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Editore: Harry N Abrams, 1992
Da: HPB-Ruby, Dallas, TX, U.S.A.
paperback. Condizione: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Editore: Harry N. Abrams, 1992
Da: ANARTIST, New York, NY, U.S.A.
Softcover, 160 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.
Editore: Harry N. Abrams, Inc., New York, 1999
Da: Collectors Cabinet, Teaneck, NJ, U.S.A.
Libro
Hardcover. Condizione: Good. Hardcover in dust jacket, 11 1/4 by 9 1/4 inches, 160 pages, illustrated, index, bibliiography, notes Ex library. I have removed the clear plastic jacket and spine label. Jacket has very slight wear. The binding hs slight wear. Apart from typical librray marks including Discard stamp, the pages are clean. Skinned area on rear page where pocket was removed. I will not ship this book overseas.
Editore: Harry N. Abrams, 1992
Da: A Book Preserve, Columbus, OH, U.S.A.
Libro
Soft cover. Condizione: Very Good. VG+ 4to. 159 pp. B/w and color illus. and plates throughout. Nice blank art-deco bookplate inside front cover awaiting next owner's name. No markings on pages; no remainder mark. Ships fast with tracking.
Editore: Harry N. Abrams, New York, 1999
ISBN 10: 0810943778ISBN 13: 9780810943773
Da: Willis Monie-Books, ABAA, Cooperstown, NY, U.S.A.
Libro
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. ; Still in publishers plastic wrap.
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Nuovo - A partire da EUR 70,24
Usato - A partire da EUR 12,03
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Editore: University of Michigan, School of Art; Feminist Press at the City University of New York, Ann Arbor, MI, and New York, 1988
ISBN 10: 093531296XISBN 13: 9780935312966
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Libro Prima edizione
Paperback. Condizione: Very Good. 1st. 51 pages, illustrations (some colour); 21 cm. Firm binding, clean inside copy. Age toning. Size: 8vo. Collectible.
Editore: Abrams March 1992, 1992
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Trade Paperback. Condizione: Used - Very Good. Book has minor shelf wear.
Editore: College of Wooster Art Museum, 1989
Da: ANARTIST, New York, NY, U.S.A.
Softcover staple-bound; 32 pages, staple bound, about 18 color and b/w full page illustrations, very good condition, light rubbing to covers; no internal marks.
Editore: Harry N. Abrams, 1992
ISBN 10: 0810931176ISBN 13: 9780810931176
Da: ANARTIST, New York, NY, U.S.A.
Libro
Hardcover exhibition catalog with dustjacket, 160 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.
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Nuovo - A partire da EUR 58,93
Usato - A partire da EUR 19,24
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Editore: Harry N. Abrams, 1999
ISBN 10: 0810943778ISBN 13: 9780810943773
Da: Jackson Street Booksellers, Omaha, NE, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Fine in a Fine jacket. 1st Printing.
Editore: Bernice Steinbaum Gallery, New York, 1986
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Pale blue BW-illus. stapled wraps. 28 pp., 13 BW illus., 5 color plates. Issued in conjunction with a 1986 exhibition featuring the paintings of Canadian-born American artist Miriam Schapiro (1923-2015). With an illustrated essay by Thalia Gouma-Peterson, various lists, and several nice full-color plates of Schapiro's work. A nice introduction to an artist you may not know. VG (Average edge wear and edge fading.).
Editore: Abrams, 1992
Da: Dave Wilhelm Books, Evanston, IL, U.S.A.
Softcover. Condizione: As New. This is the J.B. Speed Art Museum edition. Solid like new softcover book.
Editore: Cleveland Center for Contemporary Art, 1989
Da: ANARTIST, New York, NY, U.S.A.
Softcover staple-bound exhibition catalog, 38 pages, very good condition, no internal marks, clean and crisp. Laid in is a folded exhibition sheet titled The Order of Chaos, a Temporary Installation, Athena Tacha Public Works 1970-88 from the High Museum, 1989.
Editore: Hellenic College Press, Brookline, Massachusetts, 1985
ISBN 10: 0917653130ISBN 13: 9780917653131
Da: Riverby Books, Fredericksburg, VA, U.S.A.
