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Editore: Cobogó Editora, Rio de Janeiro, 2021
ISBN 10: 6556910228ISBN 13: 9786556910222
Da: Howard Karno Books, Inc., Valley Center, CA, U.S.A.
Libro
bibliographical references (p.149-162), fldg. color wrps. In 1981, Dona Ivone Lara released her third solo album, Sorriso negro , which represented a major turning point in her career. With production and artistic direction by journalist Sérgio Cabral and arrangements and conductors by Rosinha de Valença, the album features major names such as Maria Bethânia, Jorge Ben Jor and Jorge Aragão. In this book on the album, journalist and researcher Mila Burns shows how the album, with songs about freedom, black pride and female empowerment, reflected the fundamental changes that flooded Brazil in the final years of the military dictatorship. "Dona Ivone Lara developed her own strategy to overcome the challenges of a black woman in Brazil in the 20th century, which served as an example for the following generations. Its strong stage presence, its famous counter-melodies and its biography incorporate, in many ways, the resilience of black Brazilian women in the face of multiple and intense challenges. " Mila Burns. The book also includes testimonials from those who followed Dona Ivone's career over the years, such as Bira Presidente and Hermínio Bello de Carvalho, as well as admirers of her work, such as Leci Brandão, Mart'nália and Pretinho da Serrinha, among others. CONTENTS: Sobre a coleção o livro do disco -- Agradecimientos -- Introdução -- PARTE 1: As mulheres e o samba -- A sereia Guiomar -- De bronços com a felicidade -- ALguem me avisou -- Samba caseiro -- Meu fim de Carnaval não foi ruim e nunca mais -- Primeiros passos -- O surgemineto do fenimismo -- PARTE 2: Rostos -- Nomes -- Os cinco bailes da historia de Rio -- Adeus de um poeta -- Me deixa ficar -- Uhas -- Tendencia -- PARTE 3: Sorriso Negro -- Um sorriso para dois -- Samba e ditadura -- Silenciando um movimento -- O movimento negro dos anos 1970 -- Axe de langa -- Epilogo -- Referencia bibliograficas.
Editore: Zürich / Rio de Janeiro Daros-Latinamerica / Cobogo, 2013
Da: Altstadt Antiquariat Rapperswil, Rapperswil, Svizzera
Gr.8°, 409 S., OPpbd. Mit sw. und farbigen Abbildungen illustriert. Sehr guter Zustand. Aufgrund des hohen Gewichts Versand nur innerhalb der Schweiz möglich. 1450 Gramm.
Editore: Cobogo, Rio de Janeiro, 2013
ISBN 10: 8560965343ISBN 13: 9788560965342
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Libro
Hardcover. Condizione: VG. Electric yellow & illus. stamped boards, 412 pp., BW & color illus. Majority of the text is in Spanish, with an English section of bios appearing later in the volume. Focuses on the work of 10 contemporary Colombiana artists: Doris Salcedo, Fernando Arias, Jose Alejandro Restrepo, Juna Manuel Echavarria, Maria Fernanda Cardoso, Miguel Angel Rojas, Nadin Ospina, Oscar Munoz, Oswaldo Macia, and Rosemberg Sandoval. With biographies and conversations with the artists. Nice!.
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Usato - A partire da EUR 30,73
Editore: Cobogo: Rio de Janeiro, BR, 2014
ISBN 10: 8560965610ISBN 13: 9788560965618
Da: Exchange Value Books, New York City, NY, U.S.A.
Libro
Softcover. Condizione: Good. Condizione sovraccoperta: Fair. [ART]. ANDRADE, Rodrigo, and Tiago Mesquita, Lorenzo Mammi. "Resistencia da materia: The Resistance of Matter." Cobogo; Rio de Janeiro, BR, 2014. English and Portuguese. Softcover in dust jacket. 222 pages. Full-color illustrations. Text clean. Wear and use evident. Rip at bottom of back cover dust jacket. Rip at top of dust jacket spine. Rubbing on jacket spine. Good. ISBN: 9788560965618.
Editore: Cobogó, Rio de Janeiro, 2010
ISBN 10: 8560965106ISBN 13: 9788560965106
Libro Prima edizione
Hardcover. Condizione: Very Good. No Jacket. Presumed First Edition. Text is in Portuguese and English. Presumed first edition w/NAP, hardcover, has a mild skew to the binding, light bumps to the spine ends and cover corners, a moderate ding to the head of the covers with a touch of creasing to the head of the text block, and rubbing with some smudging to the covers. Otherwise, this is a solid, tight Very Good copy with a clean interior.
