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Editore: Rizzoli International Publications, 1978
ISBN 10: 0847801705ISBN 13: 9780847801701
Da: Book House in Dinkytown, IOBA, Minneapolis, MN, U.S.A.
Membro dell'associazione: IOBA
Libro
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Missing. No dust jacket, otherwise in very good condition. NOT ex-library. Binding is tight, sturdy, and square. Interior appears free of markings. Light bowing to boards. Shelfwear is minor. Book of photography with snippets from Pound's Cantos. Ships from Dinkytown in Minneapolis, Minnesota. Due to the size/weight of this book extra charges may apply for international shipping.
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Usato - A partire da EUR 28,87
Scopri anche Prima edizione
Editore: Maestà di Urbisaglia, Libera Università Europea, Tecnica, Maestà di Urbisaglia, 1984
Da: Studio Bibliografico Marini, ROMA, RM, Italia
paperback. Condizione: Molto buono (Very Good). Prima edizione (First Edition). Con 22 illustrazioni in nero n.t. . Cm 22x12. pp. 210. . Molto buono (Very Good). . Prima edizione (First Edition). . Book.
Editore: Franco Sciardelli, Milano, 1996
Da: Sagebrush Press, Morongo Valley, CA, U.S.A.
Soft cover. Condizione: Fine. black & white photographs.
Editore: Libera Università Europea, Macerata., 1983
Da: Ardengo Studio Bibliografico, Roma, RM, Italia
Condizione: Usato. cm 22x12, pag 249, br edit ill, con ill in b/n.
Editore: Campanotto Editore, 2011
ISBN 10: 8845612198ISBN 13: 9788845612190
Da: libreriauniversitaria.it, Occhiobello, RO, Italia
Libro
Condizione: NEW.
Editore: Edifir, Firenze, 2005
Da: obiettivolibri, Milano, MI, Italia
brossura illustrata. Condizione: ottimo stato. a cura di Antonio Maraldi Pagine: 118 b/n. Lingua: italiano.
Data di pubblicazione: 1960
Da: Ardengo Studio Bibliografico, Roma, RM, Italia
Condizione: Usato. cm 12x18, vintage, firma sul retro.
Editore: Gianfranco Ivancich,, 1970
Da: Librodifaccia, Alessandria, AL, Italia
Condizione: Buone. italiano Condizioni dell'esterno: Rovinata Condizioni dell'interno: Buone.
Editore: New York: Rizzoli, [1978]., 1978
Da: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
4to. unpaginated (pp. 136). 80 b/w. illus. cloth. dw. (minor edge wear).
Editore: Zebra Films / Cineriz, Paris, 1960
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Manoscritto / Collezionismo cartaceo
Original oversize program for the 1960 Italian, here under the original title. Illustrated in red, with black-and-white stills from the film. Starring actress Signoret is prominently featured, looking pensive or embracing costar Mastroianni, and in stunning group images with her female costars. Also included is an original press packet, detailing film credits, a synopsis, and brief star biographies. Based on an original screenplay, about the 1958 Merlin Law making brothels illegal in Italy. Adua (Signoret) and her three friends are prostitutes whose brothel in Rome is shut down. Adua convinces them to pool their savings to open a restaurant to generate a living, instead of returning to prostitution. Their permit is rejected because of their lurid history, but a former client agrees to buy the building and hire them to run a brothel fronting as a restaurant, charging them rent. The restaurant is ironically successful and Adua even romances Piero (Mastroianni), but her landlord's excessive rent finally vanquishes her hopes for a brighter future. She holds her ground against the man, but no moral deed is without consequences in the underworld, and she is last seen as her destitute former self. Petrangeli also directed "She Wolf" (1953), Visconti's "Ossessione" (1943, assistant director and screenwriter), and Rossellini's "Europe '51" (1952, second assistant director); he was a prolific filmmaker in the Commedia all'italiana, and died while shooting his last film, "How, When and with Whom" (1969). Program 12.5 x 13.5 inches, saddle-stapled, 4 card stock leaves. Very Good, with a heavy vertical crease and foxing. Press packet mimeograph on white stock, corner-stapled, 7 leaves, Very Good plus.
Da: UsoLibri, Roma, RM, Italia
Fotografia
senza rilegatura. Condizione: molto buono. Vittorugo Contino. Stampa fotografica a colori di una via con bancarelle (forse Napoli) La fotografia è incorniciata con vetro e passepartout La fotografia è timbrata Vittorugo Contino 1969 Formato foto nel passepartout cm. 29 x 29 Formato del quadro compresa la cornice cm. 46 x 46.
Da: UsoLibri, Roma, RM, Italia
Fotografia Copia autografata
senza rilegatura. Condizione: molto buono. Vittorugo Contino. Stampa fotografica a colori del battistero della Piazza dei Miracoli a Pisa La foto fa parte della serie "i Cronotopi" La fotografia è incorniciata con vetro e passepartout La fotografia è siglata V.U.C. all angolo inferiore destro e firmata e datata sul passepartout Vittorugo Contino 1970 Formato foto nel passepartout cm. 29 x 36 Formato del quadro compresa la cornice cm. 45 x 52 ---------------------- Vittorugo Contino. Color photographic print of the Piazza dei Miracoli baptistery in Pisa. Part of the 'Cronotopi' series. The photograph is framed with glass and passepartout. The photograph is initialed V.U.C. at the lower right corner and signed and dated on the passepartout "Vittorugo Contino 1970." Photograph format in the passepartout cm. 29 x 36. Size with frame 45 x 52 cm. Autografato dall'autore.
Editore: Cineriz, Rome, 1960
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Collection of 18 vintage borderless single weight studio still photographs from the 1960 film. Starring actress Strasberg is seen in all photographs, before and after a buzz cut, always in pinstripes, with a candid image of director Pontecorvo discussing aspects of Strasberg's trimmed hair. Numerical annotations in manuscript pencil on the versos of all but one, and five with Contino's rubber-stamp on the versos. Strasberg portrays a Jewish women sent to a concentration camp during WWII, leading an escape plan even as the turmoil of war threatens to defeat her will. Pontecorvo's engaging war film with feminist undercurrents, albeit overshadowed by what would become his most accomplished film, "The Battle of Algiers" (1966). Nominated for an Academy Award (Best Foreign Language Film). Shot on location in Yugoslavia. 8 x 10 inches. Near Fine, slight curling.
Editore: Zebra Films / Cineriz, Rome, 1960
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Collection of 64 vintage borderless single weight film still photographs for the 1960 Italian film. Starring actress Signoret is prominently featured, looking pensive or embracing costar Mastroianni, and in stunning group images with her female costars. Numerical annotations in manuscript pencil on the versos, five with Contino's rubberstamp, and two are dupes made by the original developer. Based on an original screenplay, about the 1958 Merlin Law making brothels illegal in Italy. Adua (Signoret) and her three friends are prostitutes whose brothel in Rome is shut down. Adua convinces them to pool their savings to open a restaurant to generate a living, instead of returning to prostitution. Their permit is rejected because of their lurid history, but a former client agrees to buy the building and hire them to run a brothel fronting as a restaurant, charging them rent. The restaurant is ironically successful and Adua even romances Piero (Mastroianni), but her landlord's excessive rent finally vanquishes her hopes for a brighter future. She holds her ground against the man, but no moral deed is without consequences in the underworld, and she is last seen as her destitute former self. Petrangeli also directed "She Wolf" (1953), Visconti's "Ossessione" (1943, assistant director and screenwriter), and Rossellini's "Europe '51" (1952, second assistant director); he was a prolific filmmaker in the Commedia all'italiana, and died while shooting his last film, "How, When and with Whom" (1969). 7 x 9.5 inches, some slightly smaller. Very Good plus overall, with curling and a few scattered creases.
Editore: Cineriz, Rome, 1960
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Collection of 21 original borderless double weight still photographs from the 1960 film. Starring actress Susan Strasberg is seen in several photographs, always in pinstripes, and several feature costar Terzieff, with striking images of laboring women, a death pit, and German soldiers. Numerical annotations in manuscript pencil, and Contino's rubber-stamp, on the versos. An impressive showcase in landscape format of a life behind barbed wire and the conditioning of inmates. Strasberg portrays a Jewish women sent to a concentration camp during WWII, leading an escape plan even as the turmoil of war threatens to defeat her will. Pontecorvo's engaging war film with feminist undercurrents, albeit overshadowed by what would become his most accomplished film, "The Battle of Algiers" (1966). Nominated for an Academy Award (Best Foreign Language Film). Shot on location in Yugoslavia. 9.5 x 14 inches. Very Good plus overall, light curling, brief foxing, a few with small dampstains and corresponding bruises on the rectos.
Editore: Gianfranco Ivancich, editore, (Venezia, 1970
Da: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, U.S.A.
Prima edizione Copia autografata
4to, illustrated with photographs by Vittorugo Contino, original pictorial boards, wraparound band, card slipcase. A fine copy in slightly worn slipcase. A fine copy in slightly worn slipcase First trade edition. Gallup B100b. Although not called for, this copy is signed by Pound on the front free endpaper. A photographic portrait of the poet in Italy, accompanying passages from The Pisan Cantos, with an introduction by Pound, notes by Olga Rudge, and answers to questions from Pier Paolo Pasolini and Vanni Ronsisvalle, "all written out by Pound and reproduced both in facsimile of his manuscript and in type." The wraparound band, which gives the limitation, states that this is the "Edizione In Italiano" - it is, in fact, in English. Not to be confused with the common Rizzoli edition of 1978.