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Editore: Princeton Univ Pr, 1992
ISBN 10: 0691032041ISBN 13: 9780691032047
Da: Books From California, Simi Valley, CA, U.S.A.
Libro
Hardcover. Condizione: Good.
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Nuovo - A partire da EUR 55,69
Usato - A partire da EUR 3,89
Scopri anche Rilegato Prima edizione
Editore: Princeton University Press, 2003
ISBN 10: 0691102651ISBN 13: 9780691102658
Da: HPB-Red, Dallas, TX, U.S.A.
Libro
Paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!.
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Nuovo - A partire da EUR 14,36
Usato - A partire da EUR 7,00
Scopri anche Rilegato Brossura Prima edizione
Editore: University Gallery, University of Minnesota
Da: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
Condizione: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.
Editore: University Gallery, University of Minnesota
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: Fair. No Jacket. Former library book; Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.75.
Editore: University of Minnesota Gallery, 1980
Da: ANARTIST, New York, NY, U.S.A.
Softcover, 94 pages; very good condition; light rubbing to covers; no internal marks. (Blank yellow spine) Foreign shipping may be extra.
Editore: Holmes & Meier Publishers, Inc., 1980
Da: Avol's Books LLC, Madison, WI, U.S.A.
Libro
Paperback. Condizione: Fine. Exhibition catalog. Cancelland sticker for Holmes & Meier over original publisher's name, University Gallery, University of Minnesota, otherwise like new.
Editore: Galleria Civica d'Arte Moderna, 1988
ISBN 10: 0945948018ISBN 13: 9780945948018
Da: W. Lamm, Los Angeles, CA, U.S.A.
Libro Prima edizione
Soft Cover. Condizione: Fine. First Edition; First Printing. Numerous full page color plates. Essays by Arturo Schwarz, Sanda Agalidi, and Beth Irwin Lewis and Arnold Lewis. Text in English and Italian. Published on the occasion of the exhibition at Galleria Civica d'Arte Moderna, Ferrara, May 28 - June 30, 1988. ; Tight, clean and crisp. In excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 4to; 148 pages.
Editore: Princeton University Press, 2003
ISBN 10: 0691102643ISBN 13: 9780691102641
Da: Half Price Books Inc., Dallas, TX, U.S.A.
Libro
hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Nuovo - A partire da EUR 30,86
Usato - A partire da EUR 16,33
Scopri anche Rilegato Prima edizione
Editore: Madison (University of Wisconsin Press), 1971
Da: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
xviii, (2), 327, (3)pp. 93 illus. Sm. 4to. Boards, 1/4 cloth. D.j. Contains a complete bibliography of portfolios and illustrated books by the artist.
Editore: Princeton Unversity Press, Princeton, NJ, 1971
Da: Anthology Booksellers, Portland, OR, U.S.A.
Prima edizione
Wraps. Condizione: Fine. First printing. 342pp. Illus. b&w/color. George Grosz Checklist, Index.
Editore: Princeton, N.J. : Princeton University Press, 2003, 2003
Da: Steven Wolfe Books, Newton Centre, MA, U.S.A.
, Lewis, Beth Irwin, 1934-. Art for all? : the collision of modern art and the public in late-nineteenth-century Germany. Princeton, N.J. : Princeton University Press, 2003, 447pp., large sewn PAPERBACK, very good, small bump at top of spine, printed in two columns and with illustrations throughout, oversized volume. Study of critics, the public, exhibitions, popular journals: "Her wide-ranging text examines not only the various ways art was promoted to and received by the public, but also anti-Semitism, the role of women artists, and changes in style of both art and criticism." Contents: The Triumph Of Modern Art, 1885-1892 - Contemporary Art For The Modern Nation - Carrying Art To The Public - The Public And The Critic - The Fragmenting Of Art And Its Public, 1893-1899 - Modern Artists: Pauper, Dilettante, And Prince - Modern Art For Elite Public - Moderism: Acceptance And Resistance - Jew, Emperor, And Paranoia. 9780691102658 ISBN 0691102651.
Editore: University Gallery, University of Minnesota, Minneapolis, MN, 1980
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First edition. Softcover. 93 pages. Exhibition catalog for a show that ran October 1 through November 8, 1980. Foreword by Melvin Waldfogel. Acknowledgements by Beth Irwin Lewis. Essays by Sidney Simon and Beth Irwin Lewis. Includes numerous black and white illustrations, selected bibliography, chronologies and catalog of the exhibition. A clean very near fine copy in wrappers.
Editore: Princeton University Press, 1991
ISBN 10: 0691002916ISBN 13: 9780691002910
Da: Half Price Books Inc., Dallas, TX, U.S.A.