Editore: Cobogó; Cashiers D'Art, Rio de Janeiro; Paris, 2021
Da: Howard Karno Books, Inc., Valley Center, CA, U.S.A.
color plates, cat., color boards. The most comprehensive work to-date. Lucas Arruda brings together some of the most relevant works by the artist from São Paulo. Developing his research around the manifestation of landscape, Lucas Arruda creates work that is as contemporary as it is timeless. His oil paintings represent skies, seas and forests in both visual and metaphysical reflections that, guided by light, manipulate the horizon lines and manifest themselves between heaven and earth, abstraction and figuration, apparition and emptiness*, the imagination and the real. Lucas Arruda is a Brazilian painter born in 1983. He received his BFA from Faculdade Santa Marcelina, São Paulo, Brazil, in 2009. Arruda is particularly interested in portraying landscapes and seascapes, although his work does not depict actual locations; it is created from memory and inspired by light. Arruda's first solo show was organized by Cahiers d'Art in Paris in October, 2018, accompanied by the artist's first monograph. The following year, The Fredericianum Museum in Kassel presented Arruda's first large-scale institutional solo exhibition, Deserto-Modelo. His group exhibitions include "Debout!" at Collection Pinault, Rennes (2018); "Nature and Abstraction" at Fondation Beyeler, Basel (2018); "Soft Power. Arte Brasil" at Kunsthal KAdE, Amersfoort (2016), "New Shamans/Novos Xamãs: Brazilian Artists" at Rubell Family Collection, Miami (2016). HIs work is held in the collections of theJ. Paul Getty Museum in Los Angeles, Brazil's Pinacoteca do Estado de São Paulo, and the Rubell Family Collection in Miami. CONTENTS: Lucas Arruda: The creation of silence / Chris SharpSem Cais / Fernanda Brenner. ENGLISH AND PORTUGUESE TEXTS.
Editore: Cobogo, Rio de Janeiro, 2012
ISBN 10: 8560965238ISBN 13: 9788560965236
Da: Riverrun Books & Manuscripts, ABAA, Ardsley, NY, U.S.A.
Libro Prima edizione
8.5 x 7 inches. Profusely illustrated in color. Original pictorial wrappers. First edition. New in shrinkwrap.
Editore: Rio de Janeiro, Cobogó, 2012
ISBN 10: 8560965386ISBN 13: 9788560965380
Da: Antiquariat Bookfarm, Löbnitz, Germania
Libro
221 Buch in sehr gutem Zustand, nur leichte Lager- und Gebrauchsspuren. --- Dieser Titel ist Bestandteil einer umfangreichen Sammlung lateinamerikanischer Literatur (ca. 2500 Bücher zu Brasilien, Mexiko, Kuba, Chile, Peru, Puerto Rico und vielen weiteren Ländern der Region). Sie umfasst zahlreiche Sachgebiete (Belletristik, Soziologie, Geographie etc.) Sprechen Sie uns an! Book in very good condition, only slight traces of use and shelf wear. --- This title is part of a huge collection of Latin-American literature (approx. 2500 books about Brazil, Mexico, CUba, Chile, Peru, Puerto Rica and many other countries). Many subjects (fiction, non-fiction, social studies, geography) are covered. Feel free to contact us! Libro en muy buenas condiciones, solo leves signos de desgaste. --- Este título es parte de una extensa colección de literatura latinoamericana (aproximadamente 2500 títulos en Brasil, México, Cuba, Chile, Perú, Puerto Rico y muchos otros países de la región). Cubre numerosas áreas temáticas (ficción, sociología, geografía, etc.). ¡Háblenos! Reserve em muito bom estado, apenas ligeiros sinais de desgaste. --- Este título faz parte de uma extensa coleção de literatura latino-americana (aproximadamente 2500 títulos no Brasil, México, Cuba, Chile, Peru, Porto Rico e muitos outros países da região). Abrange numerosas áreas temáticas (ficção, sociologia, geografia, etc.). Fale conosco!, 20th century; Drawing; Graphic arts; Illustrators, 1404 8560965386 pt Gewicht in Gramm: 950.
