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Editore: Lighthouse Publications, 2001
ISBN 10: 096765372XISBN 13: 9780967653723
Libro
Condizione: Very Good. Very Good condition. Paperback edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
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Usato - A partire da EUR 5,88
Editore: Crane Hill Publishers, 1999
ISBN 10: 1575870924ISBN 13: 9781575870922
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Libro
Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 0.6.
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Usato - A partire da EUR 6,24
Condizione: Very Good. Bice, Anita S. (illustratore). Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
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Nuovo - A partire da EUR 15,08
Usato - A partire da EUR 6,59
Scopri anche Rilegato
Editore: Pineapple Press, 2013
ISBN 10: 1561646016ISBN 13: 9781561646012
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Nuovo - A partire da EUR 9,43
Usato - A partire da EUR 10,65
Scopri anche Brossura
Editore: Sweet Water (Sweetwater) Press, 1997
ISBN 10: 1581733097ISBN 13: 9781581733099
Da: Gil's Book Loft, Binghamton, NY, U.S.A.
Libro
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. art by Anita S. Bice (illustratore). 1st Edition thus. 22613 CF shelf. Unread. Glossy pictorial bds w/ unblemished matching dust jacket. No names, clean text. Printed in Italy. Giftworthy!. Book.
Editore: Harry N. Abrams, 1994
ISBN 10: 0810925850ISBN 13: 9780810925854
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Libro
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.01.
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Usato - A partire da EUR 16,57
Scopri anche Prima edizione
Editore: H.N. Abrams (edition ), 1988
ISBN 10: 0810923785ISBN 13: 9780810923782
Da: BooksRun, Philadelphia, PA, U.S.A.
Libro
Paperback. Condizione: Good. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
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Nuovo - A partire da EUR 90,48
Usato - A partire da EUR 17,42
Scopri anche Brossura Prima edizione
Editore: Harry N. Abrams, Inc, New York, 1988
ISBN 10: 0810923785ISBN 13: 9780810923782
Libro Prima edizione
Trade Paperback. Condizione: Very Good. 1st Printing. First printing, trade paperback, has a tiny skew to binding, touch of bowing to book, slight bumps to spine ends and cover corners, a light shallow stain near center of base of back cover and last two pages, and faint rubbing with a hint of edgewear to covers, otherwise a solid, bright VG copy.
Editore: Lominy Books, 2013
ISBN 10: 0615765742ISBN 13: 9780615765747
Da: Revaluation Books, Exeter, Regno Unito
Libro
Paperback. Condizione: Brand New. 148 pages. 9.00x6.00x0.34 inches. In Stock.
Couverture souple. Condizione: bon. RO20063747: non daté. In-12. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 14 pages. Quelques dessins en couleurs. . . . Classification Dewey : 372.65-Livre scolaire : langues.
Couverture souple. Condizione: bon. RO20063748: non daté. In-12. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 14 pages. Quelques dessins en couleurs. . . . Classification Dewey : 372.65-Livre scolaire : langues.
Data di pubblicazione: 2023
Da: True World of Books, Delhi, India
Libro Print on Demand
LeatherBound. Condizione: New. LeatherBound edition. Condition: New. Reprinted from 1879 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 285 Language: English.
Editore: Harry N. Abrams, 1994
ISBN 10: 0810925850ISBN 13: 9780810925854
Da: Book House in Dinkytown, IOBA, Minneapolis, MN, U.S.A.
Membro dell'associazione: IOBA
Libro Prima edizione
Paperback. Condizione: Very Good. First Edition. 1994 printing. Spine is uncreased, binding tight and sturdy; illustrations and text also very good; minor wear to edges of wraps, very gentle bump to spine foot; gift inscription inside front cover. Due to the size/weight of this book extra charges will apply for international and/or expedited shipping. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.
Editore: Univ of North Carolina Pr, 1990
ISBN 10: 0807842788ISBN 13: 9780807842782
Da: Revaluation Books, Exeter, Regno Unito
Libro
Paperback. Condizione: Brand New. 128 pages. 11.25x8.75x0.25 inches. In Stock.
Editore: Chapel Hill, North Carolina, U.S.A.: Univ of North Carolina Pr, 1990
ISBN 10: 0807818798ISBN 13: 9780807818794
Da: Bingo Books 2, Vancouver, WA, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. hardback book and dust jacket in near fine condition,name stamped on first blank page.
Editore: Fischer Fine Art Ltd. London, 1978, 1978
Da: Hermann Boehm, Nottingham, Regno Unito
Arte / Stampa / Poster
Hardcover. Condizione: Wie neu. BUTTERWORTH, Elizabeth & LOW, Rosemary 20 fine etchings with aquatint, contained in a black portfolio, including booklet with descriptive text by Low. First and only edition, this being one of 10 Artist's Proof copies. Each plate signed and titled in pencil by Butterworth. Ltd. Edn. of 60. 50 x 38.5 cm (20 x 15.3").
