Editore: Yale University Press in association with National Gallery of Canada, Ottawa, 1997
ISBN 10: 0888846681 ISBN 13: 9780888846686
Da: Eryops Books, Stephenville, TX, U.S.A.
Soft cover. Condizione: Near Fine. Softcovers; in near fine condition. This is a heavy volume; extra shipping may be required for priority mail or international orders. Book.
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Editore: Yale University Press and National Gallery of Canada, 2004
ISBN 10: 0300103751 ISBN 13: 9780300103755
Da: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 424 pages; good condition; spine slanted; light rubbing and edgewear to dj; no internal marks. Foreign shipping may be extra.
Editore: National Gallery of Canada | Yale University Press, 1997
ISBN 10: 088884672X ISBN 13: 9780888846723
Da: Phatpocket Limited, Waltham Abbey, HERTS, Regno Unito
Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Editore: Yale University Press for The National Gallery of Canada, New Haven, CT, 1999
ISBN 10: 0888846967 ISBN 13: 9780888846969
Da: Hourglass Books, Vancouver, BC, Canada
Soft cover. Condizione: Very Good+. Canadian First. Just a bit of edge wear to card covers; otherwise a solid, clean copy with no marking or underlining; collectible condition; illustrated with black and white photographs and with both black and white and color reproductions of paintings from Denmark and North Germany. Book.
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Editore: YALE UNIVERSITY PRESS/NATIONAL ART GALLERY OF CANADA, OTTAWA, 1997
Da: Come See Books Livres, Canton de Hatley, QC, Canada
Soft cover. Condizione: USED_FINE. No Jacket. 382 PAGES IN NEAR FINE CONDITION. SUPERBLY ILLUSTRATED THROUGHOUT WITH COLOR REPRODUCTIONS OF RENOIR'S GREAT WORKS. A THOUROUGH INDEX. EMAIL ME FOR FURTHER INFO OR PICTURES. THANKS.
Editore: Yale University Press in association with National Gallery of Canada, New Haven, CT and Ottawa, Ontario, Canada, 1997
ISBN 10: 0888846681 ISBN 13: 9780888846686
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First edition. Softcover. 384 pages. Exhibition catalog for a show that ran June 27 through September 14, 1997 in Ottawa and then traveled to Chicago and Fort Worth for additional dates. Essays by Colin B. Bailey, LInda Nochlin and Anne Distel. Includes numerous color and black and white illustrations. A near fine copy in wrappers.
Editore: Yale University Press : in association with National Gallery of Canada, New Haven and Ottowa, 1999
ISBN 10: 0300081669 ISBN 13: 9780300081664
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condizione: VG/VG. Dark blue cloth covered boards with color pictorial, glossy dustjacket. 220 pp. Numerous color plates. During the first half of the nineteenth century, Danish and German artists studying in Paris and Rome brought back the concept of "plein air" painting and began to paint out-of-doors on their native soil. They introduced a whole new aesthetic that was sensitive to the light and atmospheric conditions peculiar to the north, especially during the long summer days. This beautiful book focuses on the painters and paintings of this period, particularly Caspar David Friedrich, who produced many fine works before he developed the romantic style for which he is better known. The book presents topographical landscapes, panoramas, and some group and individual portraits that often include a window from which light emanates. Essays by eminent authorities discuss various aspects of the Danish and North German open air movement. They note, for example, that the paintings reflect a direct view of nature devoid of the intellectual and moral overtones of the neoclassical paintings that preceded them. They also discuss the fact that Schleswig Holstein was closely allied with Denmark until 1848, and this favored many Hamburg and north German artists studying at the Academy in Copenhagen where painting out of doors was encouraged. In addition to the essays, the book presents 108 works by twenty-three artists, catalogue entries for each work, and a biography of each artist. Published to accompany an exhibition held in Ottawa, Canada: National Gallery of Ottawa, Oct. 15, 1999 to Jan. 2, 2000.
Editore: Yale University Press in association with National Gallery of Canada, Ottawa, New Haven, 1997
ISBN 10: 0888846681 ISBN 13: 9780888846686
Da: Arch Bridge Bookshop, Bellows Falls, VT, U.S.A.
Prima edizione
Soft cover. Condizione: As New. Condizione sovraccoperta: No Jacket, as Issued. Renoir (illustratore). 1st Edition. LIke new softcover first edition. Over 100 fine reproductions of color paintings, many black and white illustrations and photos. Uncommon 1997 publication. 384 pages. Extra shipping charges outside the U.S.
Editore: Yale University Press / The National Gallery of Canada / The Kimbell Art Museum, * * * * *, 2011
ISBN 10: 0888848919 ISBN 13: 9780888848918
Da: L. Michael, North Hollywood, CA, U.S.A.
Soft cover. Condizione: Fine. 2011 Book: Fine/Near As New/, 2011 (illustratore). Book: Fine/Near As New/, $30.58 0888848919 CARAVAGGIO, his FOLLOWERS in ROME * FRANKLIN, David; SCHUTZE, Sebastian Yale University Press / The National Gallery of Canada / The Kimbell Art Museum 2011 UnStated 1sT Edition Tall Wide Thick S/c Shiny Light Purple To Grey To Black Colored Spine With Title In Off~White Colored Letters Soft Cover Book: Fine/Near As New/, Slight Shelf, Edge And Corner Wear. 333 Numbered Pages Printed On 0ff~White Paper, Clean And Tight To The Spine In: As New/, Condition. D/j: None. This Item Will Be Sent Wrapped In Plastic, Taped Shut And In A = Corrugated Mailing B0X. To Prevent Shipping Damage So That It Will Arrive In The Description Described Which Applies To This B00K, Only. = No Odors, No Writing, No Names, No Rippling, Not Stuck Together, No Book Plate, Not X~Library, No Other Marks. = Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE *.
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Editore: National Gallery of Canada and Yale University Press, Ottawa, 1997
Da: Livresse, Gatineau, QC, Canada
Couverture souple. Condizione: Trčs bon. 384 p. Ill. Légčre usure ā la couverture.
Editore: National Gallery of Canada/ Yale University Press, Ottawa, 1999
ISBN 10: 0300083599 ISBN 13: 9780300083590
Da: AFTER WORDS OF ANN ARBOR, Ann Arbor, MI, U.S.A.
Boards. Condizione: USED_VERYGOOD. Condizione sovraccoperta: Good. Exhibition Catalog. Very good, clean, tight, square and bright exhibition catalog bound in yellow boards with dark blue titles. Two bumps on bottom edge of cover, and wear at foot of spine, otherwise unmarked and fine. Dust jacket is unclipped, protected in removable mylar, with wear at forecorners, head and foot of spine, and two closed tears to back panel. Five essays examine Daumier's life and work including his sculpture, painting, and prints. 599 pages includes index, bibliography, chronology, 369 illustrated plates in color and B&W. The postal charges quoted are for an average-sized book. Due to size and weight of this item, additional postage may be required.
Editore: Yale University Press in Association with National Gallery of Canada, Ottawa, 2000
ISBN 10: 0300081669 ISBN 13: 9780300081664
Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. 4to, i-xii, 220 pp, 109 works illustrated in colour, other illustrations in colour and black and white, a fine copy in a dust wrapper with the lightest of wear to some edges. Published to accompany an exhibition held at The National Gallery of Canada Oct 1999 - Jan 2000.
Editore: Otawa National Gallery of Canada in association with Yale University Press, 1999
ISBN 10: 0888846967 ISBN 13: 9780888846969
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Condizione: VG. Color wraps. 220 pp. Numerous color plates. During the first half of the nineteenth century, Danish and German artists studying in Paris and Rome brought back the concept of "plein air" painting and began to paint out-of-doors on their native soil. They introduced a whole new aesthetic that was sensitive to the light and atmospheric conditions peculiar to the north, especially during the long summer days. This beautiful book focuses on the painters and paintings of this period, particularly Caspar David Friedrich, who produced many fine works before he developed the romantic style for which he is better known. The book presents topographical landscapes, panoramas, and some group and individual portraits that often include a window from which light emanates. Essays by eminent authorities discuss various aspects of the Danish and North German open air movement. They note, for example, that the paintings reflect a direct view of nature devoid of the intellectual and moral overtones of the neoclassical paintings that preceded them. They also discuss the fact that Schleswig Holstein was closely allied with Denmark until 1848, and this favored many Hamburg and north German artists studying at the Academy in Copenhagen where painting out of doors was encouraged. In addition to the essays, the book presents 108 works by twenty-three artists, catalogue entries for each work, and a biography of each artist. Published to accompany an exhibition held in Ottawa, Canada: National Gallery of Ottawa, Oct. 15, 1999 to Jan. 2, 2000.
Editore: Yale University Press / National Gallery of Canada, New Haven and London, 2003
ISBN 10: 0888847750 ISBN 13: 9780888847751
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Brown illus. wraps with white lettering; 289 pp. with 89 plates and 106 figures. Text is in English. Issued in conjunction with several 2003-2004 exhibitions of artwork by Italian Mannerist painter Parmigiano (1503-1540). With essays by David Franklin and David Ekserdijan. The annotated and illustrated catalogue presents 90 specific pieces. Includes bibliography. Good+; with name in marker on pre-title page.
Editore: National Gallery of Canada/Yale University Press, Ottawa, Canada/New Haven, CT, 2005
ISBN 10: 0888848048 ISBN 13: 9780888848048
Da: Craig Olson Books, ABAA/ILAB, Belfast, ME, U.S.A.
Prima edizione
Hardcover. Condizione: USED_FINE. Condizione sovraccoperta: Very Good. First Edition. First Printing. 471 pp. Folio. Dust jacket has a 4" tear at rear panel from lower left corner on the diagonal, now in my lar cover. Clean and crisp within.
Editore: National Gallery of Canada; Philadelphia Museum of Art; Yale University Press, Ottawa, Philadelphia, and New Haven, CT, 2012
ISBN 10: 0300181299 ISBN 13: 9780300181296
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. 1st. Cloth, xvii, 288 pages, illustrations (some colour); 29 cm. Issued in connection with an exhibition held February 1 to May 6, 2012, at the Philadelphia Museum of Art, Philadelphia; and May 24 to September 3, 2012, at the National Gallery of Canada, Ottawa. Firm binding, clean inside copy. Dust jacket, with light shelfwear, protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "This sumptuously illustrated book offers a completely new way of looking at the art of Vincent van Gogh, by exploring the artist's approach to nature through his innovative use of the close-up view. Focusing on the last years of the artist's career--from 1886 until his death in July 1890--an international team of leading scholars in the field examines Van Gogh's radical approach to the close-up and sets it in the context of contemporary and historical references, such as his hitherto unrecognized use of photography and his fascination with the Old Masters and with Japanese art and culture.One hundred key paintings dating from his arrival in Paris in 1886 to the end of his career show how Van Gogh experimented with unusual visual angles and the decorative use of color, cropping, and the flattening of his compositions. In some paintings he zoomed in on a tuft of grass or a single budding iris, while depicting shifting views of a field or garden in others. Van Gogh: Up Close not only reveals how these paintings became the most radical and innovative in the artist's body of work but also demonstrates that, far from being a spontaneous or undisciplined artist, Van Gogh was well aware of the history of art and was highly conscious of his efforts to break new ground with his work" - Publisher. Size: 4to. Collectible.
Editore: Yale University Press; National Gallery of Canada, New Haven; Ottawa, 1999
Da: Karol Krysik Books ABAC/ILAB, IOBA, PBFA, Toronto, ON, Canada
Prima edizione
Soft cover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Soft cover. 4to. 377pp. 1st edition. Illustrated in colour photographs. Book is fine with only minute shelf wear. An overall great copy! Extra fees may apply for heavy order.
Editore: National Gallery of Canada / Yale University Press, New Haven & London, 2019
ISBN 10: 0300242735 ISBN 13: 9780300242737
Da: Colin Martin Books, Near Hull, EY, Regno Unito
Hardcover. Condizione: New. Qto.,260 pages, colour illustrated. A New copy in the publishers shrinkwrapping.
Editore: National Gallery of Canada/Yale University Press, Ottawa, Ontario/New Haven, Connecticut, 2005
ISBN 10: 0888848048 ISBN 13: 9780888848048
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condizione: New in shrinkwrap. Black boards with color illustrated dust jacket, 371 pp, illustrated in color and bw. "The decades from 1500 to 1550 in Florence encompassed one of the most original and outstanding periods in the entire history of art. This gloriously illustrated book gathers and describes many of the beloved paintings, drawings, and sculptures created by the greatest masters of the period along with less familiar but equally beautiful and intriguing works. The contributors to the book explore the masterpieces of Florence and challenge conventional interpretations of the evolution of this art. The book outlines the historical context of the Florentine High Renaissance and then discusses drawings, paintings, and sculpture in turn. Focusing on major artists and their contemporaries and allies, the authors demonstrate the great importance of drawing during this period and show that there was a consistency in the brand of creativity found in such artists as Michelangelo, Fiorentino, Cellini, and Bronzino. The authors question the relevance of terms like High Renaissance and Mannerism, and they contend that, contrary to commonly held assumptions, there was no strong stylistic division between art produced in Florence before and after the death of Raphael in 1520."-websit. e Appears in conjunction with an exhibition held at the National Gallery of Canada, May 29-Sept. 5, 2005. Includes bibliographical references and index.
Editore: National Gallery of Canada; Yale University Press, Ottawa, 2005
ISBN 10: 0888848048 ISBN 13: 9780888848048
Da: Attic Books (ABAC, ILAB), London, ON, Canada
Softcover. Condizione: USED_VERYGOOD. 371 p. 31 cm. Mainly colour illustrations. Softcover. Some faint soiling to front cover and marks on title page. Accompanied an exhibition presented from May to September 2005.
Editore: National Gallery of Canada in Association with Yale University Press, [Ottowa], 2003
ISBN 10: 0300099436 ISBN 13: 9780300099430
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Red and black photo-illustrated DJ with orange and white lettering; black boards with silver lettering; 160 pp.; richly illustrated. "Over the past twenty-five years, the Canadian photographer Edward Burtynsky has been an explorer of unfamiliar places where industrial activity has reshaped the surface of the land. His surveys of the man-made terrain of quarrying, mining, railcutting, recycling, oil refining, and shipbreaking remind us that these incursions into the earth arise out of perennial human needs and desires. Burtynsky's photographs may show us things that are disturbing, but they also have about them an unexpected beauty, subverting our usual notions of the sublime in nature and leading us to a new awareness of the landscape of our times." "Manufactured Landscapes, organized by the National Gallery of Canada, is the first major retrospective of Edward Burtynsky's work. This fully illustrated catalogue of the exhibition includes essays by Lori Pauli, Mark Haworth-Booth, and Kenneth Baker, and an interview with the artist by Michael Torosian"--Jacket. Good+ (Ex art library with sticker on DJ spine; DJ is moderately worn; boards are lightly edgeworn; textblock edges are lightly smudged; interior is clean; binding is solid.).
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Editore: National Gallery of Canada, Stadel Museum and Yale University Press, 2021
ISBN 10: 0300249934 ISBN 13: 9780300249934
Da: ANARTIST, New York, NY, U.S.A.
Hardcover without dustjacket as issued, 384 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Editore: Yale University Press; National Gallery of Canada, 1999
ISBN 10: 0300081669 ISBN 13: 9780300081664
Da: Moe's Books, Berkeley, CA, U.S.A.
Hard cover. Condizione: Very good. Condizione sovraccoperta: Very good. Catalog published in conjunction with the exhibition "Baltic Light: Early Open-Air Painting in Denmark and North Germany" organized by the National Gallery of Canada, Hamburger Kunsthalle, and Thorvaldsens Museum from October 15, 1999 to June 18, 2000. Top edge of jacket is lightly worn and creased. Cover corners are lightly bumped. Top edge of spine is lightly bumped, but binding is tight. Inside is clean and unmarked.
Editore: Yale University Press / National Gallery of Canada, New Haven, London and Ottawa, 2003
Da: Karol Krysik Books ABAC/ILAB, IOBA, PBFA, Toronto, ON, Canada
Prima edizione
Soft cover. Condizione: Near Fine. 1st Edition. Soft cover. First edition. Minor bending to edges. Near fine copy.
Editore: Yale University Press; National Gallery of Canada, New Haven; Ottawa, 2004
Da: Karol Krysik Books ABAC/ILAB, IOBA, PBFA, Toronto, ON, Canada
Prima edizione
Soft cover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. Hard cover. 4to. 423pp. 1st edition. Illustrated in colour and b/w photographs. Book is near fine, minor shelf wear to extremities, otherwise as new. As new copy.
Editore: Yale University Press for National Gallery of Canada, Ottawa 2000, 2000
Da: THE CROSS Art + Books, Sydney, NSW, Australia
31.0 x 24.0cms, 220pp, b/w & colour illusts, very good+ hardback & dustwrapper The chapters are: Danish & German artists in Denmark, Germany & Italy; Friedrich & Pomerania; Berlin: Hamburg: the rediscovery of Danish & german paining of the ealry 19th century.
Editore: National Gallery of Canada / Stadel Museum / Yale University Press, Ottawa / New Haven, 2021
ISBN 10: 0300249934 ISBN 13: 9780300249934
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. dark, pictorial boards w/ white & light orange printing. 379 pgs w/ color & bw illustrations. "In a major exhibition, the Städel Museum, together with the National Gallery of Canada, will for the first time address Rembrandt's rise to international fame during his formative years in Amsterdam, between 1630 and 1655. The presentation combines the Städel's collection of works by Rembrandt, including The Blinding of Samson (1636), with outstanding loans from international collections, such as the Rijksmuseum in Amsterdam, the Gemäldegalerie in Berlin, the Gemäldegalerie Alte Meister in Dresden, the National Gallery in London, the Museo del Prado in Madrid, and the National Gallery of Art in Washington, D.C. In this exhibition, Rembrandt's art enters into dialogue with masterpieces by older and younger artists of his time, such as Nicolas Eliasz Pickenoy and Bartholomeus van der Helst, and with brilliant works by his own former students, such as Govaert Flinck and Ferdinand Bol. Rembrandt's pictorial production, and his impact, were surprisingly broad, encompassing landscapes, genre scenes, and still life as well as history paintings and portraits. Groupings of closely related paintings will illuminate Rembrandt's place in Amsterdam's creative network and show how the confrontation with his competitors influenced his artistic development and entrepreneurial ambitions. In Amsterdam, an exceptional number of talented artists competed for the attention and patronage of the wealthy and art-loving middle classes. It was precisely this exciting and stimulating atmosphere that challenged the young artist from Leiden to become the world-famous master still known today as Rembrandt"--WorldCat. New (remains in publisher's shrinkwrap; bump to spine end, rubbing to some corners).
Editore: National Gallery Of Canada In Association With Yale University Press, Ottawa Canada, 2005
Da: Westside Stories, Hamilton, ON, Canada
Prima edizione
Hardcover. Condizione: Excellent. Condizione sovraccoperta: Near Fine. Burtynsky, Edward (illustratore). 1st Edition. In Near Fine Condition, No Marks Or Inscriptions. Black Cloth Covered Boards With Bright Silver Title On The Spine. The Dj Has A Little Shelf Wear To Head And Tail Of Spine With A Tiny Chip Missing At Tail Of Spine. Small Bump To Front Bottom Free Corner But Otherwise In Excellent Condition. Illustrated Dj Of Nickel Trailings At Sudbury Ontario. Oversize Book, May Require Extra Shipping Dependent On Destination.
Editore: National Gallery of Canada / Yale University Press, Ottawa, 2003
ISBN 10: 0300099436 ISBN 13: 9780300099430
Da: Capitol Hill Books, ABAA, Washington, DC, U.S.A.
Prima edizione Copia autografata
Condizione: Very Good +. Condizione sovraccoperta: Very Good +. Ottawa: National Gallery of Canada / Yale University Press, [2003]. First Edition. Large quarto; publisher's cloth in photo-illustrated dust jacket; 160pp.; color photographic illus. Light shelf wear and dust-soil, else Very Good or better. Signed by Pauli on title page. Exhibition catalog of works by the Canadian photographer capturing disturbed and disturbing landscapes transformed by industrial activity, from blood red nickel tailings to ashy tire piles and abandoned oil fields.
Editore: Ottawa: National Gallery of Canada with Yale University Press, (2003)., 2003
Da: Robert Campbell Bookseller ABAC/ILAB, Montreal, QC, Canada
Prima edizione
First edition. Large format hardcover. Fine in fine dust jacket. A tight, clean and unmarked copy. 160pp. Illustrated mostly in colour. Catalogue of the exhibition at the National Gallery of Canada, January 31 to May 4, 2003 and other venues thereaf ter. Includes essays by Mark Haworth-Booth and Kenneth Baker and an interview by Michael Torosian.