Editore: Cobogo, Rio De Janeiro, 2012
ISBN 10: 8560965246ISBN 13: 9788560965243
Da: Any Amount of Books, London, Regno Unito
Libro Prima edizione
8vo. pp 360. Pictorial boards. Illustrated throughout in colour. This is the 13th edition of the project. Text is in Portuguese and English.ISBN: 9788560965243 Good condition. Bumped at head of spine and corners of boards. Some surface wear.
Collana Arte Brasileira, Seculo XXI.3, Arte Contemporaea, testo portoghese / inglese, brossura, copertina con alette, formato 18 x 22, pagine 158, illustrato a colori, ottime condizioni - 47220.
Editore: Milan / Rio de Janeiro. Mousse Publishing / Editora Cobogo., 2018
Da: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Germania
1. Auflage. 28 x 22 cm. OKarton. Sehr gutes Exemplar. Texte in Englisch und Portugiesisch. Mit Beiträgen von Germano Dusha, Claudia Rodriguez Ponga Linares und Thierry Raspail sowie mit einem Gespräch von Kiki Mazzucchelli mit Paulo Nimer Pjota. Durchgehend mit meist farbigen Abbildungen versehen. Sprache: englisch und portugiesisch.
Editore: Cobogó, Rio de Janeiro, 2015
ISBN 10: 8560965971ISBN 13: 9788560965977
Da: Howard Karno Books, Inc., Valley Center, CA, U.S.A.
Libro
color and b/w plates, bibliographic references (p.237), d.j. CONTENTS: Iran do Espirito Santo: Desenhis / Jacopo Crivelli Visconti -- Lista das obras = List of works. Brazilian artist Iran do Espírito Santo (born 1963) is known for the subtle minimalism of his paintings, sculptures and installations. This gorgeously produced substantial overview is dedicated to the artist's drawings--some abstract and monochrome, others figurative reflections on daily objects, all technically masterful. Os trabalhos feitos sobre papel, deste que é um dos maiores representantes das artes visuais brasileiras no cenário contemporâneo: Iran do Espírito Santo (b. Mococa (SP) 1963). Presentes em toda sua trajetória artística, os desenhos revelam a escolha por uma paleta precisa de cores, tons e sub tons, com destaque para o branco, o preto e o cinza, e um viés conceitual e de ironia sutil anunciado pelos títulos. Sua produção sobre papel é realizada com os mais diversos materiais, como carvão, caneta, pastel, aquarela e grafite. A seleção das mais de 130 obras que compõem o livro, feita por Iran e pelo crítico e curador independente Jacopo Crivelli Visconti, que também assina um texto sobre a produção do artista, privilegia o recorte cronológico. ENGLISH AND PORTUGUESE TEXT.
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Usato - A partire da EUR 54,58
Editore: Cobogó; Museu de Arte de São Paulo Assis Chateaubriand, MASP, Rio de Janeiro, 2015
ISBN 10: 8555910013ISBN 13: 9788555910012
Da: Howard Karno Books, Inc., Valley Center, CA, U.S.A.
Libro
b/w and color plates, facs., color pict. d.j. CONTENTS: Concreto e crital apresentação -- Concreto e Crital aprendendo com Lina -- Concreto e Cristal: arquitetura -- Concreto e CristalEditorial -- Origens e atualidade da transprarencia no MASP -- MASP: Arquitetura expositiva -- Os amtimuseus e antiescolas de Lina Bo Bardi e Paulo Freire -- Sobre cristais e paredes: recepção critica dos cavaletes de vidro e soluçoes da Pinacotecado MASP -- Memoria por um fio a atraves -- O local de nascimento da arte de instalação Explicaçoes sobre o museu de arte de instalação -- Parecer sobre a museologia do espaço expositivo -- Catalogo das obras na Pinacoteca Dezembro de 2015. Concrete and glass: MASP's collection on Lina Bo Bardi's easel records the revival of the iconic crystal easels, also called glass trestles, which were the expography designed by Lina Bo Bardi for the current headquarters of MASP Paulo Assis Chateaubriand), inaugurated in 1968. By removing the works from the wall and placing them on transparent glass supports supported by a concrete base, and freely scattering them through the monumental space of the institution, the architect sought to question the vision of the Museum as a privileged cultural space, giving the visitor the autonomy to decide their own course through the collection. Removed in 1996 on the pretext that they damaged the works, the easels were renovated and reincorporated into the assembly of the collection in December 2015, starting with the critical review and the resumption of the founding origins of the museum adopted by its new artistic director. Organized by Adriano Pedrosa and Luiza Proença, Concrete and Crystal: the MASP collection on the easels of Lina Bo Bardi brings together more than 300 images of the works of the collection exposed in the presentation of the new easels, alongside historical photographs of the original easels and related documents To the theme. The