Editore: Rodolphe d'Erlanger/Basilisk Press Ltd., London, 1983
Da: Bjarne Tokerud Bookseller, Vancouver, BC, Canada
Membro dell'associazione: PBFA
Libro Copia autografata
Hardcover. Condizione: As New. Butterworth, Elizabeth. (illustratore). London: Rodolphe d'Erlanger/Basilisk Press Ltd., 1983. 178pp + [2]. Elephant folio. Half imitation brown morocco, green buckram, with gilt lettering. Binding variant for the standard limited edition of which 400 copies were printed. Gilt lettering on spine and front cover. Decorative lime green endpapers. Other trade editions are bound in red silken cloth. Limited edition: #179/515. Full-color plate frontispiece. Contains 27 full-color plates. 1 extra plate laid in. All plates by Elizabeth Butterworth. SIGNED BY AUTHOR AND ARTIST. Very fine. Apparently this is a proof copy according to some pencil notes on the front free endpaper. A few plates are accompanied by pencil identifications (in block letters) of some bird species, perhaps by someone who is very knowledgeable, possibly Sarah Lindsey or Lindsay, according to the pencil note. Other editions included a hand-coloured etching, or a watercolor sketch, or one with an original gouache painting, in a leather bound edition limited to 5 copies. This copy is a variant of some kind, and perhaps a proof version. Includes custom black clamshell box, velvet-lined. Printed label on spine. Printed on Invicta Parchment, custom-made for edition to match background of gouache paintings used for plates. Text and plates printed by offset lithography by CTD Printers Ltd. Book designed by Jock Kinneir. Rosemary Low is a conservationist, aviculturist, and expert on parrots. She has spent her life documenting and breeding the birds, both in the UK and the Canary Islands. Elizabeth Butterworth is a British artist known for her brilliant depictions of birds. It was through her bird paintings that she met Low, with whom she collaborated on this project. Her works are in the collections of some of the world?s leading museums, including the Museum of Natural History in New York and the British Museum of Natural History in London. Jock Kinneir was a British typographer and graphic designer. Kinneir, along with his collaborator Margaret Calvert, designed the typefaces used by most road signage and rail systems in the UK. Amazon Parrots is set in Monotype Calvert, a typeface developed by Calvert herself. Signed by Author(s).
Editore: London: Rodolphe d'Erlanger / The Basilisk Press, 1983, 1983
Da: Peter Harrington. ABA/ ILAB., London, Regno Unito
Prima edizione Copia autografata
First edition, first impression, limited issue, number 150 of 515 copies signed by the author and artist, of which 500 were sold. Butterworth's art is in the tradition of John Gould and Archibald Thorburn, while the author, Rosemary Low, is a leading experts on the conservation of parrots. Butterworth often paints from life in the field in South America and in her parrot menagerie. Her rendering of Macaws was described in 1993 by the art historian Ian Dunlop as "without rival this century" (Lederer, p. 206). She held her first exhibition at the Redfern in 1997, 2001, and 2009; in 2001 she showed Amazons, Macaws, and Cockatoos at the Natural History Museum, London. Roger J. Lederer, The Art of the Bird, 2019. Folio. Publisher's red silk, custom-made green fibre endpapers. Housed in the original black cloth solander case, paper spine label. With tipped in colour frontispiece and 27 similar plates. Minor bump to head of spine; box sunned, repair to head of spine. An excellent copy.
Editore: London: Fischer Fine Art Ltd., 1978., 1978
Da: Arader Galleries - AraderNYC, New York, NY, U.S.A.
Prima edizione
20 fine etchings with aquatint loose in black cloth portfolio as issued (20 x 15 2/8 inches), accompanied by Low' text: 4to., original brown printed paper wrappers. First edition, limited issue, number 36 of 50 copies in portfolio of a total edition of 60. AS NEW. One of Low and Butterworth's earliest collaborations. Low, a renowned aviculturist, conservationist and expert on Parrots, has written the informative text accompanied by Butterworth's magnificent illustrations.
Editore: Rodolphe d'Erlanger/The Basilisk Press, 1983
Da: Anderson Natural History Books, Vermillion, SD, U.S.A.
Libro Prima edizione Copia autografata
Hardcover. Condizione: Fine. 1st Edition. Low, Rosemary (Author) & Butterworth, Elizabeth (Illustrator). 1983. Amazon Parrots. Rodolphe d'Erlanger/The Basilisk Press, London. Limited Edition of 515 signed (by author and artist) and numbered copies, of which 500 were sold. This copy being numbered 47 is designated as one of the "Special copies, numbers 31-100 accompanied by hand coloured etching made specifically for the book by Elizabeth Butterworth." The original hand colored etching is signed and numbered, and included with book. Large folio (~14"x17") bound in original red silken cloth with specially made green fibre endpapers and in original black cloth solander/portfolio box. Book includes 28 fine tipped-in colored plates (including the frontis). Book, solander box and hand colored etching are in excellent condition! See photos for additional information on condition. Additional photos on request. Extra shipping will be required for this oversized book. Signed by Author(s).