Libro
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Nuovo - A partire da EUR 121,51
Usato - A partire da EUR 27,81
Scopri anche Brossura
Editore: The University of Wisconsin Press, Madison, WI, 1971
ISBN 10: 0299059014ISBN 13: 9780299059019
Da: Ground Zero Books, Ltd., Silver Spring, MD, U.S.A.
Libro
Hardcover. xviii, 328 p. Illustrations. Notes. George Grosz Check List. Index. Good. No dust jacket. Ex-library. Usual library markings. Cover has some wear and soiling. In a library binding.
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Nuovo - A partire da EUR 63,32
Usato - A partire da EUR 27,37
Scopri anche Rilegato Prima edizione
Editore: Princeton, N.J. : Princeton University Press, 2003, 2003
Da: Steven Wolfe Books, Newton Centre, MA, U.S.A.
, Lewis, Beth Irwin, 1934-. Art for all? : the collision of modern art and the public in late-nineteenth-century Germany. Princeton, N.J. : Princeton University Press, 2003, 447 p. : ill. (some col.) ; 26 cm., very good dust-jacket, very good large black and red hardcover. 9780691102641 ISBN 0691102643.
Editore: Princeton University Press, Princeton, NJ, 1992
Da: Bolerium Books Inc., San Francisco, CA, U.S.A.
Arte / Stampa / Poster Prima edizione
233p., first printing, color illustrations on coated paper stock, dj with an old price sticker on the front panel else very good condition. Includes only a small eight page section on the Spanish Civil War, which is a major oversight given the graphic importance of Spanish Civil War posters.
Editore: University of Wisconsin Press, Madison, Wisconsin, 1971
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. black cloth w/ white cloth spine w/ black spine printing. 328 pgs w/ bw illustrations. white illustrated dustjacket w/ black spine. A suitable reading copy. This book provides an in-depth analysis of Grosz's political stimuli and the art that resulted from his keen observasions of pre-WW2 Germany. Good+ (spine lean; textblock detached but firm w/ intact pgs; hinges strong. scuffs & scratches to cloth. lower spine bumped. cover pasteodwn & endpaper tanned from newspaper article. pgs clean w/ instances of creasing & light tanning. dustjacket scuffed w/ light taning; edge-wear w/ tears; upper corner torn).
Data di pubblicazione: 1977
Da: Libreria Piani, Monte San Pietro, BO, Italia
Libro
Milano, Edizioni di Comunità, 1977, 8vo (cm 21 x 15) brossura editoriale con copertina illustrata a colori, pp. 366 con una tavola illustrata in antiporta e 82 illustrazioni e tavole nel testo. Tracce di colla alla seconda di copertina.
Editore: Princeton University Press., 1992
Condizione: Good copy. 4to. Richly illustrated in b/w and colour. Publisher's cloth in dust jacket. xv,233pp.
Editore: Milano, Edizioni di Comunità 1977., 1977
Da: Libreria Gullà, Roma, ROMA, Italia
In-8° pp. 366 con dis. n.t. Bross. edit. ill.
Editore: Milano, Ed. di Comunità, Milano, 1977
Da: libreria minerva, PADOVA, PD, Italia
leg. bross. Condizione: Buono (Good). ill. in bianco e nero in ottavo leg. bross. pp. 366 Buono (Good) Buon es. Book.
Editore: Princeton, New Jersey, 1992
ISBN 10: 0691032041ISBN 13: 9780691032047
Da: James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: near fine. 1st. Bound in the publisher's original cloth covered boards, spine stamped in gilt. Dust jacket is lightly rubbed at the edges and extremities. Signed by one of the autors (Beth Irwin Lewis) on the title page.
Editore: Princeton Univ Pr, Princeton, N.J., 1992
ISBN 10: 0691032041ISBN 13: 9780691032047
Da: Monroe Street Books, Middlebury, VT, U.S.A.
Libro Prima edizione
Condizione: Very Good. Condizione sovraccoperta: Very Good. 233 pages, illustrated throughout in color. Light shelf-wear to dust jacket with light sun-fade to spine. Clean, tight copy. Record # 459999.
Editore: Comunità, Milano, 1977
Da: Antonio Pennasilico, MILANO, MI, Italia
Collana Saggi di cultura contemporanea 125, brossura, formato 8, pagine 366, illustrato con 82 figure nel testo, ottime condizioni - 1406.
Editore: ComunitaÕ, 1977
Da: LA LIBRERIA COSSAVELLA, Ivrea, TO, Italia
Brossura. Condizione: Ottimo. Cm. 21x15, pp. 249, legato in cartoncino morbido. Ottimo. Collana: Saggi di cultura contemporanea 125.