book also presents essays by different authors on crystal easels, which approach them from different perspectives, reflecting on their historical, conceptual and technical. ENGLISH AND PORTUGUESE TEXTS. Concreto e cristal: o acervo do MASP nos cavaletes de Lina Bo Bardi registra a retomada dos icônicos cavaletes de cristal, também chamados cavaletes de vidro, que constituíam a expografia projetada por Lina Bo Bardi para a atual sede do MASP (Museu de Arte de São Paulo Assis Chateaubriand), inaugurada em 1968. Ao remover as obras da parede e colocá-las sobre suportes transparentes de vidro, sustentados por uma base de concreto, e espalhá-las livremente pelo espaço monumental da instituição, a arquiteta almejava questionar a visão do museu como um espaço cultural privilegiado, conferindo ao visitante autonomia para decidir o próprio percurso pelo acervo. Removidos em 1996 a pretexto de que danificavam as obras, os cavaletes passam a ser renovados e reincorporados à montagem do acervo em dezembro de 2015, a partir da revisão crítica e da retomada das origens fundadoras do museu adotada por sua nova diretoria artística. Organizado por Adriano Pedrosa e Luiza Proença, Concreto e cristal: o acervo do MASP nos cavaletes de Lina Bo Bardi reúne mais de 300 imagens das obras da coleção expostas na apresentação dos novos cavaletes, ao lado de fotografias de históricas dos cavaletes originais e documentos relacionados ao tema. O livro também traz ensaios de diferentes autores sobre os cavaletes de cristal, que os abordam sob diferentes perspectivas, refletindo sobre seus aspectos históricos, conceituais e técnicos. ENGLISH AND PORTUGUESE TEXT.
Editore: Cobogó, Rio de Janeiro, 2016
ISBN 10: 8555910188ISBN 13: 9788555910180
Da: Howard Karno Books, Inc., Valley Center, CA, U.S.A.
Libro
b/w frontis, b/w and color plates, pict. wrps. Paths taken by the artist Marcelo Cidade (b. São Paulo 1979) for the production of his works. Marcelo is part of a generation of artists who emerged from an intense experience in the urban environment of São Paulo, from his connection with groups of skateborders and taggers. Later, it unfolds in an investigation into the possibilities of making art between the public space of the city and the private (or semi-public) space of galleries and museums. ENGLISH AND PORTUGUESE TEXTS. CONTENTS: Empena cega -- [Blind Wall] -- Sobre espaços publicos impossiveis = [On impossibke public spaces] / Renato Cymbalista -- A meia noite levarei sua alma = [At midnight I will take your soul] / Ricardo Nicolau -- Lista de obras = [List of works].
Editore: Cobogó Editora, Rio de Janeiro, 2020
ISBN 10: 655691018XISBN 13: 9786556910185
Da: Howard Karno Books, Inc., Valley Center, CA, U.S.A.
Libro
b/w and color plates, port., chron./bio., cat., color pict. endpapers, color pict. boards. The book Arjan Martins presents an extensive overview of the trajectory of this carioca painter. In his work, Arjan Martins (Rio de Janeiro, 1960), dialogues with the modern tradition of Western painting, incorporating an Afro-Brazilian visual repertoire and narrative. The faces of his black figures are often blurred with paint and of distressed and elegant brushstrokes. At the same time that they refer to a erased identity, they translate this denial of image/identity with gestures that multiply the expressive directions contained in the form. The images of immigrants and African descendants are a fundamental part of the artist's repertoire, showing them in everyday actions, and which bring eminent issues to be discussed: colonial heritage, ethnic identity, blackness, segregation, invisibility. His works also go through cartography, which arrive as significant elements of the historical period of navigations. The work of Arjan Martins has been presented in several of the most important institutions in Brazil, besides having been exhibited in important biennials around the world, such as the Dakar Biennial and the Bienal do Mercosul. The publication features more than 100 works by the artist, as well as an essay by the book's organizer, Paulo Miyada, now curator of the Instituto Tomie Ohtake, in São Paulo, another of the critic and art historian Michael Asbury, and also an interview with Arjan Martins by art historian Raquel Barreto. CONTENTS: Arjan Martins: Black Ocean = Arjan Martins: Oceano Negro / Paulo Miyada -- Works = Obras -- Interview with artist = Entrevista com o artista / Raquel Barreto -- Arjan's paintings and their photographic sources = As pinturas de Arjan e suas fontes fotográficas / Michael Asbury -- Chronology, exhibitions and collections = Cronologia, exposições e coleções. ENGLISH AND PORTUGUESE TEXTS.
