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Editore: The Ashmolean Museum, 2013
ISBN 10: 1854442821ISBN 13: 9781854442826
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Editore: Antique Collectors Club Ltd, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: Greener Books, London, Regno Unito
Libro
Hardcover. Condizione: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.
Editore: Antique Collectors Club Dist, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: Gulf Coast Books, Memphis, TN, U.S.A.
Libro
hardcover. Condizione: New.
Editore: Antique Collectors Club, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: Turn-The-Page Books, Skyway, WA, U.S.A.
Libro
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Tight and unmarked, NF/NF. 160pp. Dust jacket in a new mylar cover. Francis Bacon, Henry Moore. Large book: NO international or priority orders. Size: 4to - over 9" - 12" Tall.
Editore: Antique Collectors Club Dist, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: Book Deals, Tucson, AZ, U.S.A.
Libro
Condizione: Very Good. Very Good condition. Shows only minor signs of wear, and very minimal markings inside (if any). 2.38.
Editore: Antique Collectors Club Dist, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: GF Books, Inc., Hawthorne, CA, U.S.A.
Libro
Condizione: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 2.38.
Editore: Antique Collectors Club Dist, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: Mark Henderson, Olathe, KS, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Book.
Editore: Antique Collectors Club Dist, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: Books Unplugged, Amherst, NY, U.S.A.
Libro
Condizione: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 2.38.
Editore: Antique Collectors Club, Oxford, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: PsychoBabel & Skoob Books, Didcot, Oxfordshire, OXON, Regno Unito
Libro
Hardcover. Condizione: Very Good. Hardcover with jacket. Very good condition. CM. Used.
Editore: Antique Collectors' Club, Woodbridge, Suffolk, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: Maya Jones Books, Cerrillos, NM, U.S.A.
Libro
Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. FINE, nearly As New, in VERY GOOD jacket (lightly bumped at edges and folds). 160 pp., 63 color plates, 56 figs. Ashmolean Museum exhibition. Size: 4to.
Editore: Antique Collectors Club Dist, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: Books Unplugged, Amherst, NY, U.S.A.
Libro
Condizione: Fair. Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within 2.38.
Editore: The Ashmolean Museum, Oxford, 2013
ISBN 10: 1854442821ISBN 13: 9781854442826
Da: PsychoBabel & Skoob Books, Didcot, Oxfordshire, OXON, Regno Unito
Libro
Paperback. Condizione: Very Good. Paperback in very good condition. The lightest of edgewear to the cover. All text and images are clear. CM. Used.
Editore: Ashmolean Museum, Oxford, 2013
ISBN 10: 1854442821ISBN 13: 9781854442826
Da: PsychoBabel & Skoob Books, Didcot, Oxfordshire, OXON, Regno Unito
Libro
Paperback. Condizione: Very Good. Paperback with French flaps. One or two slight scores on covers. Marginal wear on spine head. Light mark on page 120. Pages are otherwise clean. Text and illustrations are clear. AF. Used.
Editore: Antique Collectors Club Dist, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: Schindler-Graf Booksellers, Westlake, OH, U.S.A.
Libro
Condizione: Used: Very Good. Hardcover in dust jacket, with no marks or writing in book. Jacket lightly rubbed; otherwise like new.
Editore: Gagosian / Rizzoli, 2020
ISBN 10: 0847868311ISBN 13: 9780847868315
Da: Bellwetherbooks, McKeesport, PA, U.S.A.
Libro
hardcover. Condizione: As New. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.
Editore: Antique Collectors' Club Ltd, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: Holt Art Books, Birmingham, Regno Unito
Libro
Hardcover. Condizione: As New. Book is in as new condition.
Editore: The Ashmolean Museum, 2013
ISBN 10: 1854442821ISBN 13: 9781854442826
Da: Fireside Bookshop, Stroud, GLOS, Regno Unito
Membro dell'associazione: PBFA
Libro
paperback. Condizione: Very Good.
Editore: Antique Collectors Club Dist, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: GF Books, Inc., Hawthorne, CA, U.S.A.