Libro
Soft cover. Condizione: Very Good. No Jacket. Softcover with white boards. Black text and illustration on front cover. No date on title page. Copyright page dated 1985, states that the papers compiled within are from a conference in 1984. xii + 66 pages. Includes black and white illustrations and photographs, a list of those illustrations and photographs, and tables. Contains 5 papers: A Comparison of the Monastic Experiences of Byzantine Men and Women by Alice-Mary M. Talbot, on pages 1-20; The Rise of the Independent and Self-governing Monasteries as Reflected in the Monastic Typika by John P. Thomas, on pages 21-30; Narrative Cycles of Saints' Lives in Byzantine Churches from the Tenth to the Mid-fourteenth Century by Thalia Gouma-Peterson, on pages 31-44; Monastic Foundations in Sixth-century Anatolia and their Role in the Social and Economic Life of the Countryside by Frank R. Trombley, on pages 45-59; and The Monastery of Tatarna in Evritania, Greece: First Preliminary Report by John T.A. Koumoulides, on pages 61-66. Pages clean and bright, binding neat and strong. Please email us with questions or to request photos.
Editore: International Center of Medieval Art, Fort Tryon Park, NY, 1983
Da: Cat's Cradle Books, Archdale, NC, U.S.A.
Softcover. Condizione: Very Good with no dust jacket. Square, tight binding. Clean and bright pages. Wrappers have light overall shelf wear. ; Contents: Caviness, "Images of Divine Order and the Third Mode of Seeing"; Herschman, "The Eleventh-Century Nave of the Cathedral of Coutances: A New Reconstruction"; James, "The Rib Vaults of Durham Cathedral"; Rickard, "The Iconography of the Virgin Portal at Amiens"; Gouma-Peterson, "Manuel and John Phokas and Artistic Personality in Late Byzantine Painting"; Kleinbauer, "Recent Acquisition of Medieval Art by American Museums: Number Five."; 11.0" tall; 78 pages.
Editore: College of Wooster, 1980
Da: Jay W. Nelson, Bookseller, IOBA, Austin, MN, U.S.A.
Membro dell'associazione: IOBA
Libro
Oversize Paperback. Condizione: Near Fine. No Jacket. Bookplate.
Editore: Cleveland Center for Contemporary Art, Cleveland, Ohio, 1989
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Color illus. stapled wraps; 38 pp.; 15 color and bw plates, 11 bw figures. From the exhibition held September 8 - November 4, 1989; Includes essay by Thalia Gouma-Peterson. VG (Library sticker on front cover).
Editore: Harry N. Abrams, Inc, New York, 1992
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softbound. Black pictorial wraps, 159 pp, numerous color and BW illustrations. Includes essays from Patricia Hills, Thalia Gouma-Peterson, Lawrence Alloway, and Susan P. Casteras. Detailed monograph on the artist. Good, ex-lib, with spine tag and cover label, bookplate saying "Exhibition Design". Marked for use by a library for an exhibit: plates numbered in pen and some red checkmarks by captions.
Editore: Harry N. Abrams, Inc, New York, 1992
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softbound. Condizione: NF. Black pictorial wraps, 159 pp, numerous color and BW illustrations. Includes essays from Patricia Hills, Thalia Gouma-Peterson, Lawrence Alloway, and Susan P. Casteras. Detailed monograph on the artist.
Editore: Abrams 1992, 1992
Da: Joel Rudikoff Art Books, White Plains, NY, U.S.A.
Prima edizione
First 4to, cloth. 159 pp, 132 illustrations (65 in color), chronology, exhibition list, bibliography, index. Published in conjunction with an exhibition which opened in Los Angeles and traveled to Youngstown, OH, Washington, DC and Louisville. Includes a catalogue raisonne of the artist's paintings and sculptures. 0810931176 Fine in dj.
Editore: Harry N Abrams Inc, New York, 1992
ISBN 10: 0810931176ISBN 13: 9780810931176
Da: Arch Bridge Bookshop, Bellows Falls, VT, U.S.A.
