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Editore: Pacific Institute Publishing, 2005
ISBN 10: 1930622074ISBN 13: 9781930622074
Da: SecondSale, Montgomery, IL, U.S.A.
Libro
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Editore: Thomas Nelson Incorporated, 1997
ISBN 10: 0785269452ISBN 13: 9780785269458
Da: SecondSale, Montgomery, IL, U.S.A.
Libro
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Editore: The Pacific Institure, 2005
ISBN 10: 1930622090ISBN 13: 9781930622098
Da: Gulf Coast Books, Memphis, TN, U.S.A.
Libro
hardcover. Condizione: Good.
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Editore: Ingram, 2014
ISBN 10: 1930622287ISBN 13: 9781930622289
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Libro
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.75.
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Editore: Executive Excellence Publishing, 1995
ISBN 10: 0963491792ISBN 13: 9780963491794
Da: SecondSale, Montgomery, IL, U.S.A.
Libro
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Scopri anche Rilegato Brossura Copia autografata
Editore: Executive Excellence Pub, 1997
ISBN 10: 0963491768ISBN 13: 9780963491763
Libro
Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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Editore: Thomas Nelson, 2004
ISBN 10: 0785200878ISBN 13: 9780785200871
Da: Goodwill, Brooklyn Park, MN, U.S.A.
Libro
Condizione: Good. Cover has some rubbing and edgewear. Access codes, CDs, and other accessories may not be included.
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Editore: Thomas Nelson Publishers, 1997
ISBN 10: 0785273557ISBN 13: 9780785273554
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Libro
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.2.
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Editore: Pacific Institute Publishing, 2005
ISBN 10: 193062204XISBN 13: 9781930622043
Da: HPB-Emerald, Dallas, TX, U.S.A.
Libro
hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Editore: Prentice Hall, 1989
ISBN 10: 0130734799ISBN 13: 9780130734792
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Libro
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.34.
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Editore: Pacific Institute, 1995
Da: World of Rare Books, Goring-by-Sea, SXW, Regno Unito
Copia autografata
Condizione: Good. 1995. No Edition Remarks. 292 pages. Signed by the author. Pictorial dust jacket over blue cloth boards. Gilt lettering. Signed by the author with dedication to Christian to front free endpaper. Clean pages with light tanning and mild foxing throughout. Binding remains firm. Boards have mild edge-wear with slight rubbing to surfaces and bumping to corners. Gilt lettering is bright and clear. Minor wear marks to boards. Unclipped jacket. Panels and spine have light edgewear with tears and creases. Minor wear marks to spine and panels.
Editore: [New York?:] Privately printed for the Pierre Louÿs Society, 1927, 1927
Da: Peter Harrington. ABA/ ILAB., London, Regno Unito
Prima edizione Copia autografata
First Tice edition, first printing, one of 1,250 copies only, this copy inscribed by the illustrator on the half-title, "To Con, Clara Tice" with an original drawing, presumably a self-portrait, and "presentation copy" written on the limitation. Harry Cunningham, Tice's long-time lover and artistic partner, and the book's designer, has inscribed the book beneath his printed name on the final page, "to Con, Harry". Clara Tice (1888-1973) was a notorious New York bohemian artist, known as "the Queen of Greenwich Village". She began exhibiting her art in 1910 and in 1915 her fame skyrocketed when the Society for the Prevention of Vice attempted to confiscate her works at the bohemian restaurant Polly's. "Tice was apparently so highly regarded and so instantly recognizable as one of those 'queer artists' that her role in the first Greenwich Village Follies was simply to play herself. As 'Clara,' she stepped out onto the stage at the appointed time, outfitted in one of her typically bizarre bohemian ensembles, and conducted a 'quick chalk talk of nudes, bees and butterflies'" (Sawelsan-Gorse, p. 429). Tice and Cunningham met in the early 1920s, when Cunningham was a flyer with the Lafayette Escadrille. Although the two never married, Tice referred to him as her "husband" and she quickly moved into the Cunningham family home on Pierrepont Street, where she set up her studio and "proceeded to decorate the interior from top to bottom with murals of cavorting animals, plants, and Beardsleyesque figures" (ibid., p. 430). Cunningham was several years younger than Tice and an artist himself, but "he soon selflessly devoted himself almost exclusively to assisting Clara in the execution of her work. In an early example of career role-reversals, he pulled proofs for her etchings, hand-coloured her mezzotints, stretched her canvases, and organized her work" (ibid.) Tice's striking style is well matched to Louÿs's queer erotic writing. She had illustrated his Aphrodite the previous year, and Edmund Gosse's review of the first edition of Woman and Puppet (1898) almost predicts Tice's simple, colourful illustrations: "All this is described with a delicious lightness, all the warmth and colour of Southern Spain concentrated in a few perfectly skilful sentences. [Conchita] is unique, a variety of the she-devil never before revealed to science" (quoted in the preface to the 2019 edition). Naomi Sawelson-Gorse, Women in Dada: Essays on Sex, Gender and Identity, 1998. Tall quarto. Original black cloth, spine and front cover lettered and decorated in red, edges untrimmed. With dust jacket. Spine sunned and a little rubbed, spine ends bumped, corners and lower edges worn, faint marks to rear cover, gutter cracked but firm to pp. 100-101; a very good copy in near-fine jacket, head of spine lightly creased, a few nicks to upper edges and light marks to front panel, remarkably sharp.