Gently used. Expect delivery in 2-3 weeks. Codice inventario libreria
Riassunto: The last twenty-five years have seen profound changes in the field of graphic communication. One by one, the old certainties about the techniques and pruposesof graphic design have been questioned and torn apart. With the international take-up of the new technology in the 1990s, there was an explosion of creativity in graphic design, as designers and typographers reassessed their role, jettisoned existing rules and forged experimental new approaches. Graphic work became more self-expressive, idiosyncratic and sometimes extreme. No More Rules tells this story in detail, breaking down a broad and sometimes confusing field of graphic design activity into key developments and themes, such as the American new wave; punk and its aftermath; deconstructionist theory and design; the digital type revolution; typography grunge; graphic authorship and graphic agitation; retro and the vernacular; and recent new conceptual approaches to design. Each theme is illustrated by significant examples of work produced between 1980 and 2000 that have changed the way in which designers and their audiences think about graphic communication.
L'autore: Rick Poynor founded Eye magazine in 1990. He is also a columnist for Print magazine in New York and has written about visual culture for Frieze, Domus, Blueprint, I.D., Metropolis, Adbusters and the Financial Times. His books include Typography Now (1991), Typographica (2001), and the essay collection Obey the Giant: Life in the Image World.
Titolo: No More Rules: Graphic Design and ...
Casa editrice: Laurence King Publishing
Data di pubblicazione: 2003
Condizione libro: very good
Descrizione libro Laurence King, 2003. Paperback. Condizione libro: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence!. Codice libro della libreria mon0002212531
Descrizione libro Paperback. Condizione libro: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Codice libro della libreria GOR001936306
Descrizione libro Laurence King Publishing. PAPERBACK. Condizione libro: Good. 1856692299 Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Codice libro della libreria Z1856692299Z3
Descrizione libro Laurence King Publishing. Paperback. Condizione libro: VERY GOOD. little to no wear, pages are clean. The cover and binding are crisp with next no creases. Codice libro della libreria 2728515550
Descrizione libro Condizione libro: Very good. Codice libro della libreria 2000000262901
Descrizione libro Laurence King Publishing, 2003. Condizione libro: Good. N/A. Ships from the UK. Former Library book. Shows some signs of wear, and may have some markings on the inside. Codice libro della libreria GRP26231363
Descrizione libro Laurence King, 2003. Paperback. Condizione libro: Fine. FAST DESPATCH + SIGNATURE & ADDRESS + STAMP by First Class Mail. Codice libro della libreria mon0000083736
Descrizione libro Laurence King Publishing, 2003. Paperback. Condizione libro: Brand New. 192 pages. 11.06x8.27x0.71 inches. In Stock. Codice libro della libreria zk1856692299
Descrizione libro Laurence King London 2003, 2003. As New 28.0 x 21.5cms, 192pp, colour Ilusts As New Soft Cover This is 'the first wide-ranging critical survey of the postmodern designers and typographers who jettisoned the orthodoxes of modernist graphic design'. It looks at vernacular styles, origins, deconstruction, appropriation, technology, authorship, opposition etc. Codice libro della libreria 010472
Descrizione libro Laurence King Publishing, 2003. Paperback. Condizione libro: New. Codice libro della libreria P111856692299