Titolo: Manual Didactico de la Guitarra Flamenca ...
Casa editrice: Rgb
Data di pubblicazione: 2006
Condizione libro: very good
Gently used. Expect delivery in 2-3 weeks. Codice inventario libreria 9788492230693-3
Riassunto: For the first time in Flamenco s history MANUEL GRANADOS presents us to the ACCOMPANIMENT TO THE CANTE. This aspect of Flamenco requires a special methodology for a mutual understanding between the guitarist and the cantaor (singer), this in turn enabling the harmonious development of the style with artistic expression. For this reason, in this volume we find the accompaniment to the cante separated out into three tracks: the first, in order to understand what must result in the accompaniment and to achieve stylistic assimilation, the second with only de guitar, to study how guitar style changes during its development, and the third, in order to practice the accompaniment, only the voice of the cantaor is heard. Finishing up with the basic styles examined in Volume Three and introducing el Acompañamiento al cante (accompaniment to singing): SIGUIRIYAS, SOLEÁ, TIENTOS, FANDANGO NATURAL, GRANAÍNA, MALAGUEÑA.(Cantaor: Pepín de Torre). Bilingual edition English/Spanish. C.D.Bilingual edition English/Spanish.
L'autore: At an early age his family moved to Barcelona and his infancy was marked by his home life living next door to the Flamenco family Borrull. He soon began his classical and flamenco guitar studies with Maestro Don Antonio Francisco Serra, studying harmony and composition at the same time. As a composer and soloist, with a personal and distinctive style, he began working professionally at a very early age accompanying important artists from the Flamenco world. Heir to the school of Concert Flamenco founded by Miguel Borrull his work as a soloist has brought him around the world, appearing in the most prestigious concert halls and on national and international television and radio. Pioneer in the study of Flamenco music theory, Manuel is the author of many original concert and pedagogical works for the flamenco guitar. Of his many publications it s worth highlighting two volumes dealing with harmony and composition, Teoria Musical de la Guitarra Flamenca and the CD-Book combinations: Manual Didactico de la Guitarra Flamenca, Estudio Tecnico de la Guitarra Flamenca and Metodo Elemental de la Guitarra Flamenca, that cover everything from technical studies of the instrument to studies based on the characteristic styles of the genre.
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