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Editore: Oxford University Press, USA July 1996, 1996
ISBN 10: 0892362472ISBN 13: 9780892362479
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Libro
Trade Paperback. Condizione: Used - Very Good. American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art. Contributors are Herbert Beck, Werner Busch, Martin Christadler, Nicolai Cikovsky, Jr., Francoise Forster-Hahn, Ursula Frohne, Barbara Gaehtgens, Thomas W. Gaehtgens, Barbara Groseclose, Olaf Hansen, William Hauptman, Heinz Ickstadt, Barbara Novak, and Kathleen Pyne.' American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art. Very nice clean, tight copy free of any marks.
Editore: The Getty Center For The History Of Art, 1996
ISBN 10: 0892362472ISBN 13: 9780892362479
Da: North Country Books, Milton, VT, U.S.A.
Libro
Paperback. Condizione: Near Fine. Oversize trade paperback with French-fold covers -- minro wear, clean binding, no spine crease; internally fine, clean and unmarked.
Editore: The Getty Center For The History Of Art, 1996
ISBN 10: 0892362464ISBN 13: 9780892362462
Da: Poverty Hill Books, Mt. Prospect, IL, U.S.A.
Libro
Hardcover. Condizione: New. HARDCOVER, BRAND NEW COPY, Perfect Shape, No Black Remainder Mark, 480-509Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!.
Editore: The Getty Center for the History of Art and the Humanities, Santa Monica & The University of Chicago Press, Chicago, 1992
ISBN 10: 0892362472ISBN 13: 9780892362479
Da: Antiquariat Weber, Neuendorf b. Elmshorn, SH, Germania
Membro dell'associazione: GIAQ
Libro
kart. 26 cm ; Issues & Debates Series Volume 2. Englischsprachige Paperbackausgabe, 360 Seiten mit zahlreichen Abbildungen. Gutes Exemplar (good Condition). hw582 ISBN: 0892362472.
Editore: The Getty Center for the History of Art and the Humanities, Santa Monica, 1992
ISBN 10: 0892362472ISBN 13: 9780892362479
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Libro
Paperback. Blue and color-illustrated wraps with black lettering. 360 pp. BW illustrations. Contents: Introduction / Thomas W. Gaehtgens and Heinz Ickstadt -- American genesis : the landing of Christopher Columbus / Barbara Groseclose -- Copley, West, and the tradition of European high art / Werner Busch -- Self, time, and object in American art : Copley, Lane, and Homer / Barbara Novak -- Romantic landscape painting in America : history as nature, nature as history / Martin Christadler -- Inventing the myth of the American frontier : Bingham's images of fur traders and flatboatmen as symbols of the expanding nation / Françoise Forster-Hahn -- Fictions of nationhood : Leutze's pursuit of an American history painting in Düsseldorf / Barbara Gaehtgens -- Kindred spirits : notes on Swiss and American painting of the nineteenth century / William Hauptman -- Strategies of recognition : the conditioning of the American artist between marginality and fame / Ursula Frohne -- Winslow Homer's national style / Nicolai Cikovsky, Jr. -- The senses of illusion / Olaf Hansen -- Resisting modernism : American painting in the culture of conflict / Kathleen Pyne. Good (Light wear to corners and edges. May find pencil or pen marks on first page).
Editore: The Getty Center for the History of Art and the Humanities, Santa Monica & The University of Chicago Press, Chicago, 1992
ISBN 10: 0892362464ISBN 13: 9780892362462
Da: Antiquariat Weber, Neuendorf b. Elmshorn, SH, Germania
Membro dell'associazione: GIAQ
Libro
Leinen. 27 cm ; Issues & Debates Series Volume 2. Englischsprachige Hardcoverausgabe, Leineneinband mit Schutzumschlag, 360 Seiten mit zahlreichen Abbildungen. Gutes Exemplar (good Condition). hw472 ISBN: 0892362464.
