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Editore: Kimbell Art Museum; Yale University Press, Fort Worth, TX, and New Haven, CT, 2005
ISBN 10: 0912804440ISBN 13: 9780912804446
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Libro Prima edizione
Paperback. Condizione: Very Good. 1st. x, 366 pages, illustrations (chiefly colour); 30 cm. Published in conjunction with an exhibition organized by the Kimbell Art Museum, Fort Worth which was held at Ordrupgaard, Copenhagen, August 30 to November 20, 2005 and at the Kimbell Art Museum, December 18, 2005 to March 26, 2006. Near fine. Firm binding, clean inside copy. Corner crease/back cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. CONTENTS: Becoming an artist-collector; Becoming an impressionist painter-sculptor; An interlude; Gauguin in domestic exile; Unbecoming an impressionist. Size: 4to.
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Editore: Kimbell Art Museum / Distributed by Yale University Press, 2006
ISBN 10: 0300117361ISBN 13: 9780300117363
Da: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, U.S.A.
Libro
Paperback. 55 color & 25 black & white illustrations, 86pp. As new, clean, tight and bright condition.
Editore: Kimbell Art Museum and Yale University Press, 2009
ISBN 10: 0300121350ISBN 13: 9780300121353
Da: ANARTIST, New York, NY, U.S.A.
Libro
Softcover, 80 pages, as new condition; clean and crisp; no internal marks.
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Editore: Fort Worth New Haven [Conn.] : Kimbell Art Museum ; Distributed by Yale University Press, 2006
ISBN 10: 0912804459ISBN 13: 9780912804453
Da: MW Books, New York, NY, U.S.A.
Libro Prima edizione
1st edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; vii, 86 pages : illustrations ; 23. Notes; Includes bibliographical references. Contents; The statuette : an introduction -- An artistic moment in time -- The art of the goldsmith -- A question of origin -- Bishop Wilhelm von Reichenau and Eichstätt -- The Virgin Mary and her bishop -- Marian piety -- The Kimbell Virgin and Child as a collector's object. Subjects; Wilhelm von Reichenau, Bishop of Eichstätt approximately 1426-1496 Art patronage. Wilhelm von Reichenau, Bishop of Eichstätt ca. 1426-1496. Jesus Christ Art. Mary Blessed Virgin, Saint ; Art. Jesus Christ ; Art. Mary Blessed Virgin, Saint ; Art. Kimbell Art Museum. Kimbell art museum (Fort Worth, Tex.). Virgin and Child (Silver figurine). Geschichte 1400-1500. 1400-1499. Silverwork Germany, Southern History 15th century. Silverwork Texas Fort Worth. Silverwork Germany, Southern History 15th century. Silverwork Texas Fort Worth. Art patronage. Silverwork. Madonna's. Southern Germany. Texas Fort Worth. Deutschland. 1 Kg.
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Editore: New Haven Fort Worth: Yale University Press; Kimbell Art Museum, 2004
ISBN 10: 0912804424ISBN 13: 9780912804422
Da: WeBuyBooks, Rossendale, LANCS, Regno Unito
Libro
Condizione: VeryGood. Most items will be dispatched the same or the next working day.
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Editore: Santa Barbara Museum of Art and Kimbell Art Museum; Yale University Press, Santa Barbara, CA and Fort Worth, TX, 2011
ISBN 10: 030016971XISBN 13: 9780300169713
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Fine. 1st. Pictorial boards, 135 pages, illustrations (some colour); 29 cm. Published on the occasion of an exhibition held at the Kimbell Art Museum, Fort Worth, Tex., May 29 to August 21, 2011 and the Santa Barbara Museum of Art, Santa Barbara, Calif., September 17, 2011 to January 8, 2012. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "Picasso and Braque offers an intimate look at one of the most pivotal exchanges in the history of Western art: the culminating two years (1910-12) of Analytic Cubism. While the Cubist experiment has long been a requisite chapter in the history of modernism, this is the first publication to delve deeply into these two intense years of productivity, revealing the intriguing pictorial game being played out between these two great masters. Essays by prominent curators and historians offer sustained readings of paintings, drawings, and prints in terms of their engagement with issues of genre, format, medium, and artistic process. In addition, the new technology of spectral imaging provides reproductions of astounding color and textural fidelity, making this an essential publication for those seeking to understand better the complexity of Picasso's and Braque's mark-making, which typically evades conventional photography. / Eik Kahng is chief curator and curator of 19th- and Early 20th-Century European Art at the Santa Barbara Museum of Art. Harry Cooper is a curator at the National Gallery of Art, Washington, D.C. Charles Palermo is an art history professor at the College of William and Mary. Christine Poggi is an art history professor at the University of Pennsylvania. Annie Bourneuf is an independent scholar. Claire Barry and Bart Devolder are conservators at the Kimbell Art Museum, Fort Worth." - Publisher. CONTENTS: Introduction: on the problem of explaining Cubism: a few notes, by Eik Kahng; A project for wholeness, by Charles Palermo; Braque's ovals, by Harry Cooper; Picasso, Braque, and the uses of the print, 1910-1912, by Annie Bourneuf; Cubist faktura, by Christine Poggi; Surface and format: observations on the materials, process, and condition of Cubist paintings, 1910-1912, by Claire Barry and Bart J. C. Devolder. Size: 4to. Collectible.
