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9780500239490: A History of Pictures: From the Cave to the Computer Screen
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The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link `art' to human skills and human needs. Each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the `Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Why are optical projections always going to be more beautiful than HD television can ever be? How have the makers of images depicted movement? What makes marks on a flat surface interesting? Energized by two lifetimes of looking at pictures, combined with a great artist's 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade.

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Recensione:
'What makes some pictures a masterpiece? Who better to explain than our greatest living artist, as he teams up with art critic Martin Gayford to open your eyes to the works of genius he holds dear' --Mail on Sunday

'His sharp and often delightfully slanted take on pictures, explained in clear terms, crisps up perceptions and help readers to look anew.'--Rachel Campbell-Johnston, The Times

'Wonderful ... Apart from the sumptuous avalanche of reproductions, the book consists of paragraphs in which the two proprietors speak alternately. It's a measure of Hockney's vividness of perception that he can always put a cap on Gayford s knowledge ... fabulous'--Clive James, Guardian

'Will keep any intelligent person amused and intrigued ... [Hockney] asks big questions about the nature of picture-making and the relationship between painters and photography in a way that no other contemporary artist seems to do ... enormously good-humoured and entertaining ... On almost every page, there is an interesting provocation'--Andrew Marr, New Statesman

'I won't read a more interesting book all year ... utterly fascinating' --AN Wilson, The Sunday Times

'Thought-provoking ... like hearing from superbly well-informed and enthusiastic friends, because the format, the superbly chosen illustrations for the entire history of image-making and the design of the book itself make its contents unusually accessible, allowing them still to be argumentative, stimulating, even at times unexpected, and totally engaging' --Marina Vaizey, V&A Magazine

A brilliantly original and illustrated exploration into how and why pictures are made, and the pair share sparkling insights and ideas. Art lovers will go wild. -- Woman & Home

Elegant and often surprising...Hockney flags up a topic and Gayford gives the critical armature: it makes for a refreshing double act. -- Michael Prodger s books of the year, The Sunday Times

A sheer pleasure to read and to look at. -- Alexander McCall Smith s books of the year, New Statesman

A wonderfully intimate insight into a charismatic and candid conversation with one of the art world s greatest living artists. --Irish Arts Review

An eloquent conversational testimony to the vividness of life lived through intelligent looking. You will see Caravaggio and Citizen Kane with fresh eyes--Daily Telegraph

Hockney asks big questions about the nature of picture-making and the relationship between painters and photography in a way that no other contemporary artist seems to do...enormously good-humored and entertaining...on almost every page,
there is an interesting provocation--
Andrew Marr, New Statesman

A magic flight of a book...it's a measure of Hockney's vividness of perception that he can always put a cap on Gayford's knowlegde...fabulous!--Clive James, Guardian

Through the eyes of Hockney and Gayford, we see familiar paintings as though for the very first time. --Mail on Sunday

Fans of David Hockney, not to mention anyone interested generally in the history of painting, will love this coffee table gem. -- Metro

It is the most rivetingly interesting book I read all year. --A.N. Wilson s books of the year, The Tablet

Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.

  • EditoreThames & Hudson
  • Data di pubblicazione2016
  • ISBN 10 0500239495
  • ISBN 13 9780500239490
  • RilegaturaCopertina rigida
  • Numero edizione1
  • Numero di pagine344
  • Valutazione libreria

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9781419722752: A History of Pictures: From the Cave to the Computer Screen

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ISBN 10:  1419722751 ISBN 13:  9781419722752
Casa editrice: Harry N Abrams Inc, 2016
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  • 9780500094235: A History of Pictures: From the Cave to the Computer Screen

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Descrizione libro Hardcover. Condizione: new. Hardcover. A picture, says David Hockney, is the only way that we can give an account of what we see. But all picture-makers face a common problem: how to compress three-dimensional people, things and places onto a flat surface? The results are often pigeonholed as paintings, photographs or films. Alternatively, they may be sorted by date and style: medieval, Renaissance or baroque. In fact, Hockney argues, whether they are made by brush, camera or digital program, and no matter if they are on cave walls or computer screens, first and foremost they are all pictures. And for us to understand how we see the world around us - and hence ourselves - what is needed is a history of pictures. This is that book.Informed and energized by a lifetime of painting, drawing and making images with cameras, Hockney, in collaboration with the art critic Martin Gayford, explores how and why pictures have been made across the millennia. What makes marks on a flat surface interesting? How do you show movement in a still picture, and how, conversely, do films and television connect with old masters? What are the ways in which time and space can be condensed into a static image on a canvas or screen? What do pictures show - truth or lies? Do photographs present the world as we experience it?Juxtaposing a rich variety of images - a still from a Disney cartoon with a Japanese woodblock print by Hiroshige, a scene from an Eisenstein film with a Velazquez painting - the authors cross the normal boundaries between high culture and popular entertainment, and make unexpected connections across time and media. Building on Hockney's groundbreaking book Secret Knowledge, they argue that film, photography, painting and drawing are deeply interconnected. Insightful and thought-provoking, A History of Pictures is an important contribution to our appreciation of how we represent our reality. The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. In this book, each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780500239490

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