ISBN 10: 1491825510 / ISBN 13: 9781491825518
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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: This "collection of thoughts, feelings, surmises, rants and rhapsodies" explores the world of art and cinema Nilsson has watched and experienced over the last 40 years. To him "post modern" developments in the gallery and museum Arts are largely fatuous and have resulted in market oriented novelties which pretend to significance but depend on profit. Following the lead of the original Duchampian art jokes, (FOUNTAIN or BICYCLE WHEEL) funny only once (in 1917), modern day cultural Sophists continue to promote Warhol's sly suggestions that someday, "everything will be art" by allowing it to happen. Catharsis, transcendence, or anything involving depth of emotion, complex human behavior or intellectual challenge is embarrassingly sincere to these "fixers" who correct the pretensions of Art in order to create the breathless "freedoms" of fashion. His view of the so- called American "Independent" film movement (1959 to the present) is that it never was what it intended (and pretended) to be. From an indigenous cinema created by early American pioneers (inspired by Italian Neo-Realism and the French New Wave (1950s & 60s) John Cassavetes, SHADOWS, FACES, Lionel Rogosin, (ON THE BOWERY), Morris Engel, (THE LITTLE FUGITIVE), Shirley Clarke, (THE COOL WORLD) and later Robert Young and Michael Roemer, (NOTHING BUT A MAN), and Cine Manifest filmmakers Nilsson and John Hanson, (NORTHERN LIGHTS) an "Indiewood" variant ended up backing the film careers of directors such as Spike Lee, John Waters and Quentin Tarantino who were really on the road to Hollywood all along. Codice inventario libreria

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Riassunto: This "collection of thoughts, feelings, surmises, rants and rhapsodies" explores the world of art and cinema Nilsson has watched and experienced over the last 40 years. To him "post modern" developments in the gallery and museum Arts are largely fatuous and have resulted in market oriented novelties which pretend to significance but depend on profit. Following the lead of the original Duchampian art jokes, (FOUNTAIN or BICYCLE WHEEL) funny only once (in 1917), modern day cultural Sophists continue to promote Warhol's sly suggestions that someday, "everything will be art" by allowing it to happen. Catharsis, transcendence, or anything involving depth of emotion, complex human behavior or intellectual challenge is embarrassingly sincere to these "fixers" who correct the pretensions of Art in order to create the breathless "freedoms" of fashion. His view of the so- called American "Independent" film movement (1959 to the present) is that it never was what it intended (and pretended) to be. From an indigenous cinema created by early American pioneers (inspired by Italian Neo-Realism and the French New Wave (1950s & 60s) John Cassavetes, SHADOWS, FACES, Lionel Rogosin, (ON THE BOWERY), Morris Engel, (THE LITTLE FUGITIVE), Shirley Clarke, (THE COOL WORLD) and later Robert Young and Michael Roemer, (NOTHING BUT A MAN), and Cine Manifest filmmakers Nilsson and John Hanson, (NORTHERN LIGHTS) an "Indiewood" variant ended up backing the film careers of directors such as Spike Lee, John Waters and Quentin Tarantino who were really on the road to Hollywood all along.

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Descrizione libro AuthorHouse. PAPERBACK. Condizione libro: Very Good. 1491825510 Item in very good condition and at a great price! Textbooks may not include supplemental items i.e. CDs, access codes etc. Codice libro della libreria Z1491825510Z2

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Descrizione libro AuthorHouse, 2013. PAP. Condizione libro: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria LQ-9781491825518

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Descrizione libro AUTHORHOUSE, United States, 2013. Paperback. Condizione libro: New. 226 x 150 mm. Language: English . Brand New Book ***** Print on Demand *****.This collection of thoughts, feelings, surmises, rants and rhapsodies explores the world of art and cinema Nilsson has watched and experienced over the last 40 years. To him post modern developments in the gallery and museum Arts are largely fatuous and have resulted in market oriented novelties which pretend to significance but depend on profit. Following the lead of the original Duchampian art jokes, (FOUNTAIN or BICYCLE WHEEL) funny only once (in 1917), modern day cultural Sophists continue to promote Warhol s sly suggestions that someday, everything will be art by allowing it to happen. Catharsis, transcendence, or anything involving depth of emotion, complex human behavior or intellectual challenge is embarrassingly sincere to these fixers who correct the pretensions of Art in order to create the breathless freedoms of fashion. His view of the so- called American Independent film movement (1959 to the present) is that it never was what it intended (and pretended) to be. From an indigenous cinema created by early American pioneers (inspired by Italian Neo-Realism and the French New Wave (1950s 60s) John Cassavetes, SHADOWS, FACES, Lionel Rogosin, (ON THE BOWERY), Morris Engel, (THE LITTLE FUGITIVE), Shirley Clarke, (THE COOL WORLD) and later Robert Young and Michael Roemer, (NOTHING BUT A MAN), and Cine Manifest filmmakers Nilsson and John Hanson, (NORTHERN LIGHTS) an Indiewood variant ended up backing the film careers of directors such as Spike Lee, John Waters and Quentin Tarantino who were really on the road to Hollywood all along. Codice libro della libreria AAV9781491825518

