UK First Edition, First Printing. As new, unread. Signed by the author. The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. The black sign, painted in white letters that hangs upon the gates, reads: Opens at Nightfall Closes at Dawn As the sun disappears beyond the horizon, all over the tents small lights begin to flicker, as though the entirety of the circus is covered in particularly bright fireflies. When the tents are all aglow, sparkling against the night sky, the sign appears. The Circus of Dreams. Now the circus is open. Now you may enter. Codice inventario libreria
Riassunto: In 1886, a mysterious travelling circus becomes an international sensation. Open only at night, constructed entirely in black and white, Le Cirque des Reves delights all who wander its circular paths and warm themselves at its bonfire. Although there are acrobats, fortune-tellers and contortionists, the Circus of Dreams is no conventional spectacle. Some tents contain clouds, some ice. The circus seems almost to cast a spell over its aficionados, who call themselves the reveurs - the dreamers. At the heart of the story is the tangled relationship between two young magicians, Celia, the enchanter's daughter, and Marco, the sorcerer's apprentice. At the behest of their shadowy masters, they find themselves locked in a deadly contest, forced to test the very limits of the imagination, and of their love...A fabulous, fin-de-siecle feast for the senses and a life-affirming love story, The Night Circus is a captivating novel that will make the real world seem fantastical and a fantasy world real.
Q&A with Author Erin Morgenstern
Q. This is a lovely and unique story. Why a circus? How did this story first come to you—through a character, a plotline, an emotion?
A. The story came as a location created out of desperation. I was working on a different story altogether, one that was becoming progressively more and more boring because nothing was happening. I needed something exciting to happen and I couldn't figure out how to do it with the locations I had so I sent the characters to the circus. That circus was immediately much more interesting and eventually I abandoned that other story and its characters entirely and focused on the circus instead. What eventually became The Night Circus started from exploring that spontaneously-created location, figuring out who created it and who performed in it and what its story was.
Q. What was your inspiration for some of the amazing acts in this circus?
A. Some of them were traditional circus acts or attractions made a bit more unique, like the acrobats performing directly overhead or the carousel that doesn't simply go in circles. The Cloud Maze is a play on a climbing maze I hazily recall from childhood visits to the Boston Children's Museum. Other tents were created based on color, or lack thereof. I had a lot of dark tents and wanted something lighter and white, the Ice Garden developed from that relatively simple starting point.
Q. Do you have a favorite character?
A. It's impossible to pick a true favorite, though Poppet & Widget are very dear to my heart as they're the first of the characters to turn up in my imagination. They're also just plain fun, both individually and as a pair.
Q. What was the most challenging aspect of developing this story?
A. It didn't have a plot for a very long time. Really, my biggest challenge was finding the actual story within all the atmosphere. I had the place and the characters and the feel of the book long before it had a proper story structure to tie everything together. The novel went through a great many revisions before it figured out what it wanted to be, I tried things that didn't work and then things that sort of worked and replaced old ideas with new ones until I got it right.
Q. Is there an emotion that you had to spend a lot of time with that made you uncomfortable?
A. I'm an emotional sort of person in general and I have a vivid imagination, so I feel the whole spectrum of emotion strongly when I write. It's something I'm used to, though, so nothing in particular made me uncomfortable. There is a lot of frustration felt by various characters, which is not the nicest emotion to be spending a lot of time with, but it helps to drive characters to actions which bring different emotions along.
Q. Tell me about your writing life. Do you have any rituals?
A. I binge write. I think it's because I started seriously writing by participating in National Novel Writing Month, an online-based challenge to write 50,000 words in 30 days. I don't have as tight a time limit anymore but I still write in long marathon sessions and then I won't write for a while, I'm not a write-every-day writer. I go back and forth between input phases where I'm reading a lot or trying to get out and explore the world a bit and soak up inspirations and then I'll get back into output mode and write and write and write.
I don't have any particular rituals, I sometimes like to write in longhand when I'm searching for ideas but I do the vast majority by typing, I can't always keep up with my thoughts longhand. I'm not a coffeeshop writer because I feel obliged to order more coffee and then I end up over-caffeinated.
Q. What's the one true thing you learned from your characters in this novel?
A. I think it's something that I knew already but explored more with these characters, that nothing is as simple as black or white, good or evil. There are all those shades of grey and everyone acts from a place that they see as right and true. (Though they are allowed to change their minds.)
Titolo: The Night Circus
Casa editrice: Harvill Secker
Data di pubblicazione: 2011
Condizione libro: As New
Edizione: 1st Edition
Descrizione libro Paperback. Condizione libro: Good. Codice libro della libreria PL00475451B
Descrizione libro Paperback. Condizione libro: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Codice libro della libreria GOR003331853
Descrizione libro Paperback. Condizione libro: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Codice libro della libreria GOR003507730
Descrizione libro Paperback. Condizione libro: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration. Codice libro della libreria GOR004743808
Descrizione libro Vintage, 2011. Hardcover. Condizione libro: Used; Very Good. Codice libro della libreria 2393770
Descrizione libro Harvill Secker, 2011. Hardcover. Condizione libro: Very Good. Codice libro della libreria P02184655523X
Descrizione libro Harvill Secker, 2011. Hardcover. Condizione libro: Like New. Codice libro della libreria P01184655523X
Descrizione libro Harvill Secker, 2011. Hardcover. Condizione libro: New. Codice libro della libreria P11184655523X
Descrizione libro Harvill Secker, London, 2012. Original Cloth. Condizione libro: Very Good. Condizione sovraccoperta: Very Good. First Edition. Very slight edge wear to boards and page edges. Pages clean and unmarked. Jacket has a little edge creasing and rubbing to the top corners. First printing. Codice libro della libreria 009744
Descrizione libro Harvill Secker, GB, 2011. Hardback. Condizione libro: nrFine. Condizione sovraccoperta: nrFine DW. 1st Edition. Book and dustwrapper/dustjacket are in nearly fine condition with only slightest signs of wear and/or age. Codice libro della libreria tem042.021