Libro Prima edizione
Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. First edition hardcover book in like new condition with like new dj. "Extraordinary and multitalented contemporary artist Audrey Flack has been "Breaking the Rules" for more than four decades . . . as a painter and more recently a sculptor of astounding, larger-than-life-size bronzes". 129 pages. Many black and white and color illustrations with essays by prominent historians. Hard to find in like new condition.
193 S. Br. Bibl.-Ex.
Editore: Routledge, 2000
ISBN 10: 0815338511ISBN 13: 9780815338512
Da: Textbooks_Source, Columbia, MO, U.S.A.
Libro Prima edizione
Paperback. Condizione: Good. 1st Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
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Nuovo - A partire da EUR 47,30
Usato - A partire da EUR 36,10
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Editore: Harry N. Abrams inc, 1992
Da: Librodifaccia, Alessandria, AL, Italia
Condizione: Buone. inglese Condizioni dell'esterno: sovracopertina leggermente logorata ai bordi Condizioni dell'interno: Buone.
Editore: Harry N. Abrams Inc., New York, 1999
Da: The Book Gallery, Jerusalem, Israele
28x23 cm. 160 pages. Softcover. In good condition. The book is in : English.
Editore: Harry N Abrams, New York, 1992
Da: Dale A. Sorenson, Silver Spring, MD, U.S.A.
Membro dell'associazione: IOBA
Softcover. Condizione: Fine. New York: Harry N. Abrams, (1992). 11.25" x 9".159pp, Index, Selected Bibliography. Softcover, fine condition. Essays by Patricia Hills, Thalia Gouma-Peterson, Lawrence Alloway, and Susan P. Cassteras. Illustrated in full color and b&w. From the words of Peter Morrin, Director, J. B. Speed Art Museum: "The fascination of Audrey Flack's art lies in its originality and independence work has always been rawer, more elemental, and closer to the heart".; 11.25 x 9 inches; 169 pages.
Editore: Harry N Abrams Inc, 2000
ISBN 10: 0810925656ISBN 13: 9780810925656
Da: HPB-Red, Dallas, TX, U.S.A.
Libro
paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!.
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Nuovo - A partire da EUR 139,74
Usato - A partire da EUR 39,37
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Editore: Cleveland, OH: Cleveland Center for Contemporary Art., 1989
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condizione: Good. 4to. 38 pp. Oblong. Very Good. Soft Cover. Illustrated paper wraps. Staple binding. Color and B&W plates throughout.From the Collection of the Art Historian Peter Selz (1919-2019).
Editore: University of California Press, 1998
ISBN 10: 0520214307ISBN 13: 9780520214309
Da: Carlson Turner Books, Portland, ME, U.S.A.
Libro Prima edizione
Softcover. Condizione: Very Good+. First Edition. A very nice copy, previous owner's name on flyleaf, otherwise clean, bright interior pages and solid binding. Spine is uncreased. Rare. Books are over-sized and additional postage needed to ship outside the United States or Via: Priority Mail. ; 4to 11" - 13" tall; 168 pages.
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Editore: Bernice Steinbaum Gallery, New York, 1986
Da: Hudson River Book Shoppe, Waldwick, NJ, U.S.A.
Libro Prima edizione Copia autografata
Soft cover. Condizione: Near Fine. 1st Edition. Inscribed by Schapiro on inside cover. Uncommon exhibit catalog with exhibit press release and additional artist's bio (Miriam Schapiro Working it Out - photocopies from a book) laid inside. Nice rare collection from the artist. Illustrated. Light shelf wear. Miriam Schapiro (or Shapiro) (born 1923) is a Canadian-born artist based in America. She is a pioneer of feminist art. She is also considered part of the Pattern and Decoration art movement. She was born in Toronto, Canada and studied at the State University of Iowa, where she met the artist Paul Brach, whom she married in 1946. By 1951 they moved to New York City and befriended many of the artists in the downtown Abstract expressionist New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In the 1970s she moved to California, establishing the Feminist Art Program at the California Institute of the Arts with Judy Chicago. She participated in the Womanhouse exhibition in 1972. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she calls "femmages". Her 1977 - 1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like." Her works are held in numerous museum collections including the Jewish Museum (New York) and the National Gallery of Art. Signed by Illustrator(s).