9780500239490 - A History of Pictures: From the Cave to the Computer Screen di Hockney, David; Gayford, Martin (25 risultati)

Hardcover. Condizione: Good. 1st Edition. Minor wear, creasing to the corners and edges of the book.

Condizione: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. A clean, tight copy. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Condizione: new.

Condizione: New. pp. 344.

Condizione: New.

Hardcover. Condizione: new. Hardcover. A picture, says David Hockney, is the only way that we can give an account of what we see. But all picture-makers face a common problem: how to compress three-dimensional people, things and places onto a flat surface? The results are often pigeonholed as paintings, photographs or films. Alternatively, they may be sorted by date and style: medieval, Renaissance or baroque. In fact, Hockney argues, whether they are made by brush, camera or digital program, and no matter if they are on cave walls or computer screens, first and foremost they are all pictures. And for us to understand how we see the world around us - and hence ourselves - what is needed is a history of pictures. This is that book.Informed and energized by a lifetime of painting, drawing and making images with cameras, Hockney, in collaboration with the art critic Martin Gayford, explores how and why pictures have been made across the millennia. What makes marks on a flat surface interesting? How do you show movement in a still picture, and how, conversely, do films and television connect with old masters? What are the ways in which time and space can be condensed into a static image on a canvas or screen? What do pictures show - truth or lies? Do photographs present the world as we experience it?Juxtaposing a rich variety of images - a still from a Disney cartoon with a Japanese woodblock print by Hiroshige, a scene from an Eisenstein film with a Velazquez painting - the authors cross the normal boundaries between high culture and popular entertainment, and make unexpected connections across time and media. Building on Hockney's groundbreaking book Secret Knowledge, they argue that film, photography, painting and drawing are deeply interconnected. Insightful and thought-provoking, A History of Pictures is an important contribution to our appreciation of how we represent our reality. The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. In this book, each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. In.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: Brand New. 344 pages. 11.18x8.94x1.50 inches. In Stock.

Condizione: New. The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. In this book, each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Num Pages: 360 pages, 325 colour illustrations. BIC Classification: AC; AFC. Category: (G) General (US: Trade). Dimension: 230 x 289 x 38. Weight in Grams: 2188. . 2016. Paperback. . . . .

Condizione: New. The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. In this book, each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Num Pages: 360 pages, 325 colour illustrations. BIC Classification: AC; AFC. Category: (G) General (US: Trade). Dimension: 230 x 289 x 38. Weight in Grams: 2188. . 2016. Paperback. . . . . Books ship from the US and Ireland.

Condizione: New.

Hardcover. Condizione: new. Hardcover. A picture, says David Hockney, is the only way that we can give an account of what we see. But all picture-makers face a common problem: how to compress three-dimensional people, things and places onto a flat surface? The results are often pigeonholed as paintings, photographs or films. Alternatively, they may be sorted by date and style: medieval, Renaissance or baroque. In fact, Hockney argues, whether they are made by brush, camera or digital program, and no matter if they are on cave walls or computer screens, first and foremost they are all pictures. And for us to understand how we see the world around us - and hence ourselves - what is needed is a history of pictures. This is that book.Informed and energized by a lifetime of painting, drawing and making images with cameras, Hockney, in collaboration with the art critic Martin Gayford, explores how and why pictures have been made across the millennia. What makes marks on a flat surface interesting? How do you show movement in a still picture, and how, conversely, do films and television connect with old masters? What are the ways in which time and space can be condensed into a static image on a canvas or screen? What do pictures show - truth or lies? Do photographs present the world as we experience it?Juxtaposing a rich variety of images - a still from a Disney cartoon with a Japanese woodblock print by Hiroshige, a scene from an Eisenstein film with a Velazquez painting - the authors cross the normal boundaries between high culture and popular entertainment, and make unexpected connections across time and media. Building on Hockney's groundbreaking book Secret Knowledge, they argue that film, photography, painting and drawing are deeply interconnected. Insightful and thought-provoking, A History of Pictures is an important contribution to our appreciation of how we represent our reality. The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. In this book, each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: New. pp. 344.

Condizione: NEW.

Hardcover. Condizione: new. Hardcover. A picture, says David Hockney, is the only way that we can give an account of what we see. But all picture-makers face a common problem: how to compress three-dimensional people, things and places onto a flat surface? The results are often pigeonholed as paintings, photographs or films. Alternatively, they may be sorted by date and style: medieval, Renaissance or baroque. In fact, Hockney argues, whether they are made by brush, camera or digital program, and no matter if they are on cave walls or computer screens, first and foremost they are all pictures. And for us to understand how we see the world around us - and hence ourselves - what is needed is a history of pictures. This is that book.Informed and energized by a lifetime of painting, drawing and making images with cameras, Hockney, in collaboration with the art critic Martin Gayford, explores how and why pictures have been made across the millennia. What makes marks on a flat surface interesting? How do you show movement in a still picture, and how, conversely, do films and television connect with old masters? What are the ways in which time and space can be condensed into a static image on a canvas or screen? What do pictures show - truth or lies? Do photographs present the world as we experience it?Juxtaposing a rich variety of images - a still from a Disney cartoon with a Japanese woodblock print by Hiroshige, a scene from an Eisenstein film with a Velazquez painting - the authors cross the normal boundaries between high culture and popular entertainment, and make unexpected connections across time and media. Building on Hockney's groundbreaking book Secret Knowledge, they argue that film, photography, painting and drawing are deeply interconnected. Insightful and thought-provoking, A History of Pictures is an important contribution to our appreciation of how we represent our reality. The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. In this book, each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: Very good.

Condizione: Very good.

Condizione: New. The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. In this book, each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the Mona Li.

Buch. Condizione: Neu. A History of Pictures | From the Cave to the Computer Screen | David Hockney (u. a.) | Buch | Gebunden | Englisch | 2016 | Thames & Hudson Ltd | EAN 9780500239490 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Buch. Condizione: Neu. Neuware - The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link art to human skills and human needs. Each chapter addresses an important question: What happens when we try to express reality in two dimensions Why is the Mona Lisa beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting Why are optical projections always going to be more beautiful than HD television can ever be How have the makers of images depicted movement What makes marks on a flat surface interesting Energized by two lifetimes of looking at pictures, combined with a great artists 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade.