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Editore: Wilmington Square Books, 2016
ISBN 10: 1908524723ISBN 13: 9781908524720
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
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Editore: Wilmington Square Books, 2014
ISBN 10: 1908524340ISBN 13: 9781908524348
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
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Nuovo - A partire da EUR 25,89
Usato - A partire da EUR 26,02
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Editore: Black Sparrow Press, Los Angeles, 1973
Da: Second Story Books, ABAA, Rockville, MD, U.S.A.
Softcover. Large Octavo; pp 57; Good/paperback; yellow spine with green text; covers show slight soiling to exterior; chip to spine tail edge; text block has slight toning to exterior edges; previous owner's name to ffep; frontispiece; illustrated; NOTE: Shelved in Room X, Case #5. 1322638. FP New Rockville Stock.
Editore: Collins Exhibition Hall, Strathclyde, 1980
Da: William Allen Word & Image, London, Regno Unito
120 x 230mm. 30pp. exhibition catalogue printed black on white and green stock, stapled and wrapped in card covers. Centre pages fold out to 360mm. Introduction by Stephen Bann, photographs by Dave Paterson. Produced on the occasion of the exhibition at Collins Exhibition Hall, curated by Fiona Wilson. Condition: surface marks and staining to front and back of cover, ding to top right corner, some light foxing to pages, no tears or writing. Overall: Very good.
Editore: Reaktion Books 1985, 1985
Da: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Nuova Zelanda
Membro dell'associazione: IOBA
Quarto, blue cloth heavy boards, black lettering to spine, 246pp, illus/photos, VG+ (spine sl cocked, sl discolouration to lower board edges, sl tanning & foxing to page edges) in d/w, VG (moderate creasing & chipping/closed tearing to edges, light fading to spine & rear cover, sl chafing & soiling, prev, bookseller's label to front flap).
Editore: Reaktion Books, 1985
ISBN 10: 0948462000ISBN 13: 9780948462009
Da: ANARTIST, New York, NY, U.S.A.
Libro
Hardcover with dustjacket, 246 pages, very good condition; light rubbing to dj, no internal marks. Foreign shipping may be extra.
Editore: Arts Council of Great Britain, London, 1977
ISBN 10: 0728701448ISBN 13: 9780728701441
Da: Springhead Books, Rochester, Regno Unito
Libro
Soft cover. Condizione: Very Good. Catalogue of an exhibition held at the Serpentine Gallery, London, 17 September to 16 October 1977. Includes an essay on I. H. Finlay by Stephen Bann. 96 pages : illustrations (some color) ; 24 cm. Slight shelf wear to jacket edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.
Editore: Midland Group Gallery, Nottingham, 1972
Da: William Allen Word & Image, London, Regno Unito
Paperback. Condizione: Very good. Book. Metaphor and Motif: Tarasque Press Exhibition 1972, Midland Group Gallery, Nottingham, 1972. Stapled exhibition catalogue published to coincide with a show celebrating the final Tarasque Press publication of concrete poetry, featuring Stephen Bann, Simon Cutts, Stuart Mills, Ian Gardner and Ian Hamilton Finlay. 218 x 190mm. Unpaginated, unsigned, unnumbered (c. 350 copies printed).The book comes with a referenced introduction by Stephen Bann, a long quotation from Robert Kennedy (London, 1971) and a black and white cover design by Ian Gardner, entitled 'Bath Mat: A Constructivist Flag'. Excellent reference for this section of the English small press poetry and concrete poetry movement. Condition: ding to top corner and bottom corner, some foxing/wear to covers, some toning and light foxing internally, no tears or writing. Overall: very good.
Editore: Arts Council of Great Britain, Londono, 1977
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Paperback. Condizione: Very Good. Illustrated wraps. 96 pages : illustrations (some color). Includes an essay on I.H. Finlay by Stephen Bann./ Includes bibliographical references (pages 93-96).
Editore: Hatje Cantz Publishers December 1996, 1996
ISBN 10: 3893227490ISBN 13: 9783893227495
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Libro
Trade Paperback. Condizione: Used - Very Good. Faint tanning at edges and mild shelf wera. Otherwise great shape. Crisp and tightly bound. Book is free of markings.
Editore: Wilmington Square Press, 2014, 2014
Da: Longhouse, Publishers & Booksellers, Brattleboro, VT, U.S.A.
Prima edizione
First edition, first printing New and bright black boards in like illustrated dustjacket with crisp bright text. A wonderful back cover full photograph of Ian in his sailboat. Nicely illustrated with photographs, vintage, all centered around Ian Hamilton Finlay, his work and location and home. A lovely copy.
Editore: Kingsland Prospect Press Ltd., London, 1964
Da: William Allen Word & Image, London, Regno Unito
Paperback. Condizione: Good only. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: some wear to covers, mark to back cover, 1 page (p.37/38) is loose from the binding though all pages are present, priced accordingly.
Editore: The West Coast Poetry Review, Reno, Nevada, 1975
ISBN 10: 0915596105ISBN 13: 9780915596102
Da: Downtown Books & News, Asheville, NC, U.S.A.
Libro Prima edizione
Softcover. Condizione: Very Good+. First edition. Square 4to (12"x12"). Unpaginated. Brown/photographic paper wraps; french flaps. Wear to all cover edges, light chipping. Pages lightly toned. B&W photographs. Two essays: parallel text in English, French & German. Covered in protective mylar by seller. Scarce.
Editore: West Coast Poetry Review, 1975
Da: A Book Preserve, Columbus, OH, U.S.A.
Libro Prima edizione
Soft cover. Condizione: Near Fine. 1st Edition. Scarce. Near fine in wrappers. Square 4to. Unpaginated. An artists' book of black-and-white photographs by Dave Patterson of Ian Hamilton Finlay's Stonypath Garden in the remote Scottish Moorlands. Essays by Dr. Stephen Bann and Bernard Lassus in English, French, and German. Minimal edgewear. Ships fast with tracking.
Editore: Midland Group Gallery, Nottingham, 1972
Da: William Allen Word & Image, London, Regno Unito
Prima edizione
Paperback. Condizione: Near fine. Book. Metaphor and Motif: Tarasque Press Exhibition 1972, Midland Group Gallery, Nottingham, 1972. Stapled exhibition catalogue published to coincide with a show celebrating the final Tarasque Press publication of concrete poetry, featuring Stephen Bann, Simon Cutts, Stuart Mills, Ian Gardner and Ian Hamilton Finlay. 218 x 190 mm. Unpaginated. The book comes with a referenced introduction by Stephen Bann, a long quotation from Robert Kennedy (London, 1971) and a black and white cover design by Ian Gardner, entitled 'Bath Mat: A Constructivist Flag'. Excellent reference for this section of the English small press poetry and concrete poetry movement. This is no. 57 of a special edition of 100 copies, in which the publication contains an additional translucent printed page inserted at both the front and the back of the book. This copy is signed by Cutts and Gardner on the back tissue page. Condition: very minor rubbing to covers, otherwise fine. Overall: Near fine.
Editore: The West Coast Poetry Review, USA, 1975
Da: Marcus Campbell Art Books, London, Regno Unito
Prima edizione
Paperback. Condizione: Good in wraps. First Edition. 30 x 30cm very good paperback with texts plus black and white reproductions of photgraphs taken by Dan Paterson.
Condizione: Near Fine. 240 x 240 mm. 32pp. Printed black and white, stapled. Issue 3 of the most significant British magazine of the 60s concentrating on pure abstraction and through this art theory, avant-garde magazines et al. This issue features 'G' with work by Kurt Schwitters, Theo van Doesburg, Mies van der Rohe, Miklos Bandi, Charles Biederman, Victor Pasmore, El Lissitzky, Ian Hamilton Finlay, Robert Binget, Ernst Jandl, Paul de Vree, Kenneth Robinson. Condition: minor toning to covers, otherwise no markings or tears, near fine.
Editore: Wild Hawthorn Press, Edinburgh, 1967
Da: William Allen Word & Image, London, Regno Unito
Paperback. Condizione: VG+. Poor Old Tired Horse (P.O.T.H.) No. 23 - Summer 1967]). Brown offset, stapled. 12pp. Designed by John Furnival. Contributors: Max Weber; Theodore Enslin; Pierre Albert-Birot (trans. Stephen Bann); Ian Hamilton Finlay; Eli Siegel; Gael Turnbull; George Mackay Brown; Edwin Morgan; and Ronald Johnson. Condition: slight toming to covers Overall: Very Good +.
Editore: Midland Group Gallery, Nottingham, 1972
Da: William Allen Word & Image, London, Regno Unito
Prima edizione
Paperback. Book. Metaphor and Motif: Tarasque Press Exhibition 1972, Midland Group Gallery, Nottingham, 1972. Stapled exhibition catalogue published to coincide with a show celebrating the final Tarasque Press publication of concrete poetry, featuring Stephen Bann, Simon Cutts, Stuart Mills, Ian Gardner and Ian Hamilton Finlay. 218 x 190 mm. Unpaginated. The book comes with a referenced introduction by Stephen Bann, a long quotation from Robert Kennedy (London, 1971) and a black and white cover design by Ian Gardner, entitled 'Bath Mat: A Constructivist Flag'. Excellent reference for this section of the English small press poetry and concrete poetry movement. This is no. 85 of a special edition of 100 copies, in which the publication contains an additional translucent printed page inserted at both the front and the back of the book. This copy is signed by Cutts and Gardner on the back tissue page, and is also accompanied by a small invitation card to the exhibition that replicates Gardner's cover design for the book. Condition: Fine.
Editore: Midland Group Gallery, Nottingham, 1972
Da: Frances Wetherell, Cambridge, Regno Unito
Libro Prima edizione
Original Wraps. Condizione: Near Fine. Condizione sovraccoperta: No Jacket as issued. 1st Edition. Touching upon the work of Stuart Mills, Simon Cutts and Ian Hamilton Finlay. Slight crease to the Ian Gardner' Constructivist Bathmat' cover. An unusually nice copy. A putative edition of about 350 copies. This copy is not one of the signed numbered issue of 100 copies.
Editore: Kingsland Prospect Press, 1964
Da: Aeon Bookstore, New York, NY, U.S.A.
Rivista / Giornale Prima edizione
Soft cover. Condizione: Very Good. 1st Edition. Superb copy of a well done and thorough magazine on kinetic art and concrete poetry. One page dog-eared else excellent with slightest handling and shelfwear.
Editore: Wild Hawthorn Press, Stonypath, Lanark, Scotland, 1967
Da: William Allen Word & Image, London, Regno Unito
Prima edizione
Paperback. Condizione: Very good+. Book. 229 x 61 mm, stapled, b&w printed wraps. Special issue of Finlay's POTH, focused on the Brighton Concrete Poetry Festival (1967), featuring: Claus Bremer; Eugen Gomringer; Ian Hamilton Finlay; Hansjorg Mayer; John Furnival; Stephen Bann; Edwin Morgan; Kenelm Cox. Photographs by Graham Keen, designed by Alistair Cant. Condition: some handling marks; no tears or writing. Overall: Very good+.
Editore: Wild Hawthorn Press, Stonypath, Lanark, Scotland, 1967
Da: William Allen Word & Image, London, Regno Unito
Paperback. Condizione: VG+. Jim Nicholson (illustratore). Book. 240 x 170 mm, undated, c1967, stapled, printed blue on cream stock. Final issue of P.O.T.H, special 'one word poem' themed issue. Contributors include: Ronald Johnson, Edwin Morgan, George MacKay Brown, Jerome Rothenberg, Guy Davenport, Stuart Mills, Pedro Xisto, Kenelm Cox, Stephen Bann, Dick Sheeler, Oswald de Andrade, Ernst Jandl, Gael Turnbull, Jonathan Williams, Ian Hamilton Finlay et al. Condition: Toning & light wear to top edge front and back, some handling marks.Very Good +.
Editore: Kingsland Prospect Press Ltd., London, 1964
Da: William Allen Word & Image, London, Regno Unito
Paperback. Condizione: Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).
Editore: Wild Hawthorn Press and the Ceolfrith Press, Scotland, 1972
Da: Derringer Books, Member ABAA, Avon, CT, U.S.A.
Prima edizione
Paperback. Condizione: Very Good. First edition. Small paperbound 8vo. 36 numbered pages plus a suite of black and white photographs. Very good condition. Foreword by Douglas Hall. An uncommon study of Finlay's output to this point in his career. Includes a bibliography and catalogue of works exhibited at the Scottish National Gallery and other galleries.
Editore: Ian Duncan Ltd., London, 1966
Da: William Allen Word & Image, London, Regno Unito
Paperback. Condizione: Very Good +. Book. 265 x 210 mm, 36 pp. in printed stapled wraps. Winter/Spring 1966. Front cover image in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. Symbiotic of its artistic agenda, this issue brings together a comprehensive, edited selection of the writings of the Groupe Recherche d'art Visuel (Paris, 1960-65) - many of which had hitherto never been published in translation, and the majority of which were first published in ephemeral catalogues or leaflets. Edited and translated by Stephen Bann and Reg Gadney, their introduction to the manifesto-texts of the Groupe Recherche d'art Visuel reads: 'These writings are not a prescription for kinetic art, nor are they sufficient to define the position of the GRAV on the modern scene. They are the product of a radical reappraisal of the relationship between artist, work and spectator and as such they have a unique interest.' From 1960 is a text declaring the aims of the GRAV, entitled 'Act of Foundation'; from 1961: a statement made by GRAV on the occasion of an exhibition of kinetic art at the Museum of Modern Art in Stockholm ('We prefer to consider the artistic phenomenon as an exclusively visual experience on the level of physiology rather than of emotion'); from September 1961: a secondary manifesto entitled 'Enough of Mystification', from 1962: extracts from 'Individual Declarations' by the artists of GRAV; from 1962/3: an extract from a text by Le Parc, entitled 'On the Subject of Art-Spectacle', and a text distributed for the opening of the 3rd Paris Biennale in October 1963; also from 1963, a text entitled ''Instability'-The Labyrith' and a talk by Le Parc at Rimini Congress. A series of questionnaires, from Bann, Gadney and Ohio University, conducted in 1965 (and translated by Annette Kobak), is also included. This issue also features an essay by the art historian and Image contributing editor, Stephen Bann, entitled 'Kinetic Art and Poetry' (a particular attention is given to Ian Hamilton Finlay's kinetic poetry); together with a text by Frank Popper entitled 'Mueller's Machine 'M'', examining the work by Hans-Walter Mueller Machine M, that was shown at the Fourth Biennale of Paris, as well as photographs of Edina Ronay, young actress-daughter of Hungarian gourmet, Egon Ronay. Rare, our last copy. Condition: light wear to front cover, light soiling to left edge of cover and crease to bottom corner, internally fine. Overall: Very good+.
Editore: De Bladen Voor de Poezie, Lier, Belgium, 1968
Da: William Allen Word & Image, London, Regno Unito
Prima edizione
Hardcover. Condizione: Good +. 1st Edition. Paul de Vree, Poezie in Fusie, De Bladen Voor de Poezie, Lier, Belgium, 1968. 304 x 208mm, 128pp. Printed black on white stock. Printed by Sanderus in Oudenaarde, commissioned by de Bladen Voor de Poezie. Cover design by Walter Pluym. Introduction by Paul de Vree who edited this International Concrete Poetry Anthology. Illustrations of work by the editor together with Pierre Albert-Birot,Alain Arias-Mission, Ronaldo Azerido, Stephen Bann, Max Bense, Julien Blaine, J.F.Bory, Edgar Braga, Augusto de Campos, Haroldo de Campos, Ugo Carrega, Henri Chopin, Hans Clavin, Bob Cobbing, Oyvind Fahlstrom, Ian Hamilton Finlay, john Furnival, Heinz Gappmayr, Hochen Gerz,Mathias Goeritz, Eugen Gomringer, B.Grogerova, J.Hirsal, Jose Lino Grunwald, Brion Gysin, Dom Sylvester Houedard, ernst Jandl, Jiri Kolar, F.Kriwet, A.Lora-Titino, Hansjorg Mayer, Franz Mon, M.Nannucci, D.Pignatari, Diter Rot, Gerhard Ruhm, John Sharkey, Mary Ellen Solt, Adriano Spatola, Timm Ulrichs, Jiri Valoch, Edgardo Antonio Vigo, Herman de Vries, Ivo Vroom, Emmett Williams, Pedro Xisto et al. Text in Flemish. Condition: slight toning throughout, general wear to hard cover on edges and corners, Very Good +.
Editore: Tarasque Press, Nottingham, 1967
Da: William Allen Word & Image, London, Regno Unito
Prima edizione
No Binding. Condizione: Near fine. 1st Edition. Edited by Simon Cutts and Stuart Mills, Private Tutor, Issues 1-12 (complete set), Tarasque Press, The Trent Book Shop, Trent Bridge, Nottingham, August 1967 September 1970. 260 x 200 mm. Letterpress printed (black and red on white stock) broadside periodical (A4 verso only) that features rules, statements and questions on poetry, in the playful and polemical mode of Tarasque Press. Edition of 100 (unnumbered).Number 1 opens with the mission statement, 'Assuming from the onset that the reader has little or no grounding in literature we will commence and continue in a very direct manner.' Number 3 declares, 'The true concern of the poet should be the avoidance of ugliness. Art exists by the tolerance of others. It might be argued therefore that a poet using his craft as a vehicle for politics will ultimately find his readership amongst politicians, the more sensitive finding this misuse of poetry irksome and a deceit. In this country today a large percentage of poetry written by younger poets avoids the integral beauty exemplified by the fusion of form language and motif.' Number 5 presents Edwin Morgan's 'Making a Poem'. Number 7, printed in orange, involves a series of questions by Stephen Bann. In issue 9, Cutts asks the question 'Are earthquakes weather?' Number 10 features Mills' poem 'Skylines/Sea-lanes'. Ian Hamilton Finlay is featured in three issues: issue 8 (printed in green), 'Arkady ABC.' (some questions on the poem); issue 11, 'The Weed Boat Masters Ticket Preliminary Test (Part One); issue 12, 'Boats of Letters'.Condition: near fine.