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Editore: Grove Books Ltd, 2004
ISBN 10: 185174570XISBN 13: 9781851745708
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Usato - A partire da EUR 1,75
Editore: A Bradford Book, 2011
ISBN 10: 0262516268ISBN 13: 9780262516266
Da: Bellwetherbooks, McKeesport, PA, U.S.A.
Libro
paperback. Condizione: As New. Illustrated. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.
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Usato - A partire da EUR 14,98
Editore: AuthorHouse, 2005
ISBN 10: 1420845527ISBN 13: 9781420845525
Da: PBShop.store US, Wood Dale, IL, U.S.A.
Libro Print on Demand
PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Nuovo - A partire da EUR 23,03
Editore: Fantasy Book Enterprises, Pasadena, California, 1984
Da: W. Fraser Sandercombe, Burlington, ON, Canada
Prima edizione
Soft cover. Condizione: Very Good+. Walter Lee; Judith A. Richards; Walt Davis; David Gray; Dave Carson; Cris Palomino; Bill Cone; Carolly Cristin Hauksdottir; Hannes Bok; John Borkowski; (illustratore). First Edition. 64 pp. Volume 3, number 1. Light rubbing on the corners. Cover art by Walter Lee; interiors by Walter Lee; Judith A. Richards; Walt Davis; David Gray; Dave Carson; Cris Palomino; Bill Cone; Carolly Cristin Hauksdottir; John Borkowski; and Hannes Bok. This issue contains: The Return of the Deep Ones - part one of three by Brian Lumley; The Demon Unise Loved by Jessica Amanda Salmonson; Clown Black by Janet Fox; 76 Ways to Kill an Indian by Barry N. Malzberg; Sir Dieudonne's Dragon by John E. Staib; Kelpie by C. A. Cador and Marc Laidlaw; A Mid-Summer Night's Magic by S. R. Daugherty; The Choosing - a poem by Marilyn Crane; The Empty Garden by Molly Lawson Morrow; Waiting by Brenda Gates Spielman; The Night Kelly Forman Dropped In by Bill Bickel; Nymph of Darkness by C. L. Moore and Forrest J. Ackerman, illustrated by Hannes Bok; Harry Tales by Lee Nordling and Cheri Lane; Preserved Passion - verse by Jean Poynter; and St Eudaemon and His Orange Tree by Vernon Lee. Size: 4to. Book.
Editore: Jessica Kingsley Publishers, 2022
ISBN 10: 1787758206ISBN 13: 9781787758209
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Nuovo - A partire da EUR 31,70
Usato - A partire da EUR 33,18
Scopri anche Brossura
Editore: Temple University Press, 2011
ISBN 10: 1439907242ISBN 13: 9781439907245
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Nuovo - A partire da EUR 32,50
Usato - A partire da EUR 34,92
Scopri anche Brossura
Editore: Boxcar Los Angeles, CA, 1983
Da: Specific Object / David Platzker, New York, NY, U.S.A.
114 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Second issue of Box Car: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include: Paul Vangelisti, Don Suggs, Judith E. Simonian, Charles Garabedian, Ed Moses, Robert Ackerman, Joel Bass, Ron Linden, Michael Davidson, Nathaniel Mackey, George Butterick, Edwin Denby, Robert Crosson, Julia Brown, Hiro Kaizan Kosaka, Jill Giegerich, Rick Stitch, Deirdre Bair, Betty Brown, Peter Liashkov, Alison Saar, Michael Dvortcsak, Jim Morphesis, Ellen Lampert, Ruth Weisburg, Rosmarie Waldrop, Bob Perelman, David Bromige, Norman Weinstein, Stephen Kessler, Zeke Berman, Barbara Drucker, Stephen Moore, Kim Baker, Don Boyd, Joyce Lightbody, Gerald Burns, John Taggart, John Clarke, Jed Rasula, Stephen s'Soreff, Flyghts of Fancie, Erika Suderberg, Mike Crane, Dennis Phillips, Anselm Parlatore, Norman Klein, Kei Takei, Bruce Edelstein, Lois Colette, Anni Jackson, Monique Safford, Fanny Howe, James Haining, Mary Haynes, Helen Adam, Charles Stein, Michael C. McMillen, Carl Cheng, James Doolin, Paul Dillon, Stephanie Jackson, Maxwell Hendler, and Margaret Nielsen. Cover design by Bruce Edelstein. Good. Significant rubbing of covers with edgewear and bumping of corners. Wear to verso including 6 mm. surface tear to bottom edge, 2.4 cm. crease to top left corner, and 1.5 cm. of black soiling to verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.
Editore: Los Angeles Institute of Contemporary Art, 1978
Da: ANARTIST, New York, NY, U.S.A.
Softcover, staple-bound, about 48 pages; very good condition; light wear to covers; light toning to pages; no internal marks.
Editore: Los Angeles Institute of Contemporary Art (LAICA), 1978
Da: studio montespecchio, Montespecchio, Italia
Libro
Soft cover. Condizione: Very Good. Quarto, 46 pages, printed on newsprint. Self wrappers. The catalogue in very good condition, while the edges of the loosely inserted errata page are damaged. - First edition. Exhibition in the Los Angeles Institute of Contemporary Art, February 28 - March 30, 1978. / Artists' Space, New York City, June 10 - 30, 1978 / Herron School of Art, Indianapolis, September 15 - 29, 1978 /New Orleans Contemporary Art Center, October - November 1978. With ?A VERY BRIEF DEFINITION AND HISTORY OF MAIL ART? by Mike Crane; ?MUSEUM WITHOUT WALLS? by Joan Hugo and ?THE MUSEUM IS THE MAILBOX? by Judith A. Hofberg. Furthermore a selective bibliography compiled by Judith A. Hofberg, a list of Suppliers of Artists books + a 25 page ?CHECKLIST OF ARTISTS AND TITLES? Loosely inserted an Errata page with additional entries, change of addresses and one more supplier of artists? books.
Editore: Artists Space New York, NY, 1984
Da: Specific Object / David Platzker, New York, NY, U.S.A.
[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''alternative'' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."?from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.