Editore: Fort Worth: Kimbell Art Museum and Yale University Press, 2003
ISBN 10: 0300101813ISBN 13: 9780300101812
Da: ANARTIST, New York, NY, U.S.A.
Libro
Softcover, 298 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra for this book.
Editore: Yale University Press / The National Gallery of Canada / The Kimbell Art Museum, * * * * *, 2011
ISBN 10: 0888848919ISBN 13: 9780888848918
Da: L. Michael, North Hollywood, CA, U.S.A.
Libro
Soft cover. Condizione: Fine. 2011 Book: Fine/Near As New/, 2011 (illustratore). Book: Fine/Near As New/, $30.58 0888848919 CARAVAGGIO, his FOLLOWERS in ROME * FRANKLIN, David; SCHUTZE, Sebastian Yale University Press / The National Gallery of Canada / The Kimbell Art Museum 2011 UnStated 1sT Edition Tall Wide Thick S/c Shiny Light Purple To Grey To Black Colored Spine With Title In Off~White Colored Letters Soft Cover Book: Fine/Near As New/, Slight Shelf, Edge And Corner Wear. 333 Numbered Pages Printed On 0ff~White Paper, Clean And Tight To The Spine In: As New/, Condition. D/j: None. This Item Will Be Sent Wrapped In Plastic, Taped Shut And In A = Corrugated Mailing B0X. To Prevent Shipping Damage So That It Will Arrive In The Description Described Which Applies To This B00K, Only. = No Odors, No Writing, No Names, No Rippling, Not Stuck Together, No Book Plate, Not X~Library, No Other Marks. = Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE *.
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Editore: Yale University Press/Kimbell Art Museum, New Haven, CT./Fort Worth, TX, 2004
Da: Xochi's Bookstore & Gallery, Truth or consequences, NM, U.S.A.
Libro
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st. 229pp.incl.index; HB dk.blue w/silver; some rub; lt.dampstain w/ripple on covers w/bttm.&side foredges stained & rippled, otherwise clean,tight pgs. DJ beige w/brwn.-pic.cover; rubbed&rippled w/chips&tears; heavy sun w/spine&edges sunned blue. Catalog of George Stubbs Exhibition Nov.14, 2004 - Sept.25, 2005. illus.
Editore: New Haven [ua] : Yale Univ Press ; Fort Worth : Kimbell Art Museum,, 2004
Da: Antiquariat Hartmut R. Schreyer, Augsburg, Germania
XVII, 229 S : zahlr. Ill ; 28 cm. Orig.-Kart. (gut erhalten).
Editore: Kimbell Art Museum/Yale University Press, Fort Worth, TX and New Haven, CT, 2004
ISBN 10: 0300104723ISBN 13: 9780300104721
Da: Saucony Book Shop, Kutztown, PA, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Dark blue cloth, lettered in silver foil. Slight sunning to cloth along cover edges, mild binding lean, small nick to cloth at heel of spine panel. Color illus. dust jacket shows shallow loss to spine extremities, minor shelf wear, now in mylar. 1st ptg. xviii,229 pp., illus. Size: 4to - over 9¾" - 12" tall. Book.
Editore: Yale University Press / Kimbell Art Museum, New Haven, Connecticut, 2016
ISBN 10: 0300221851ISBN 13: 9780300221855
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Libro
Hardcover. Condizione: NF/NF. Olive green cloth/boards; black lettering. Color-illus. dj with white lettering on blue spine. 206 pp. full of color images. This elegant volume is the first to be devoted to the young genius of Claude Monet (1840-1926). Bringing together the greatest paintings from his early career-including his first Salon-exhibited work, the Kimbell Art Museum s La Pointe de la Heve at Low Tide; Dejeuner sur l Herbe (Luncheon on the Grass) and The Magpie from the Musee d Orsay; and The Green Wave and La Grenouillere from the Metropolitan Museum of Art-it features essays by distinguished scholars, focusing on the evolution of Monet s own distinctive mode of painting. Through the 1860s, the young painter absorbed and transformed a variety of influences, from the lessons of the Barbizon school and his mentor Boudin to the challenges posed by his friends Manet, Pissarro, Renoir, and Sisley. Artistic innovation and personal ambition shaped the work of the celebrated impressionist painter from the very start of his long and illustrious career. - from the jacket. Catalogue from the exhibition held at the Kimbell Art Museum, October 16, 2016-January 29,2017, Fine Arts Museum of San Francisco, February 25-May 29, 2017.
Editore: Kimbell Art Museum and Yale University Press, 2010
ISBN 10: 0912804513ISBN 13: 9780912804514
Da: ANARTIST, New York, NY, U.S.A.
Libro
Softcover, 456 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.
Editore: Kimbell Art Museum/Yale University Press, 2007
ISBN 10: 0912804475ISBN 13: 9780912804477
Da: Tom Green County Friends of the Library, San Angelo, TX, U.S.A.