Editore: Rio de Janeiro, Cobogó, 2015
ISBN 10: 8560965815ISBN 13: 9788560965816
Da: Antiquariat Bookfarm, Löbnitz, Germania
Libro Prima edizione
1. ed. 84 p. Sehr guter Zustand. 9788560965816 pt Gewicht in Gramm: 550.
Editore: Rio de Janeiro, Cobogo, 2013
Da: Antiquariat Bookfarm, Löbnitz, Germania
Libro
Hardcover. 409 p. Buch in gutem Zustand mit minimalen Gebrauchsspuren. Sauberes Exemplar ohne Anstreichungen! Book in good condition with minimal traces of use. Clean book without notes in the text! Sprache: Spanisch Gewicht in Gramm: 1750.
Editore: Fundaçao Bienal de São Paulo; Cobogó, São Paulo; Rio de Janeiro, 2008
ISBN 10: 8560965025ISBN 13: 9788560965021
Da: Howard Karno Books, Inc., Valley Center, CA, U.S.A.
Libro
b/w plates, bios., bibl., color pict. fldg. wrps. The papers presented during the 7 international seminars organized previous to the 27th Biennale of Sao Paulo in 2006. The seminars organized in study groups had international and local art historians, curators, artists, philosophers, psychologists and political scientists debating around the topics of the exhibition "Como viver juntos" (How to live together). Each seminar was organized by curators of this biennale. Contents: Semínarios introdução / Lisette Lagnado -- Marcel, 30 / organized by Jochen Volz -- Arquitetura [Architecture] / organized by Adriano Pedrosa -- Reconstrução [Reconstruction] / organized by Cristina Freire -- Vida coletiva [Collective Life] / organized by Lisette Lagnado -- Trocas [Exchanges] / organized by Rosa Martinez -- Acre / organized by José Roca. Last page [440] is the transcription of the work by artist León Ferrari's Cuadro escrito (Written Drawing, 1964), a handwritten text on paper exhibited at the biennial describing a nonexistent erotic and anti-religious painting. O livro '27ª Bienal de São Paulo - Seminários' traz as conferências apresentadas na Bienal de Arte de São Paulo: Como vivir Junto 2006. De janeiro a novembro desse ano, foram realizados seis diferentes colóquios multidisciplinares. Os textos sobre Marcel Broodthaers, Arquitetura, Reconstrução, Vida Coletiva, Trocas e Acre foram revistos e revisados por seus autores para esta publicação.
Editore: Editora De Livros Cobogo,, Rio De Janeiro, 2013
ISBN 10: 8560965262ISBN 13: 9788560965267
Da: Nicola Wagner, Aptos, CA, U.S.A.
Libro Prima edizione
4to. pp 133. Yellow, white, and color-illustrated boards with blue lettering . Text in English and Portuguese. Fine. First Edition. Hardback. No Dustjacket.
Editore: Cobogo, Rio De Janeiro, 2012
ISBN 10: 8560965246ISBN 13: 9788560965243
Da: PsychoBabel & Skoob Books, Didcot, Oxfordshire, OXON, Regno Unito
Libro
Hardcover. Condizione: Very Good. Hardcover with printed boards, no dust jacket. Very good condition, 359pp. Text in Portuguese and English. Bumps to corners and leading edge. Pages are crisp and clean, spine is sound. AD. Used.
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Usato - A partire da EUR 36,03
Scopri anche Prima edizione
Editore: Editora Cobogó Rio De Janeiro, 2019
ISBN 10: 8555910641ISBN 13: 9788555910647
Da: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Libro
Cloth. Condizione: New. 240 pages with 104 illustrations in color. Illustrated boards. Still in shrink-wrap. Book.
Editore: Editore de Livros Cobogo, Rio de Janeiro, 2017
Da: Marcus Campbell Art Books, London, Regno Unito
Prima edizione
First Edition. 31 x 23 cm 276 pp with mainly colour illustrations throughout. Portuguese and English text. Hbk. fine in dustwrapper.