Editore: Chelsea House Publishers, New York, New Haven, Philadelphia, 1987
ISBN 10: 0877547467 ISBN 13: 9780877547464
Da: Kenneth A. Himber, Lebanon, NJ, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. Printing Not Listed. Book is a clean unmarked copy, except for library markings on front and back end papers and indicated as a discard.
Editore: Chelsea House Publishers, New York, New Haven, CT, and Philadelphia, PA, 1986
ISBN 10: 0877546673 ISBN 13: 9780877546672
Da: gearbooks, The Bronx, NY, U.S.A.
Hardcover. Condizione: Good. Condizione sovraccoperta: Poor. Denise Satter (Jacket Illustration) (illustratore). 309 pp. Solidly bound copy and dj with moderate use with clean text. Multiple tears on back of dj along fore and top edges. Slightly slanted spine.
Editore: Chelsea House Publishers, New York / New Haven / Philadelphia, 1988
ISBN 10: 1555460062 ISBN 13: 9781555460068
Da: About Books, Henderson, NV, U.S.A.
Prima edizione
Hardcover. Condizione: Fine condition. No jacket. First Edition. New York / New Haven / Philadelphia: Chelsea House Publishers, 1988. NOT a library discard. Fine condition. Bright, clean, square and tight. Sharp corners. Hinges are perfect. NO owner's name or bookplate. NOT a remainder. Fresh and crisp - probably never read. NO underlining. NO highlighting. NO margin notes. 1988. First Edition, First Printing, with complete number row (10 987654321) on the copyright page. Chronology. Bibliography. Index. Bound in the original gilt-stamped black cloth. First Edition. Hardcover. Fine condition/No jacket. 8vo. vii, 195pp. Great Packaging, Fast Shipping.
Editore: New York/New Haven/Philadelphia: Chelsea House Publishers,
Da: BOOKFELLOWS Fine Books, ABAA, Sun City, AZ, U.S.A.
Prima edizione
(1987). First edition, second printing. Fine in slate-gray linen with silver titles to the spine; lacking the dust jacket. 8vo. 172 pages; editor's notes; introduction; Carroll chronology; contributors; bibliography; acknowledgments; and index. A collection of the creme de la creme of literary criticism and analysis devoted to Lewis Carroll's works. From discussions on metaphors of victorian childhood to Alice philosophy, to Snark laughter/despair, these 11 lively essays are a mind's delight.
Editore: New York ; New Haven ; Philadelphia : Chelsea House Publishers, 1986
ISBN 10: 0877546851 ISBN 13: 9780877546856
Da: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germania
Condizione: Sehr gut. VIII, 184 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Overall very good and clean. - Considered the best prose writer of his age by many modern scholars, William Hazlitt (1778-1830) has left us a remarkable body of literary criticism and personal recollections. As a literary critic, Hazlitt is perhaps best known for his writings on William Wordsworth, the great Romantic poet with whom he shared a reverence for one's own past and a Romantic sensibility. Hazlitt's greatest critical achievement, however, was in being one of the first critical historians at a time when little history of English literature had been written. Like Samuel Johnson before him, Hazlitt helped define the nature of literary criticism, and his theories influenced later critics, from Pater and Carlyle to many of our contemporaries. Hazlitt rejected all formal methods of criticism, proclaiming that "there is no method except the personality of the critic." Hazlitt was an active intellectual; he worked as a political journalist and social commentator before turning to literary criticism, and his circle of acquaintances included many of the era's greatest thinkers. A confirmed Jacobin who remained forever loyal to Napoleon I, he often wrote on the relationship between poetry and power and between poetic and social justice. William Hazlitt is one of over 200 volumes in the Modern Critical Views series, edited and introduced by Harold Bloom and published by Chelsea House. Taken together, these volumes represent a comprehensive collection of the best current criticism of the authors of the most widely read poems, novels, stories, essays, and dramas of the Western world. - Harold Bloom, General Editor, is Sterling Professor of the Humanities at Yale University. Widely recognized as one of America's leading literary critics, he is the author of sixteen books and the editor of more than thirty anthologies of both literature and literary criticism. Professor Bloom's works include Shelley's Mythmaking (1959), The Visionary Company (1961), Blake's Apocalypse (1963), Yeats (1970), A Map of Misreading (1975), Kabbalah and Criticism (1975), and Agon: Towards a Theory of Revisionism (1982). The Anxiety of Influence (1973) sets forth Professor Bloom's provocative theory of the literary relationships between the great writers and their predecessors and has augmented his reputation in literary and academic circles. Professor Bloom earned his Ph.D. in Literature from Yale University in 1955 and has been on the Yale faculty ever since. He holds honorary degrees from Boston College and Yeshiva University and has received numerous awards for his work in literary theory and criticism, most recently the Zabel Award of the American Academy of Arts and Letters (1981) and a MacArthur Prize Fellowship (1985). A member of the American Academy of Arts and Sciences, he is currently writing Freud: Transference and Authority and serving as general editor of several other Chelsea House series, including Modern Critical Interpretations and The Critical Cosmos. ISBN 9780877546856 Sprache: Englisch Gewicht in Gramm: 518 Original cloth with dust jacket.
Editore: Chelsea House Publishers, New York, New Haven, Philadelphia, 1987
ISBN 10: 0877546355 ISBN 13: 9780877546351
Da: Kenneth A. Himber, Lebanon, NJ, U.S.A.
Hardcover. Condizione: Almost Like New. No Jacket. Second Printing. Book is a clean tight unmarked copy.