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Descrizione libro AuthorHouse, 2016. Paperback. Condizione libro: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Codice libro della libreria ria9781491825518_lsuk

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Descrizione libro AuthorHouse, 2013. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria IQ-9781491825518

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Descrizione libro AUTHORHOUSE, United States, 2013. Paperback. Condizione libro: New. 226 x 150 mm. Language: English . Brand New Book ***** Print on Demand *****. This collection of thoughts, feelings, surmises, rants and rhapsodies explores the world of art and cinema Nilsson has watched and experienced over the last 40 years. To him post modern developments in the gallery and museum Arts are largely fatuous and have resulted in market oriented novelties which pretend to significance but depend on profit. Following the lead of the original Duchampian art jokes, (FOUNTAIN or BICYCLE WHEEL) funny only once (in 1917), modern day cultural Sophists continue to promote Warhol s sly suggestions that someday, everything will be art by allowing it to happen. Catharsis, transcendence, or anything involving depth of emotion, complex human behavior or intellectual challenge is embarrassingly sincere to these fixers who correct the pretensions of Art in order to create the breathless freedoms of fashion. His view of the so- called American Independent film movement (1959 to the present) is that it never was what it intended (and pretended) to be. From an indigenous cinema created by early American pioneers (inspired by Italian Neo-Realism and the French New Wave (1950s 60s) John Cassavetes, SHADOWS, FACES, Lionel Rogosin, (ON THE BOWERY), Morris Engel, (THE LITTLE FUGITIVE), Shirley Clarke, (THE COOL WORLD) and later Robert Young and Michael Roemer, (NOTHING BUT A MAN), and Cine Manifest filmmakers Nilsson and John Hanson, (NORTHERN LIGHTS) an Indiewood variant ended up backing the film careers of directors such as Spike Lee, John Waters and Quentin Tarantino who were really on the road to Hollywood all along. Codice libro della libreria AAV9781491825518

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Descrizione libro Condizione libro: Very Good. Book Condition: Very Good. Codice libro della libreria 97814918255183.0

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Descrizione libro Paperback. Condizione libro: New. This item is printed on demand. Item doesn't include CD/DVD. Codice libro della libreria 7143299

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Descrizione libro AuthorHouse. Paperback. Condizione libro: New. Paperback. 272 pages. Dimensions: 8.9in. x 5.9in. x 0.8in.This collection of thoughts, feelings, surmises, rants and rhapsodies explores the world of art and cinema Nilsson has watched and experienced over the last 40 years. To him post modern developments in the gallery and museum Arts are largely fatuous and have resulted in market oriented novelties which pretend to significance but depend on profit. Following the lead of the original Duchampian art jokes, (FOUNTAIN or BICYCLE WHEEL) funny only once (in 1917), modern day cultural Sophists continue to promote Warhols sly suggestions that someday, everything will be art by allowing it to happen. Catharsis, transcendence, or anything involving depth of emotion, complex human behavior or intellectual challenge is embarrassingly sincere to these fixers who correct the pretensions of Art in order to create the breathless freedoms of fashion. His view of the so- called American Independent film movement (1959 to the present) is that it never was what it intended (and pretended) to be. From an indigenous cinema created by early American pioneers (inspired by Italian Neo-Realism and the French New Wave (1950s and 60s) John Cassavetes, SHADOWS, FACES, Lionel Rogosin, (ON THE BOWERY), Morris Engel, (THE LITTLE FUGITIVE), Shirley Clarke, (THE COOL WORLD) and later Robert Young and Michael Roemer, (NOTHING BUT A MAN), and Cine Manifest filmmakers Nilsson and John Hanson, (NORTHERN LIGHTS) an Indiewood variant ended up backing the film careers of directors such as Spike Lee, John Waters and Quentin Tarantino who were really on the road to Hollywood all along. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Codice libro della libreria 9781491825518

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