Editore: The Getty Center for the History of Art and the Humanities with the University of Chicago Press, Chicago IL, 1992
ISBN 10: 0892362472ISBN 13: 9780892362479
Da: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Libro
Wrappers. Condizione: Fine Condition. First Edition. 360 pp., B&W illus. throughout. Part of the Issues & Debates series.
Editore: Oxford University Press, USA July 1996, 1996
ISBN 10: 0892362472ISBN 13: 9780892362479
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Libro
Trade Paperback. Condizione: Used - Very Good. American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art. Contributors are Herbert Beck, Werner Busch, Martin Christadler, Nicolai Cikovsky, Jr., Francoise Forster-Hahn, Ursula Frohne, Barbara Gaehtgens, Thomas W. Gaehtgens, Barbara Groseclose, Olaf Hansen, William Hauptman, Heinz Ickstadt, Barbara Novak, and Kathleen Pyne.' American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art.
Editore: The Getty Center For The History Of Art, 1996
ISBN 10: 0892362464ISBN 13: 9780892362462
Da: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Libro
Condizione: Used - Very Good. 1996. Hardcover. Some wear. Very Good.
Editore: Santa Monica, Calif. : Getty Center For The History Of Art And Humanities : [Chicago : Distributed By The University Of Chicago Press], 1992
ISBN 10: 0892362464ISBN 13: 9780892362462
Da: MW Books, New York, NY, U.S.A.
Libro Prima edizione
First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 360 pages; Description: 360 p. : ill. ; 27 cm. Includes bibliographical references and index. Subjects: Painting, American - 18th century -19th century. Nationalism and art --United States. Series: Issues & debates. Summary: American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art. Contributors are Herbert Beck, Werner Busch, Martin Christadler, Nicolai Cikovsky, Jr. , Francoise Forster-Hahn, Ursula Frohne, Barbara Gaehtgens, Thomas W. Gaehtgens, Barbara Groseclose, Olaf Hansen, William Hauptman, Heinz Ickstadt, Barbara Novak, and Kathleen Pyne. 1 Kg.
Editore: Santa Monica, Calif. : Getty Center For The History Of Art And Humanities : [Chicago : Distributed By The University Of Chicago Press], 1992
ISBN 10: 0892362464ISBN 13: 9780892362462
Da: MW Books Ltd., Galway, Irlanda
Libro Prima edizione
First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 360 pages; Description: 360 p. : ill. ; 27 cm. Includes bibliographical references and index. Subjects: Painting, American - 18th century -19th century. Nationalism and art --United States. Series: Issues & debates. Summary: American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art. Contributors are Herbert Beck, Werner Busch, Martin Christadler, Nicolai Cikovsky, Jr. , Francoise Forster-Hahn, Ursula Frohne, Barbara Gaehtgens, Thomas W. Gaehtgens, Barbara Groseclose, Olaf Hansen, William Hauptman, Heinz Ickstadt, Barbara Novak, and Kathleen Pyne. 1 Kg.
Editore: The Getty Center For The History Of Art, Santa Monica, 1992
ISBN 10: 0892362464ISBN 13: 9780892362462
Da: Edmonton Book Store, Edmonton, AB, Canada
Libro
Condizione: Very good. Condizione sovraccoperta: Very good. 4to pp. 360. heavy book additional postage will apply. book.
Editore: The Getty Center for the History of Art, 1991,, 1991
ISBN 10: 0892362472ISBN 13: 9780892362479
Libro
large pbk small 4to 369pp illustr in b/w ISBN: 0892362472 excellent as new.
