social with an equal measure of playfulness. Descriptive passages possess an originality and individual vitality for which it is hard to find parallel." - William Thompson, SF Site
TERRI WINDLING, Editor Year's Best Fantasy & Horror "Walking into Jeff VanderMeer's Ambergris is like stepping inside of a surrealist painting by Leonora Carrington or Remedios Varo. I recommend the journey to all travelers with a taste for the fantastic." -Terri Windling, Editor, The Year's Best Fantasy & Horror
S.P. SOMTOW "VanderMeer is a master craftsman. His finely-honed language, laser-sharp, penetrates to the painful core of human experience."
MICHAEL MOORCOCK "Examining VanderMeer one is reminded of the glories of Angkor and Anudhapura combined with the bustle and swagger of Captain Conrad's Indonesia, the adventurous intrigues of Byzantium and Venice, the brutal Spice Wars of the Dutch. But sometimes it is as if Proust intrudes, insensed and reminiscent. VanderMeer describes a world so rich and exaggerated and full of mysterious life that it draws you away from any intended moral or pasquinade deep into the wealth of the world's womb...Make the most of the tapestry of tales and visions before you. It is a rare treasure, to be tasted with both relish and respect. It is the work of an original. It's what you've been looking for."
CHINA MIEVILLE "Somewhere at the intersection of pulp and Surrealism, drawing on the very best of both traditions, is Jeff VanderMeer's Ambergris. Unsettling, erudite, dark, shot through with unexpected humour, the stories engross and challenge endlessly. Ambergris is one of my favourite haunts in fiction."
R.M. BERRY, New York Times notable novel Leonardo's Horse "A remarkable writer of highly original, utterly hilarious fiction, who continually pushes the boundaries of current literary fashion. The Early History and Dradin, In Love are literary tours de force, in which form and language stubbornly refuse relegation to instrumentality and reassert their irrepressible life. Few works I've read in recent years have given me such pure pleasure.
NORMAN SPINRAD, Asimov's SF Magazine "[The Early History of Ambergris] is the sort of thing that reminds us that while publishing modes, genres, literary schools and styles, and even the material matrices in which literature is encoded, come and go, there is a restorative impulse, a literary innocence, that transcends the maya thereof, that has not died yet, that remains eternal. Eternal because it generates literature that is written entirely for fun, without the slightest nod to the shrewdities of careerism...It restoreth the soul. It giveth hope."
PAUL DI FILIPPO "As the shady demiurge whoactually ‘created' the historical personage known as Duncan Shriek, as well as the whole bloody history and complex culture of a complete world, the character of VanderMeer beggars the imagination. How could one fellow, even half divine, manage to combine the literary qualities of Nabokov, Borges, Barthelme, Cabell, Clark Ashton Smith, Suetonius, and Bernal Diaz into one person? It's impossible to credit!"
LANCE OLSEN "If Franz Kafka had a son, and Jorge Luis Borges raised him with Jessica Amanda Salmonson, I imagine the result would look a lot like Jeff VanderMeer - someone who writes with dark dream-time logic, Escher-like precision, and pure imaginative fire."
BRIAN STABLEFORD "I enjoyed The Early History of Ambergris tremendously and I think it's a marvellous piece of work, artfully combining humour and horror to excellent effect. Its mosaic format works beautifully to emphasize and extend the uncertainties of the fragmentary narrative. The greatest challenge facing any modern author is to produce a tale quite unlike any that has ever been produced before, but Jeff has met that challenge head on and answered it triumphantly. I hope the book is a great success, as it deserves to be - and whatever its immediate fate, I'm sure there will come a time when it will be an important and much-sought-after collector's item."
NEW YORK REVIEW OF SF "A text of lethally hypnotic fascination...a masterpiece of ironic perversity [set in] a brilliantly-realized city."
ST. JAMES GUIDE TO HORROR, GOTHIC, AND GHOST WRITERS "He will make a major contribution to the field of neo-Decadent dark fantasy."
RAIN TAXI "Vivid and beguiling, excellent exercise for the imagination, and efficient means of transportation to other realities. [VanderMeer] liberates us from the miserable reality of our days."
INTERZONE "The author's prose is delicate and ornate, but the narrative has force and wit in plenty...dramatizes and celebrates the anxiety and exhileration of entering the unknown - quite excellent."
"...impressive work...I confess I tried to skim its pages - my usual procedure - but soon found that it was unskimmable and that every sentence needed to be read (and often reread)."
TANGENT "A really fine example of fantasy taken down the road a piece...well-drawn, tightly-focused...fantasy in fine fettle, healthy and vital, an intelligent, exciting exploration of the darker realms of the heart, with the good strong currents of myth and archetype to bear it along."
ED BRYANT, Locus "Set in the kind of no-time neverwhere city that Jorge Borges, Jack Vance, and Mervyn Peake might these days hiply program into their satellite locator systems...Lyrical, evocative, grim."
ASIMOV'S SF MAGAZINE "Assimilating and transcending such honorable influences as Clark Ashton Smith, Jack Vance, and E.R. Eddison, VanderMeer strides shoulder to shoulder with such currently working authors such as Paul Park, M. John Harrison, and Thomas Ligotti."
Condizione libro: Used
Descrizione libro Prime Books, 2002. Condizione libro: Good. First Edition. N/A. Shows some signs of wear, and may have some markings on the inside. Codice libro della libreria GRP10381651
Descrizione libro Prime Books 2002-05-01, 2002. Hardcover. Condizione libro: Fair. First Edition. 0966896882 We guarantee all of our items - customer service and satisfaction are our top priorities. Please allow 4 - 14 business days for Standard shipping, within the US. Codice libro della libreria POTM-0966896882
Descrizione libro Prime Books, U.S.A., 2002. Hardcover. Condizione libro: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Dust jacket has scratches on back cover. Impact impression 2 inches long on the front cover. This is the true first edition. Corners show wear. Summary: Once upon a time, on the banks of the River Moth, a city sprang up like no other in or out of history. Founded on the blood of the original inhabitants, the stealthy gray caps, and steeped for centuries in the aftermath of that struggle, Ambergris has become a cruelly beautiful metropolis - a haven for artists and thieves, for composers and murderers. City of Saints and Madmen. Codice libro della libreria 002806
Descrizione libro Prime Books, 2002. Hardcover. Condizione libro: Good. Good condition, some are ex-library and can have markings. Codice libro della libreria GD-271-28-5793905
Descrizione libro Prime Books, 2002. Hardcover. Condizione libro: Very Good. Codice libro della libreria P020966896882
Descrizione libro Prime Books, 2002. Hardcover. Condizione libro: Very Good. Condizione sovraccoperta: Very Good. First Edition. 1st edition, dust jacket in brodart wraps. slight edge wear to dust jacket. corners slightly bumped. a few pages bumped or curling. binding tight. a nice looking copy. Codice libro della libreria 5001378
Descrizione libro Prime Books, 2002. Hardcover. Condizione libro: New. Codice libro della libreria P110966896882
Descrizione libro Prime Books 2002-05-01, 2002. Hardcover. Condizione libro: New. First Edition. 0966896882 We guarantee all of our items - customer service and satisfaction are our top priorities. Please allow 4 - 14 business days for Standard shipping, within the US. Codice libro della libreria TM-0966896882