Libro
Condizione: New. Book is in NEW condition. 2.38.
Editore: Antique Collectors Club Dist, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: Book Deals, Tucson, AZ, U.S.A.
Libro
Condizione: New. New! This book is in the same immaculate condition as when it was published 2.38.
Editore: Antique Collectors Club Dist, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
Libro
Hardcover. Condizione: new. New. Fast Shipping and good customer service.
Editore: Antique Collectors Club Dist, New York, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: Evolving Lens Bookseller, Kingston, NY, U.S.A.
Membro dell'associazione: IOBA
Libro
Hardcover. Book condition is Very Good+; with a Very Good+ dust jacket. Text is unmarked, illustrated throughout. ; 11.10 X 8.90 X 0.79 inches; 200 pages.
Editore: Antique Collectors' Club Ltd, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Da: Aardvark Rare Books, Bucknell, SHROP, Regno Unito
Libro
Hardcover. Condizione: New. **HARDBACK** **SHRINKWRAPPED**.
Editore: Gagosian / Rizzoli, 2020
ISBN 10: 0847868311ISBN 13: 9780847868315
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
Editore: Gagosian / Rizzoli, 2020
ISBN 10: 0847868311ISBN 13: 9780847868315
Da: booksXpress, Bayonne, NJ, U.S.A.
Libro
Hardcover. Condizione: new.
Editore: Gagosian / Rizzoli, 2020
ISBN 10: 0847868311ISBN 13: 9780847868315
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
Editore: Gagosian Gallery London, 2019
ISBN 10: 0847868311ISBN 13: 9780847868315
Da: ANARTIST, New York, NY, U.S.A.
Libro
Hardcover without dustjacket as issued; 100 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Editore: Rizzoli International Publicatio, 2020
ISBN 10: 0847868311ISBN 13: 9780847868315
Da: Monster Bookshop, Fleckney, Regno Unito
Libro
Hardcover. Condizione: New. BRAND NEW ** SUPER FAST SHIPPING FROM UK WAREHOUSE ** 30 DAY MONEY BACK GUARANTEE.
Editore: Gagosian / Rizzoli, 2020
ISBN 10: 0847868311ISBN 13: 9780847868315
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Libro
Condizione: New.
Editore: Gagosian / Rizzoli, 2020
ISBN 10: 0847868311ISBN 13: 9780847868315
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Libro
Condizione: As New. Unread book in perfect condition.
Editore: Antique Collectors' Club
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
Size: 280 mm x 220 mm. Pages: 160. Illustrations: 140 colour. Hardback. New. ISBN 9781851497478. In their different mediums, Henry Moore (1898-1986) and Francis Bacon (1909-1992) created unforgettable images of the human figure. The distinctive visual languages that each artist developed over more than half a century were marked by a growing simplicity and monumentality of form. Their perspective differed: Moore clung to a belief in humanism, while Bacon espoused a post-humanist, nihilistic view of the world. In expressing their visions of humanity, the two artists had very different approaches: Bacon working from the outside in, disintegrating and dissolving form; Moore from the inside out, pushing anatomical structure to the surface. If Bacon's images suggest flux, chance, and the arbitrariness of existence, Moore's sculptures have been interpreted as universal symbols of strength and endurance.Bacon and Moore first exhibited together in a group exhibition at the Lefevre Gallery in London in which Bacon showed his Three Studies for Figures, at the Base of a Crucifixion (1944), propelling him into the limelight for the first time. Moore showed two sculptures from the1930s and fourteen wartime drawings, some of which anticipate the theme (though not the savage imagery) of Bacon's triptych.Exhibiting together in a commercial gallery was repeated twice in the 1960s, when Moore and Bacon were both represented by Marlborough Fine Art. These joint shows, extensively reviewed in the press, gave critics a chance to compare the artists' radical approaches to the human figure, which were seen as complementary rather than conflicting. Fifty years later, this publication once again brings their work into direct comparison. 0 g.