Electric Ladyland: Women and Rock Culture

Rhodes, Lisa L.

Editore: University of Pennsylvania Press
ISBN 10: 0812238400 / ISBN 13: 9780812238402
Usato / Hardcover / Quantità: 0
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0812238400 Crisp, clean, unread hardcover with light shelfwear to the boards, missing dust jacket with a publisher's mark to one edge - Nice!. Codice inventario libreria

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Riassunto:

With the explosion of rock music in the mid-1960s, women arrived?as performers, critics, and fans. While operating in radically different ways within rock culture, female musicians, journalists, and groupies rewrote women's roles on and off the stage in the 1960s and 1970s.

Electric Ladyland is a social and cultural history of this formative era in rock and roll, examining how the changing roles of women were intertwined with the evolution of the music. Articles and reviews from Rolling Stone and the Village Voice provide a window on a time when female musicians such as Janis Joplin, Aretha Franklin, and Joni Mitchell battled sexism from concert promoters and mainly male reviewers. Feminist rock journalists, however, were coming into their own. In particular, Ellen Willis, music critic for the New Yorker, and Lillian Roxon, author of the influential Rock Encyclopedia, transformed the way society perceived sometimes marginalized female performers.

The groupie was born at the same time, and Rhodes devotes considerable attention to the rise of this phenomenon. Through journalistic accounts as well as personal interviews with groupies of the 1960s and 1970s, she explores these women's dual legacy of self-assertion and promiscuous behavior that resonates to this day through the popularity of such films as Almost Famous.

Deeply informed by critical media studies and drawing on diverse and rich sources, Electric Ladyland assesses the lasting effects of cultural representations on female sexuality and gender roles.

L'autore: Lisa L. Rhodes teaches American studies at Temple University.

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Titolo: Electric Ladyland: Women and Rock Culture
Casa editrice: University of Pennsylvania Press
Legatura: Hardcover
Condizione libro: Good

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Rhodes, Lisa L.
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Descrizione libro University of Pennsylvania Press. Hardcover. Condizione libro: Good. 0812238400 Crisp, clean, unread hardcover with light shelfwear to the boards, missing dust jacket with a publisher's mark to one edge - Nice!. Codice libro della libreria Z0812238400Z3

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Descrizione libro University of Pennsylvania Press. Hardback. Condizione libro: new. BRAND NEW, Electric Ladyland: Women and Rock Culture, Lisa L. Rhodes, With the explosion of rock music in the mid-1960s, women arrived-as performers, critics, and fans. While operating in radically different ways within rock culture, female musicians, journalists, and groupies rewrote women's roles on and off the stage in the 1960s and 1970s. Electric Ladyland is a social and cultural history of this formative era in rock and roll, examining how the changing roles of women were intertwined with the evolution of the music. Articles and reviews from Rolling Stone and the Village Voice provide a window on a time when female musicians such as Janis Joplin, Aretha Franklin, and Joni Mitchell battled sexism from concert promoters and mainly male reviewers. Feminist rock journalists, however, were coming into their own. In particular, Ellen Willis, music critic for the New Yorker, and Lillian Roxon, author of the influential Rock Encyclopedia, transformed the way society perceived sometimes marginalized female performers. The groupie was born at the same time, and Rhodes devotes considerable attention to the rise of this phenomenon. Through journalistic accounts as well as personal interviews with groupies of the 1960s and 1970s, she explores these women's dual legacy of self-assertion and promiscuous behavior that resonates to this day through the popularity of such films as Almost Famous. Deeply informed by critical media studies and drawing on diverse and rich sources, Electric Ladyland assesses the lasting effects of cultural representations on female sexuality and gender roles. Codice libro della libreria B9780812238402

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Lisa L. Rhodes
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Descrizione libro University of Pennsylvania Press, United States, 2005. Hardback. Condizione libro: New. New.. 239 x 160 mm. Language: English . Brand New Book. With the explosion of rock music in the mid-1960s, women arrived-as performers, critics, and fans. While operating in radically different ways within rock culture, female musicians, journalists, and groupies rewrote women s roles on and off the stage in the 1960s and 1970s. Electric Ladyland is a social and cultural history of this formative era in rock and roll, examining how the changing roles of women were intertwined with the evolution of the music. Articles and reviews from Rolling Stone and the Village Voice provide a window on a time when female musicians such as Janis Joplin, Aretha Franklin, and Joni Mitchell battled sexism from concert promoters and mainly male reviewers. Feminist rock journalists, however, were coming into their own. In particular, Ellen Willis, music critic for the New Yorker, and Lillian Roxon, author of the influential Rock Encyclopedia, transformed the way society perceived sometimes marginalized female performers. The groupie was born at the same time, and Rhodes devotes considerable attention to the rise of this phenomenon. Through journalistic accounts as well as personal interviews with groupies of the 1960s and 1970s, she explores these women s dual legacy of self-assertion and promiscuous behavior that resonates to this day through the popularity of such films as Almost Famous. Deeply informed by critical media studies and drawing on diverse and rich sources, Electric Ladyland assesses the lasting effects of cultural representations on female sexuality and gender roles. Codice libro della libreria AAJ9780812238402

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Lisa L. Rhodes
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Descrizione libro University of Pennsylvania Press, United States, 2005. Hardback. Condizione libro: New. New.. 239 x 160 mm. Language: English . Brand New Book. With the explosion of rock music in the mid-1960s, women arrived-as performers, critics, and fans. While operating in radically different ways within rock culture, female musicians, journalists, and groupies rewrote women s roles on and off the stage in the 1960s and 1970s. Electric Ladyland is a social and cultural history of this formative era in rock and roll, examining how the changing roles of women were intertwined with the evolution of the music. Articles and reviews from Rolling Stone and the Village Voice provide a window on a time when female musicians such as Janis Joplin, Aretha Franklin, and Joni Mitchell battled sexism from concert promoters and mainly male reviewers. Feminist rock journalists, however, were coming into their own. In particular, Ellen Willis, music critic for the New Yorker, and Lillian Roxon, author of the influential Rock Encyclopedia, transformed the way society perceived sometimes marginalized female performers. The groupie was born at the same time, and Rhodes devotes considerable attention to the rise of this phenomenon. Through journalistic accounts as well as personal interviews with groupies of the 1960s and 1970s, she explores these women s dual legacy of self-assertion and promiscuous behavior that resonates to this day through the popularity of such films as Almost Famous. Deeply informed by critical media studies and drawing on diverse and rich sources, Electric Ladyland assesses the lasting effects of cultural representations on female sexuality and gender roles. Codice libro della libreria AAJ9780812238402

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Descrizione libro 2005. Hardcover. Condizione libro: New. 168mm x 28mm x 243mm. Hardcover. With the explosion of rock music in the mid-1960s, women arrived-as performers, critics, and fans. While operating in radically different ways within rock culture, female musicians, journa.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 328 pages. 0.694. Codice libro della libreria 9780812238402

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