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Editore: Georg Westermann 2. Auflage Braunschweig 1969, 1969
Da: Antiquariat AndereWelt, Landsberg, Germania
brosch. je 169 S. Abb. guter Zustand.
Editore: Mortemart : Rougerie, 1990
Da: MW Books Ltd., Galway, Irlanda
Prima edizione
First Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Unread copy with pages unopened.; 8vo 8" - 9" tall; 139 pages; Description: 139 p. ; 22 cm. Subjects: Fels, Florent (1893-) --Correspondence --Jacob, Max (1876-1944) --Poets, French --20th century. 1 Kg.
Editore: HMSO, 1902
Da: Cambridge Rare Books, Cambridge, GLOUC, Regno Unito
Prima edizione
Hardback. Condizione: GOOD. 1st Edition. 1902. HMSO. First. Disbound loose sheets with clear protective covers. 7.5x11. Ex-libris. Complete specification for patent application together with drawings.
Editore: Mortemart : Rougerie, 1990
Da: MW Books, New York, NY, U.S.A.
Prima edizione
First Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Unread copy with pages unopened.; 8vo 8" - 9" tall; 139 pages; Description: 139 p. ; 22 cm. Subjects: Fels, Florent (1893-) --Correspondence --Jacob, Max (1876-1944) --Poets, French --20th century. 1 Kg.
Editore: Aux Bureaux de la Revue, Paris 1894, 1894
Da: Books+, Saint Maurice, Francia
In-8, 896pp., reliure demi-veau de l'epoque, dos plat orne, piece de titre,
Editore: München, Verlag Max Schick Vertrieb der Veröffentlichungen des Bayerischen Kriegsarchivs,, 1930
Da: Galerie für gegenständliche Kunst, Kirchheim unter Teck, Germania
Libro Prima edizione
Ausgabe im original Verlagseinband (blaues Ganzleinen / Leinen / OLn / Ln im Format 8vo 16 x 24 cm) mit verziertem Rücken- und Deckeltitel in Silberprägung samt Deckelvignette und Kopffarbschnitt. 189 Seiten, mit 88 Fotoabbildungen auf Kunstdruckpapier, Schrift: Fraktur. - Band 69 der Reihe "Erinnerungsblätter deutscher Regimenter. Auszüge aus den amtlichen Kriegstagebüchern, herausgegeben für den Anteil der bayerischen Armee vom bayerischen Kriegsarchiv". - Deutsches Reich / Österreich-Ungarn im 1.Weltkrieg, illustrierte Bücher, Kriegführung im 20. Jahrhundert, deutsches Kriegserleben, deutsches Soldatentum in der Bewährung vor dem Feind, Kaiserliches Heer, Reichsheer, Landser am Feind, Waffentaten des Regiments, Frontkämpfer, Kriegsveteranen, Westfront-Kämpfer, Flandernschlachten, Stellungskrieg, Schützengraben, militärisches Geschichtswerk, deutsche Heldenschar im Felde, Gefechtsberichte, Kriegsberichte, Kriegseinsatz, Kriegsgeschichte, Kriegserlebnisse, Bayern, bayerisches Militär, Geist der Front, deutscher Frontgeist, das tapfere deutsche Heer im Felde unbesiegt, bayerisches Kavallerie-Regiment, Reitertruppe, bayerische Fronthelden des Weltkriegs, Regimentsgeschichte, Heldentum der Front. - Erstausgabe in guter Erhaltung, ohne die 5 Karten Versand an Institutionen auch gegen Rechnung Sprache: Deutsch Gewicht in Gramm: 2000.
Da: Celler Versandantiquariat, Eicklingen, Germania
Membro dell'associazione: GIAQ
Libro
Schick, München, 1930. 189 S. mit 5 Karten u. 88 Bildern., original Leinen mit Silberprägung---- Sehr schönes Exemplar. Erinnerungsblätter deutscher Regimenter. Auszüge aus den amtlichen Kriegstagebüchern. Herausgegeben für den Anteil der bayerischen Armee vom bayerischen Kriegsarchiv. Bayerische Armee, Band 69 - 750 Gramm.
Editore: Das Kunstarchiv Verlag, Berlin, 1926
Da: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.
Prima edizione
Softcover. Condizione: g+. First edition. Quarto. 36pp. Original printed wrappers. Catalog published on the occasion of an exhibition of paintings and drawings by George Grosz, held during the Spring of 1926 in Berlin, at the Galerie Alfred Flechtheim.* This catalog features 24 duo-tone and b/w photographic reproductions. Includes a poem by Gottfried Benn, and four essay on the artist and his work by Carl Einstein, Marc Neven, Max Herrmann, and Florent Fels. Some age-wear and moderate soiling on wrappers. Upper corners bumped, thus slightly affecting pages throughout. Text in German, gothic script, with one of the four essays in French. Wrappers in overall good- to good, interior in good+ to very good condition. * Alfred Flechtheim (1878-1937) was a German art dealer, art collector, journalist and publisher. Flechtheim appeared in the art world shortly after 1900, with a collection of paintings by Vincent van Gogh and Paul Cézanne; French Avant garde early works of Pablo Picasso, Georges Braque and André Derain; paintings of Wassily Kandinsky, Maurice de Vlaminck, Alexej von Jawlensky, Gabriele Münter, and the Rhein Expressionists Heinrich Campendonk, August Macke, Heinrich Nauen (de), and Paul Adolf Seehaus (de). Flechtheim opened his first gallery in Düsseldorf in 1913, followed by galleries in Berlin, Frankfurt, Cologne, and Vienna. Flechtheim served in the German Army during World War I, but not at the front. His art business collapsed during the war but he re-opened in Düsseldorf in 1919. In 1921 he founded "Der Querschnitt" (the Cross Section), a cultural magazine. Legendary, glamorous parties in Flechtheim's gallery overflowed with the glitterati of the new Berlin: movie stars, titans of finance, prizefighters and artists of every stripe. As Hitler rose to power in the late 1920s and early 1930s, Flechtheim became a bête noire because of the art he espoused and championed. In 1933, Sturmabteilung men broke up an auction of Flechtheim's paintings. The Nazis aryanized Flechtheim's gallery, as they would many other Jewish businesses, and turned it over to Flechtheim's business manager, Alex Vömel. After the war, former party member Vömel said he didn't even remember who Flechtheim was. The Nazis seized and sold off Flechtheim's private collection, as well as the contents of his gallery. Emigration and Death Six months after the Nazis came to power in 1933, Flechtheim, penniless, fled to Paris, and tried to find work with his former business partner, Daniel-Henry Kahnweiler. Flechtheim subsequently organized exhibits in London of the paintings of exiled German artists. In London, Flechtheim slipped on a patch of ice, was taken to a hospital, punctured his leg on a rusty nail in his hospital bed, developed septicemia leading to amputation of his leg, and died.