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Editore: Lexington Books, 2002
ISBN 10: 0739104918ISBN 13: 9780739104910
Da: Richard Park, Bookseller, Leawood, KS, U.S.A.
Libro
paperback. Condizione: New. BRAND NEW! In Protective Shrinkwrap! A Glossy Paperback in NEW, pristine condition. We ship all orders with delivery confirmation!.
Editore: Memphis State University, Memphis, TN, 1989
Da: biblioboy, North Providence, RI, U.S.A.
Prima edizione
Paperback. Condizione: Very Good. First Edition. Memphis, TN : Memphis State University. 1989. First Edition. Magazine. Printed wrappers [about 6" x 9"], 144+ pages. Very good with light wear. bx 184.
Editore: Oxford University Press, 1979
Da: Shore Books, London, Regno Unito
Rivista / Giornale
Soft cover. Condizione: Very Good. 148 pages. Illustrated. Christopher Page "The earliest English keyboard" / Curtis A Price "Restoration stage fiddlers and their music" / Richard T Pinnell "The theorboed guitar" / Julie Anne sadie "Charpentier and the early French ensemble sonata" / John O'Donnell "The Frech style and the overtures of Bach" / Hansjurg Lange and J M Thomson "The baroque bassoon" / Colin Lawson "The chalumeau" / Bruce Haynes "Tonality and the baroque oboe" / Claudio Stern "A brief workshop manual for recorders" / Gerald R Hoekstra "An eight-piece parody of Lassus" / Lyle Nordstrom "Albert de Rippe, Joueur de luth du Roy" (M12).
Editore: Philadelphia Museum of Art, Philadelphia, PA, 2009
ISBN 10: 0876332084ISBN 13: 9780876332085
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Libro Prima edizione
First edition and first printing. Hardcover. 585 pages. Published in conjunction an exhibition that ran February 26 through May 17, 2009. Features essays by Roberta Bernstein, Yve-Alain Bois, Jean-Francois Chevrier, John Elderfield, John Goldin, Christopher Green, Jennie Hirsh, Joop M. Joosten, Anabelle Kienle, Albert Kostenevich, Carolyn Lanchner, Mark D. Mitchell, Joseph J. Rishel, Katherine Sachs, Richard Shiff, Robert Storr, and Michael R. Taylor. Includes 483 color and 85 black and white illustrations of works by a wide range of artists from the likes of Cezanne, Picasso, Leger, Braque, Gorky and others. A fine copy in cloth boards in a near fine dust jacket with some slight rumpling to the base of the front panel. This is a heavy and oversized book and will require extra shipping.
Editore: Harvard University Department of the Classics, 2008
ISBN 10: 0674021304ISBN 13: 9780674021303
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
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Editore: Thieme New York, 2002
ISBN 10: 158890038XISBN 13: 9781588900388
Da: Books Unplugged, Amherst, NY, U.S.A.
Libro
Condizione: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 1.98.
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Nuovo - A partire da EUR 112,36
Usato - A partire da EUR 53,68
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Editore: New York: Harry N. Abrams., 1997
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condizione: Good. 4to. 431 pp. Near Fine. Soft Cover. Illustrated paper wraps. Color and B&W plates throughout. ISBN: 0912298707 9780912298702.Heavy volume, additional shipping fees may apply.
Editore: Heyne, Ullstein, Piper, Aufbau, Chrotona, Gerth Medien GmbH, Alibri, Alibri, Friedrich Pustet, Alibri München, Berlin, München, Berlin, Amerang, Asslar, Aschaffenburg, Aschaffenburg, Regensburg, Aschaffenburg 2009, 2009, 2006, 2010, 2010, 2008, 2007, 2005, 2009, 1997, 2009
Da: Antiquariat Niedersaetz Berlin-Zürich, Berlin, Germania
8°, 340, 386, 319, 231, 140, 149, 286, 222, 160 u. 131 S., einige mit Illustr. ill.OBrosch., zwei in Ill. OPbd. Schöne Exemplare, einige leicht angestossen Schlagworte: Philosophie*Religion, TheologieNaturwissenschaft*Kulturgeschichte* Versandkosten können abweichen. PayPal on request. Für Schweizer Kunden: Versand von Zürich möglich und günstiger. Zahlung mit CH- Einzahlungsschein.
Editore: Paris: Les Productions Artistes Associés, 1977, 1977
Da: Adrian Harrington Ltd, PBFA, ABA, ILAB, Royal Tunbridge Wells, KENT, Regno Unito
Arte / Stampa / Poster
[Movie Memorabilia] ORIGINAL LOBBY CARDS. A set of twelve lobby cards from the film 'L'Espion Qui M'Aimait' (the French version of 'The Spy Who Loved Me'), directed by Lewis Gilbert, and starring Roger Moore, Barbara Bach, and Richard Kiel. Colour lithographic images on thin stock measuring 21 x 27cm, with production credits to lower margin. Presented in a black cloth-covered chemise case with gilt titles to spine. A fine set. Note on Format: the Lobby Card is a small poster or titled still printed on card stock, usually 8 x 10 inches (UK and Europe) or 11 x 14 inches (US) in a landscape view. Generally produced in sets of eight in colour for Britain and America, intended for display in a cinema foyer or lobby.
Editore: N.p., N.p., 1977
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage reference photograph from the set of the 1977 James Bond film, showing actor Roger Moore with Italian American producer Albert Broccoli, dishing up spaghetti for cast and crew members. During filming in Egypt, poor catering and lack of access to fresh food led Broccoli to commandeer a Jeep, drive to town, and return with tons of pasta and tomatoes, subsequently treating the cast and crew to a large spaghetti dinner. Lewis Gilbert's second directorial effort in the James Bond film franchise, and the tenth in the series overall, based on Ian Fleming's 1962 novel. In this entry, Bond fights a reclusive megalomaniac who plans to destroy the world in hopes of creating a new underwater civilization. Shot on location in Egypt, Italy, England, Canada, the Bahamas, Scotland, Switzerland, and in the Atlantic Ocean. 8 x 6 inches. Near Fine.
Editore: Frederick R. Weisman Art Foundation Santa Monica, CA, 1990
Da: Specific Object / David Platzker, New York, NY, U.S.A.
5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.
Editore: N.p., N.p., 1978
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Manoscritto / Collezionismo cartaceo
Archive of approximately 200 original blueprints of set plans, schematics, and designs, as well as photographs, drawings, notations, and newspaper and magazine clippings, for various Broadway and off-Broadway productions, Metropolitan Opera productions, film and television productions, as well as various ballet companies (including the National Ballet Company), mounted on 62 oversize art boards, 1943-1978. Detailed inventory available upon request. An expansive archive of sets and schematics blueprints for over 30 various productions, from 1943 to 1978, all mounted on the rectos and versos of 62 oversize artboards, the majority of which contain 1-6 blueprints per panel (side). Included in the archive are 59 panels of blueprints for 16 Broadway and off-Broadway productions (1943-1978), 36 panels for four Metropolitan Opera productions (1963-1967), as well as layout plans for the MET at Lincoln Center from 1965 (the year before it premiered), twelve panels for three film productions (1960-1971), three panels for two television productions (1959 and 1961), as well as panels of blueprints for the National Ballet (circa 1962), the Pennsylvania Ballet (circa 1963), the Columbia Theatre Association Ballet (1953), and various other film and theatre productions. From the estate of Boston sculptor Robert Berks, who in his early years painted movie and theater backdrops, as well as industrial design work. All material Very Good to Very Good plus, mounted to rectos and versos of boards as originally maintained.