Editore: Chelsea House Publishers, New York, New Haven, Philadelphia, 1986
ISBN 10: 1555460054 ISBN 13: 9781555460051
Da: Kenneth A. Himber, Lebanon, NJ, U.S.A.
Hardcover. Condizione: Almost Like New. Condizione sovraccoperta: Very Good +. Printing Not Listed. Book is a clean tight unmarked copy.
Editore: Chelsea House Publishers, New York, New Haven, Philadelphia, 1986
ISBN 10: 0877549621 ISBN 13: 9780877549628
Da: Kenneth A. Himber, Lebanon, NJ, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good +. Condizione sovraccoperta: Very Good +. First Printing. Book is a clean tight unmarked copy. Top page edges of pages 399-402 show slight bending.
Editore: New York, New Haven, Philadelphia: Chelsea House Publishers, 1987
ISBN 10: 1555462928 ISBN 13: 9781555462925
Da: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germania
Cloth with dustjacket. Condizione: Gut. VIII, 246 p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Schutzumschlag leicht berieben, sonst sehr guter Zustand / Dust jacket slightly rubbed, otherwise very good condition. - Modern Critical Views "I am myself the matter of my book." So Michel de Montaigne (153392) defines the subject of his Essays. First appearing in 1580, this Renaissance "testing of selves" began as a learned compilation of exempla, but gradually revealed over its six editions the different Montaigneshumanist, skeptic, and honest man. One of his most polemical essays, "Apology for Raymond Sebond," incited the responses of Descartes, Pascal, and Bacon. As the inventor of the modern essay, Montaigne influenced later writers like Robert Burton, Sir Thomas Browne, and Jonathan Swift. A complete critical portrait of the author, this volume presents essays on Montaigne's work by such distinguished critics as Herbert Luthy, Thomas M. Greene, Maurice Merleau-Ponty, Louis Marin, and Jean Starobinski. The result from this current assaying of Montaigne is a judicious blend of biographical, historical, and textual criticism. Contents Editor's Note Introduction Harold Bloom Montaigne, or the Art of Being Truthful Herbert Liithy The Whole Man, 15861592 Donald M. Frame Reading Montaigne Maurice Merleau-Ponty Montaigne's Tomb, or Autobiographical Discourse Louis Marin Problems of Reading in the Essais Terence Cave Montaigne's Cure: Stones and Roman Ruins Irma S. Majer The Paradox and the Miracle: Structure and Meaning in "The Apology for Raymond Sebond" (Essais 2.12) Catherine Demure Dangerous ParleysEssais 1.5 and 6 Thomas M. Greene "And Then, for Whom Are You Writing?" Jean Starobinski Montaigne's Anti-Influential Model of Identity Jefferson Humphries Chronology Contributors Bibliography Acknowledgments Index. ISBN 9781555462925 Sprache: Englisch Gewicht in Gramm: 630.
Editore: New York, New Haven, Philadelphia: Chelsea House Publishers, 1987
ISBN 10: 1555460747 ISBN 13: 9781555460747
Da: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germania
Cloth with dustjacket. Condizione: Gut. VII, 160 p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Schutzumschlag leicht berieben, sonst sehr guter Zustand / dust jacket slightly rubbed, otherwise very good condition. - Modern Critical Interpretations "I am myself the matter of my book." So Michel de Montaigne (1533-92) defines the subject of his Essays. First appearing in 1580, this Renaissance "testing of selves" began as a learned compilation of exempla, but gradually revealed over its six editions the different Montaigneshumanist, skeptic, and honest man. One of his most polemical essays, "Apology for Raymond Sebond," incited the responses of Descartes, Pascal, and Bacon. As the inventor of the modern essay, Montaigne influenced later writers like Robert Burton, Sir Thomas Browne, and Jonathan Swift. Among the distinguished critics in this volume, Erich Auerbach commences with his classic account of Montaigne's freedom of representation, followed by Robert L. Regosin on the topos of text as body, Jean Starobinski on Montaigne's equivocal self- knowledge, and Jefferson Humphries on tropes for reading and writing. Michel de Montaigne's Essays is one of over 100 volumes in the Modem Critical Interpretations series, edited and introduced by Harold Bloom and published by Chelsea House. Taken together, these volumes represent a comprehensive collection of the best current criticism of the most widely read poems, novels, stories, and dramas of the Western world. / Contents Editor's Note / Introduction / Harold Bloom L'Humaine condition / Erich Auerbach The Life of the Mind / Richard L. Regosin Poetic Conceit: The Self-Portrait and Mirrors of Ink / E. S. Burt My Body, My Text: Montaigne and the Rhetoric of Sexuality / Lawrence D. Kritzman "This Mask Torn Away" / Jean Starobinski Montaigne's "Of Cannibals": The Savage "I" / Michel de Certeau Montaigne's Anti-Influential Model of Identity / Jefferson Humphries Chronology / Contributors / Bibliography / Acknowledgments / Index. ISBN 1555460747 Sprache: Englisch Gewicht in Gramm: 550.
Editore: New York-New Haven-Philadelphia, Chelsea House Publishers 1988,., 1988
ISBN 10: 1555460313 ISBN 13: 9781555460310
Da: Antiquariat Liber Antiqua, Krems an der Donau, Austria
Modern Critical Interpretations,. 143 pages Hardcover, Ganzleinen, abgegriffen, leicht verschmutzt, am Buchrücken Goldprägung, Kanten und Ecken bestossen, schiefgelesen, Seiten leicht gebräunt, Schutzumschlag abgegriffen, verschmutzt, bestossen, insgesamt eher guter Zustand, in Englisch 1555460313 Sprache: Englisch.