Editore: London: Rodolphe d'Erlanger/The Basilisk Press, 1983., 1983
Da: Arader Galleries - AraderNYC, New York, NY, U.S.A.
Copia autografata
LOW, Rosemary - BUTTERWORTH, Elizabeth. Amazon Parrots. London: Rodolphe d'Erlanger/The Basilisk Press, 1983. Folio (17 x 13 6/8 inches). Frontispiece and 27 EXCEPTIONALLY FINE color plates, tipped-in, after paintings by Butterworth, EXTRA-ILLUSTRATED with an original hand-coloured etching by Butterworth, matted and loosely inserted. Original red silk over boards; preserved in a black cloth clamshell box with printed paper label on the spine (box a bit dusty). AS NEW. LIMITED EDITION, number 31 of 100 numbered copies signed by the author and illustrator, accompanied by an original hand-coloured etching by Butterworth, of a total edition of 515. Rosemary Low is one of the world's premier experts on the care and conservation of parrots. Elizabeth Butterworth "is not the first British artist to succeed in capturing on paper the brilliant plumage of Macaws, but with Edward Lear she must be considered one of the best. Certainly she is without rival this century. Her success stems partly from intense powers of observation and party from an encyclopaedic knowledge of her subject. She has bred Macaws, looked after them, fed them and listened to their noisy antics from the first call of the morning to the last shriek at night. She has sketched them in the privacy of her back garden and in their natural state in the rain forests of South America. She has examined the skins of dead birds in natural history museums in London and New York and she could tell you the number of feathers in a tail and the size of a beak to the nearest millimetre. "It is this attention to detail combined with powers of observation that lifts her prints, watercolours and drawings from plain description into the realms of high art. Although she belongs to a distinguished ornithological tradition in which British artists like John Gould and Archibald Thorburn have excelled, she seems closer to a watercolourist like Edward Lear who can be appreciated as an artist on his own level and whose work appeals to collectors who do not know a Macaw from a Toucan. Her realism has surreal or super-real quality, and it is this aspect of her work which caught the eye of critics and curators on both sides of the Atlantic (and in Australia) and which has led to her work being exhibited alongside that by other contemporary artists in prestigious shows in New York, including the survey of contemporary art held at the Museum of Modern Art in 1984" (Elizabeth Butterworth online).
Da: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.
Arte / Stampa / Poster
Original watercolour. Artist's inscription on the lower margin. A fine work by one of the most exceptional living practitioner of avian artistry Elizabeth Butterworth, a British artist of exceptional talent, has ventured into the realm of artistic excellence with her exquisite portrayal of Macaws' resplendent plumage. While she follows in the footsteps of acclaimed artists like Edward Lear, Butterworth undeniably stands out as one of the foremost artistic geniuses of our time. Her success can be attributed to her keen observation and an encyclopedic knowledge of her subject matter. From breeding and caring for Macaws to attentively witnessing their lively antics from daybreak to dusk, she has immersed herself in their world. Whether sketching these captivating creatures in the privacy of her own lush garden or capturing their natural beauty in the rainforests of South America, Butterworth's artistic journey has been nothing short of enchanting. Her passion for perfection has led her to meticulously study preserved bird skins in prestigious natural history museums, where she can confidently recount the precise number of feathers in a tail or the exact measurements of a beak down to the millimeter. It is this unwavering attention to detail, coupled with her exceptional powers of observation, that elevates Butterworth's prints, watercolors, and drawings from mere illustrations to exquisite works of art. Although she proudly belongs to a lineage of esteemed ornithological artists, such as John Gould and Archibald Thorburn, her artistry resonates more closely with that of the watercolorist Edward Lear. Like Lear, Butterworth's work possesses an otherworldly, almost surreal quality that transcends conventional realism. This distinctive aesthetic has caught the discerning eyes of critics and curators on both sides of the Atlantic, as well as in Australia, leading to prestigious exhibitions alongside other contemporary artists. Notably, her work has graced the walls of the renowned Museum of Modern Art in New York as part of a celebrated survey of contemporary art in 1984. Born in the charming town of Rochdale, Elizabeth Butterworth embarked on her artistic odyssey by pursuing her studies at the local art school. Seeking to refine her craft, she continued her training at the Royal College of Art, where her talent flourished. In 1975, she unveiled her artistry to the world with a highly anticipated debut exhibition curated by Angela Flowers, a renowned London dealer renowned for her keen eye for emerging talents. Subsequently, Butterworth's captivating creations found a home at Fischer Fine Art, while her artistic journey led her to exhibit her work at prestigious venues including the Metropolitan Museum in New York. In 1990, she received a coveted invitation to showcase her art at the esteemed Adelaide Arts Festival, an accolade that solidified her position as an exceptional artist. In addition to her captivating watercolors, Elizabeth Butterworth has demonstrated her dedication to the art of printmaking. Her skillfully crafted prints have graced the pages of three highly regarded publications: "Parrots and Cockatoos" (1978), "Amazon Parrots" (1983), and "Macaws" (1993), capturing the hearts of art enthusiasts and connoisseurs alike.