Libro
Soft cover. Condizione: As New. Pamphlet advertising exhibit at Kimball Art Museum.
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Editore: Clark Art Institute in collaboration with the Kimbell Art Museum; Yale University Press, Williamstown, MA, Fort Worth, TX and New Haven, CT, 2019
ISBN 10: 0300243316ISBN 13: 9780300243314
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. Cloth, 264 pages, coloiur illustrations; 29 cm. Published by the Clark Art Institute on the occasion of the exhibition Renoir: The Body, The Senses, presented at the Clark Art Institute from June 8 to September 22, 2019, and at the Kimbell Art Museum from October 27, 2019 to January 26, 2020. With contributions by Colin B. Bailey, Esther Bell, Martha Lucy, Nicole R. Myers, Sylvie Patry and George T.M. Shackelford; and a conversation between Lisa Yuskavage and Alison de Lima Greene. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "Best known as part of the influential vanguard of Impressionist artists that experimented with new painting techniques in the late 19th century, Pierre-Auguste Renoir (1841-1919) was deeply inspired by classical traditions and returned again and again to the canonical subject of the nude. Tracing the entire arc of Renoir's career, this volume examines the different approaches the artist employed in his various depictions of the subject-from his works that respond to Gustave Courbet, Edouard Manet, Edgar Degas, and Paul Cezanne, to his late, and still controversial, depictions of bathers that inspired the next generation of artists. Eminent scholars not only look at the different ways that Renoir used the nude as a means of personal expression but also analyze Renoir's art in terms of a modern feminist critique of the male gaze. Offering the first-ever comprehensive investigation of Renoir's nudes, this beautifully illustrated study includes approximately 50 works, including paintings, pastels, drawings, and sculptures. The book also features an interview with the contemporary figurative painter Lisa Yuskavage that considers Renoir's continuing influence and the historical significance of the female nude in art." - Publisher. CONTENTS: Renoir and the nude: An introduction, by Colin B. Bailey; Renoir and the Rococo nude, by Esther Bell; From realism to impressionism: Renoir's early nudes, by Nicole R. Myers; Renoir, Degas, Cezanne, and the impressionist nude, by George T.M. Shackelford; Renoir's tactile gaze, by Martha Lucy; The late nudes, 1908-1919, by Sylvie Patry; Epilogue: On Renoir, by Lisa Yuskavage with Alison de Lima Greene; Plates. Size: 4to. Collectible.
Editore: Kimbell Art Museum and Yale University Press, 2023
ISBN 10: 0912804580ISBN 13: 9780912804583
Da: ANARTIST, New York, NY, U.S.A.
Libro
Softcover, 254 pages, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.
Editore: 2004 Kimbell Art Museum/Yale University Press, 2004
Da: Wyseby House Books, Newbury, WEST, Regno Unito
Libro
Soft cover. Condizione: Fine. 2004, Kimbell Art Museum/Yale University Press, 4to., 229pp., many coloured and plain illustrations, fine, wrappers.
Editore: Yale University Press in association with Kimbell Art Museum, New Haven, first edition, 2007, 2007
Da: Wykeham Books, LONDON, Regno Unito
Prima edizione
Cloth, 4to, 32 cm, xv, 309 pp, numerous ills (chiefly colour). From the blurb - "Picturing the Bible explores the origins and emergence of Christian art from its very beginnings in the third century A.D., when Christianity was an outlawed, clandestine faith, through the fourth and fifth centuries, which saw it rise to become the state religion of the Roman Empire. What images did the early Christians use to express their faith? Were they the first believers to part with Mosaic law by creating "graven images"? What Jewish and pagan sources did they look to for inspiration, and what new meanings did they invest these subjects with? When did they begin to depict the life of Jesus? This beautifully illustrated book addresses these and other questions both through new discoveries and a reassessment of older evidence. Leading experts explore topics ranging from Jewish art in the Greco-Roman period and the influence of the Roman emperor Constantine, to the development of church decoration and the meaning of illustrated Bibles. They examine the selection of images by the Early Christian artists, who at first used Old Testament figures - Abraham and Isaac, Jonah, and Daniel - as allegories of Christian belief and only later turned their attention to illustrating the life of Jesus. The multiple levels of meaning attached to these images, as well as to symbols such as the fish, anchor, and Good Shepherd, are examined and explained in terms of their theological significance. The essays are complemented by extensive new research on more than one hundred objects, drawn from major museums of America, Europe, and the Middle East. Frescoes, marble sculpture and sarcophagi, silver vessels and reliquaries, carved ivories, decorated crosses, and illuminated Bibles are all illustrated in new color photographs, providing an unprecedented introduction to the earliest Christian art." Fine in Very Good dustwrapper somewhat faded at the spine and edges.
Editore: New Haven & London: Yale University Press in association with Kimbell Art Museum, Fort Worth and National Gallery of Art, Washington, [1995]., 1995
ISBN 10: 0300063326ISBN 13: 9780300063325
Da: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Libro Prima edizione
Hardcover. Dust Jacket Included. 4to. pp. xiv, [2], 221, [1]. 170 illus. (many colour). biblio. index. cloth. dw. First Edition.