Editore: Madison, Wisconsin: The University of Wisconsin Press., 1971
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Copia autografata
Condizione: Good. Autographed. 8vo. 328 pp. Very Good. Hard Cover. Black cloth covered boards, with white spine. No DJ. Tear on end papers. Penciled underlining on some pages, by Peter Selz. B&W plates throughout. Signed on first page.From the Collection of the Art Historian Peter Selz. ISBN: 0299059014 9780299059019.
Editore: Edizioni di Comunità, 1977
ISBN 10: 8824500307ISBN 13: 9788824500302
Da: Libreria Equilibri Torino, Torino, TO, Italia
Libro Prima edizione
Condizione: Accettabile. Edizioni di Comunità (Saggi di cultura contemporanea 125); 1977; Noisbn ; Copertina flessibile ; 21 x 15 cm; pp. 365; . Traduzione di Vittorio Di Giuro. Prima edizione. Volume con 82 ill. in b./n. ; Presenta leggeri segni d'uso ai bordi (senza mancanze, piccole imperfezioni), dedica a biro al frontespizio, volume brunito; Accettabile (come da foto). ; Indice Prefazione Introduzione: Il mercante venuto dall'Olanda PARTE PRIMA: IL MISANTROPO TEORICO (1912-1919) 1. Nella Berlino letteraria 2. Nella Berlino d'anteguerra PARTE SECONDA: GLI ANNI DELLA RABBI? (1919-1923) 3. Satira spartachista 4. Rapporti con i comunisti 5. Libri e cartelle PARTE TERZA: VERSO IL NULLA (1923-1933) 6. Partecipazione e pessimismo 7. Critiche e processi Epilogo: L'uomo più triste d'Europa Bibliografia Indice analitico ; L immagine se disponibile, corrisponde alla copia in vendita. Italiano.
Editore: Madison , The University of Wisconsin Press., 1971
Da: Antiquariat Seidel & Richter, Fürstenberg Havel, Germania
8°-gr. M. Frontisp. u. 93 Abb. XVIII, 328 S. OLwd. (Stemp. a. Anmerk. a. Vors.). mit Bibliographie !.
Editore: Holmes & Meier Pub, 1984
ISBN 10: 0841975043ISBN 13: 9780841975040
Da: NEPO UG, Rüsselsheim am Main, Germania
Libro
Gebundene Ausgabe. Condizione: Sehr gut. Sofort verfügbar / Versand am folgenden Arbeitstag / mit Rechnung / daily shipping wordwide with invoice / ex library / plastik jacket; Spezialschutzfolie Sprache: Deutsch Gewicht in Gramm: 550.
Editore: Princeton, N.J.: Princeton University Press., 1992
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condizione: Good. 4to. 233 pp. Very Good. Hard Cover. Blue cloth covered boards. Dust Jacket Very Good. In protective Mylar wraps. Color plates throughout.Heavy volume, additional shipping fee may apply.The 317 posters reproduced in this volume are drawn from Russia, the USA and Central and Western Europe, documenting the political and military conflicts of the 20th century. The posters form a bridge between the claims of the State and the support or submission of those who must fight. Political posters are historical documents. They open windows to the conditions and conflicts of an earlier time. In their designs and slogans we see how governments and political factions responded to economic crises, social change. and ideological and armed conflict, and how they sought to sway the perceptions and feelings of the man and woman in the street. Posters are also aesthetic objects. Their composition, color and symbols are both separate from their overt political message and the instruments of expressing it. Posters reveal their historical meaning more clearly if we pay attention to their visual characteristics as well as to their political intent. This book treats the poster both as art and as historical witness. Posters are not relegated to the secondary role of illustrating a historical text nor are they treated as autonomous aesthetic objects in a history of applied arts. Instead they are substantial components of a historical narrative that is made up of both image and text. The close interaction of words and posters drawn from Russia, central and western Europe, and the United States, opens fresh perspectives on a half century of war and revolution and constitutes a step toward a new kind of integrative history that conveys the past with unusual immediacy. Contents: Introduction: Posters and modern history --Note on the posters --Prologue: before 1914 --I. The First World War --The outbreak of war --The enemy --Combat --Self-Images --Appeals to serve --War loans --Food and industry --The end of the war --II. The Interwar Years --Revolutions --The Soviet Union --Germany and National Socialism --The Spanish Civil War --III. The Second World War --Early stages --The air war --The invasion of Russia --The new order --Home fronts --The United States at war --The last year --Epilogue: after 1945 --List of posters --Index of artists.ISBN: 0691032041 9780691032047.