Editore: Getty Research Institute,U.S., 1993
ISBN 10: 0892362472ISBN 13: 9780892362479
Da: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germania
Libro
Paperpack. Condizione: Sehr gut. 360 Seiten. Sehr gutes Exemplar. / EN: Very good copy. - Los Angeles is a city on the Pacific Rim where things appear on edge, for they lack a permanent footing even while occupying a specific locale. The city's genius loci produces this dual vision of fixed place in a state of constant dislocation. It is only appropriate for the edge-bound Getty Center to initiate a series of publications that aim to expose the historical study of artifacts to the oscillation of rigorous debate. Each of these books proceeds from a specific body of historical material, not because that material is in itself inherently imbued with controversy but because its exposure to different disciplinary approaches raises new questions of interpretation. In the realm of historical studies, issues often emerge at the intersection of the various perspectives scholars have constructed for the examination of their subjects. As their debate refracts and refocuses the material under scrutiny, it also invites reflection upon itself and thereby exposes the assumptions and tendencies of scholarship to no less assiduous criticism than it does the underpinnings of its subjects." / Contents: CONTENTS -- Introduction -- Thomas W. Gaehtgens and Heinz Ickstadt -- American Genesis: The Landing of Christopher Columbus Barbara Groseclose -- Copley, West, and the Tradition of European High Art Werner Busch -- Self, Time, and Object in American Art: Copley, Lane, and Homer Barbara Novak -- Romantic Landscape Painting in America: History as Nature, Nature as History Martin Christadler -- Inventing the Myth of the American Frontier: Bingham's Images of Fur Traders and Flatboatmen as Symbols of the Expanding Nation Françoise Forster-Hahn -- Fictions of Nationhood: Leutze's Pursuit of an American History Painting in Düsseldorf Barbara Gaehtgens -- Kindred Spirits: Notes on Swiss and American Painting of the Nineteenth Century William Hauptman -- Strategies of Recognition: The Conditioning of the American Artist between Marginality and Fame Ursula Frohne -- Winslow Homer's National Style Nicolai Cikovsky, Jr. -- The Senses of Illusion Olaf Hansen -- Resisting Modernism: American Painting in the Culture of Conflict Kathleen Pyne -- Urban Iconography in Nineteenth-Century American Painting: From Impressionism to the Ash Can School Hubert Beck -- Biographical Notes on the Authors -- Index. ISBN 9780892362479 Sprache: Englisch Gewicht in Gramm: 1006.
Editore: Getty Center for the History of Art and Humanities, Santa Monica, CA, and Chicago, IL, 1993
ISBN 10: 0892362464ISBN 13: 9780892362462
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. Cloth, 360 pages, illustrations; 27 cm. Ideas & Debates Series. Firm binding, clean inside copy. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/air, except by special arrangement. CONTENTS: American genesis: the landing of Christopher Columbus, by Barbara Groseclose; Copley, West, and the tradition of European high art, by Werner Busch; Self, time, and object in American art: Copley, Lane, and Homer, by Barbara Novak; Romantic landscape painting in America: history as nature, nature as history, by Martin Christadler; Inventing the myth of the American frontier: Bingham's images of fur traders and flatboatmen as symbols of the expanding nation, by Franc oise Forster-Hahn; Fictions of nationhood: Leutze's pursusit of an American history painting in Du sseldorf, by Barbara Gaehtgens; Kindred spirits: notes on Swiss and American painting of the nineteenth century, by William Hauptman; Strategies of recognition: the conditioning of the American artist between marginality and fame, by Ursula Frohne. Winslow Homer's national style, by Nicolai Cikovsky, Jr.; The senses of illusion, by Olaf Hansen; Resisting modernism: American painting in the culture of conflict, by Kathleen Pyne. Size: 4to. Collectible.
Editore: Chicago, University of Chicago Press ,, 1992
ISBN 10: 0892362464ISBN 13: 9780892362462
Da: Wolfgang Rüger, Frankfurt am Main, Germania
Libro Prima edizione
EA, 26x20 cm, 362 S., OLwd. m. OU., gut erhalten Sprache: Englisch. Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.
Editore: Getty Center for the History of Art and Humanities, 1993, 1993
ISBN 10: 0892362464ISBN 13: 9780892362462
Libro
hbk 4to. 360pp., illustr a brand new copy still in publisher's shrinkwrap hence pristine.