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Riassunto: The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. InThe Memory of Tiresias, Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertextuality.
Building on the insights of semiotics and contemporary film theory, Iampolski defines cinema as a chain of transparent, mimetic fragments intermixed with quotations he calls "textual anomalies." These challenge the normalization of meaning and seek to open reading out onto the unlimited field of cultural history, which is understood in texts as a semiotically active extract, already inscribed.
Quotations obstruct mimesis and are consequently transformed in the process of semiosis, an operation that Iampolski defines as reading in an aura of enigma. In a series of brilliant analyses of films by D.W. Griffith, Sergei Eisenstein, and Luis Buñuel, he presents different strategies of intertextual reading in their work. His book suggests the continuing centrality of semiotic analysis and is certain to interest film historians and theorists, as well as readers in cultural and literary studies.
L'autore: Mikhail Iampolski teaches in the departments of Slavic and Comparative Literature and Russian Studies at New York University.
Titolo: The Memory of Tiresias- Intertextuality & ...
Casa editrice: University of California Press
Data di pubblicazione: 1998
Condizione libro: New
Descrizione libro University of California Press. Paperback. Condizione: Very Good. Very good condition book with only light signs of previous use. Codice articolo G0520085302I4N00
Descrizione libro University of California Press, 1998. Soft cover. Condizione: About VG. Worn exterior; unmarked within. Codice articolo 054034
Descrizione libro University of California Press. Condizione: Very Good. . Codice articolo A09F-00481
Descrizione libro University of California Press, 1998. Soft cover. Condizione: Very Good. Condizione sovraccoperta: No Jacket as Issued. Clean, unmarked pages. Light rubbing wear to covers. Codice articolo 103342
Descrizione libro University of California, 1998. Soft cover. Condizione: Fine. Shelf 8 Clean and tight; 326pp; Not a book club (BC)copy. No previous owner name, not ex library, not a remainder. Codice articolo 311241
Descrizione libro University of California Press, 1998. Condizione: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Codice articolo 0520085302-2-4
Descrizione libro University of California Press, 1998. Paperback. Condizione: Very Good. Crisp, clean pages; no owners' marks; square, uncreased spine; soft cover is faded over the spine and mildly shelfworn at the spine ends and around the bottom edges and corners, otherwise clean and well-kept. Codice articolo 071242
Descrizione libro University of California Press, 1998. Paperback. Condizione: Fine. Condizione sovraccoperta: n/a. New. Fine in publisher's decorated wrappers. Available in our UK premises for prompt dispatch worldwide. Codice articolo PBFH048709
Descrizione libro University of California Press, Berkeley 1998, 1998. 23.0 x 15.0cms, 326pp, very good paperback & cover (tanning paper) This book defines film as a chain of transparent, mimetic fragments and 'textual anomalies', which challenge the normalisation of meaning and seek to open our readings onto cultural history. It looks at the work of D W Griffiths, Sergei Eisenstein & Luis Bunuel. Codice articolo 152214
Descrizione libro University of California Press, 1998. Paperback. Condizione: Used: Good. Codice articolo SONG0520085302