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Editore: Columbia University Press, 2009
ISBN 10: 0231137761ISBN 13: 9780231137768
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Libro
Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Editore: Columbia University Press, 2009
ISBN 10: 0231137761ISBN 13: 9780231137768
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Libro
Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Editore: Columbia University Press, 2009
ISBN 10: 0231137761ISBN 13: 9780231137768
Da: booksXpress, Bayonne, NJ, U.S.A.
Libro Print on Demand
Hardcover. Condizione: new. This item is printed on demand.
Editore: Columbia University Press, 2009
ISBN 10: 0231137761ISBN 13: 9780231137768
Da: Lucky's Textbooks, Dallas, TX, U.S.A.
Libro
Condizione: New.
Editore: Columbia University Press, 2009
ISBN 10: 0231137761ISBN 13: 9780231137768
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
Editore: Columbia University Press, 2009
ISBN 10: 0231137761ISBN 13: 9780231137768
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Libro
Condizione: New. Translator(s): Gorbman, Claudia; Delogu, C. Jon. Series: Film and Culture Series. Num Pages: 560 pages, 248 illus. BIC Classification: APF. Category: (G) General (US: Trade). Dimension: 244 x 166 x 31. Weight in Grams: 878. . 2009. . . . .
Editore: Columbia University Press, 2009
ISBN 10: 0231137761ISBN 13: 9780231137768
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
Editore: Columbia University Press, 2009
ISBN 10: 0231137761ISBN 13: 9780231137768
Da: Revaluation Books, Exeter, Regno Unito
Libro Print on Demand
Hardcover. Condizione: Brand New. 528 pages. 9.30x6.30x1.20 inches. This item is printed on demand.
Editore: Columbia University Press, 2009
ISBN 10: 0231137761ISBN 13: 9780231137768
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Libro
Condizione: New.
Editore: Columbia University Press, 2009
ISBN 10: 0231137761ISBN 13: 9780231137768
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Libro
Condizione: As New. Unread book in perfect condition.
Editore: COLUMBIA UNIV PR, 2009
ISBN 10: 0231137761ISBN 13: 9780231137768
Da: moluna, Greven, Germania
Libro
Condizione: New. KlappentextMichel Chion argues that watching movies is more than just a visual exercise - it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensa.
Editore: Columbia University Press, 2009
ISBN 10: 0231137761ISBN 13: 9780231137768
Da: Iridium_Books, DH, SE, Spagna
Libro
Hardcover. Condizione: Good. 0231137761.
Editore: Columbia University Press, New York, 2009
ISBN 10: 0231137761ISBN 13: 9780231137768
Da: CitiRetail, Stevenage, Regno Unito
Libro
Hardcover. Condizione: new. Hardcover. French critic and composer Michel Chion argues that watching movies is more than just a visual exercise-it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema.The first half of Film, a Sound Art considers developments in technology, aesthetic trends, and individual artistic style that recast the history of film as the evolution of a truly audiovisual language. The second half explores the intersection of auditory and visual realms. With restless inventiveness, Chion develops a rhetoric that describes the effects of audio-visual combinations, forcing us to rethink sound film. He claims, for example, that the silent era (which he terms "deaf cinema") did not end with the advent of sound technology but continues to function underneath and within later films. Expanding our appreciation of cinematic experiences ranging from Dolby multitrack in action films and the eerie tricycle of Stanley Kubrick's The Shining to the way actors from different nations use their voices and words, Film, a Sound Art showcases the vast knowledge and innovative thinking of a major theorist. French critic and composer Michel Chion argues that watching movies is more than just a visual exercise--it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema. The first half of Film, A Sound Art considers developments in technology, aesthetic trends, and individual artistic style that recast the history of film as the evolution of a truly audiovisual language. The second half explores the intersection of auditory and visual realms. With restless inventiveness, Chion develops a rhetoric that describes the effects of audio-visual combinations, forcing us to rethink sound film. He claims, for example, that the silent era (which he terms "deaf cinema") did not end with the advent of sound technology but continues to function underneath and within later films. Expanding our appreciation of cinematic experiences ranging from Dolby multitrack in action films and the eerie tricycle of Stanley Kubrick's The Shining to the way actors from different nations use their voices and words, Film, A Sound Art showcases the vast knowledge and innovative thinking of a major theorist. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Editore: Columbia University Press, 2009
ISBN 10: 0231137761ISBN 13: 9780231137768
Da: Kennys Bookstore, Olney, MD, U.S.A.
Libro
Condizione: New. Translator(s): Gorbman, Claudia; Delogu, C. Jon. Series: Film and Culture Series. Num Pages: 560 pages, 248 illus. BIC Classification: APF. Category: (G) General (US: Trade). Dimension: 244 x 166 x 31. Weight in Grams: 878. . 2009. . . . . Books ship from the US and Ireland.
Editore: Columbia University Press, New York, 2009
ISBN 10: 0231137761ISBN 13: 9780231137768
Da: AussieBookSeller, Truganina, VIC, Australia
Libro
Hardcover. Condizione: new. Hardcover. French critic and composer Michel Chion argues that watching movies is more than just a visual exercise-it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema.The first half of Film, a Sound Art considers developments in technology, aesthetic trends, and individual artistic style that recast the history of film as the evolution of a truly audiovisual language. The second half explores the intersection of auditory and visual realms. With restless inventiveness, Chion develops a rhetoric that describes the effects of audio-visual combinations, forcing us to rethink sound film. He claims, for example, that the silent era (which he terms "deaf cinema") did not end with the advent of sound technology but continues to function underneath and within later films. Expanding our appreciation of cinematic experiences ranging from Dolby multitrack in action films and the eerie tricycle of Stanley Kubrick's The Shining to the way actors from different nations use their voices and words, Film, a Sound Art showcases the vast knowledge and innovative thinking of a major theorist. French critic and composer Michel Chion argues that watching movies is more than just a visual exercise--it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema. The first half of Film, A Sound Art considers developments in technology, aesthetic trends, and individual artistic style that recast the history of film as the evolution of a truly audiovisual language. The second half explores the intersection of auditory and visual realms. With restless inventiveness, Chion develops a rhetoric that describes the effects of audio-visual combinations, forcing us to rethink sound film. He claims, for example, that the silent era (which he terms "deaf cinema") did not end with the advent of sound technology but continues to function underneath and within later films. Expanding our appreciation of cinematic experiences ranging from Dolby multitrack in action films and the eerie tricycle of Stanley Kubrick's The Shining to the way actors from different nations use their voices and words, Film, A Sound Art showcases the vast knowledge and innovative thinking of a major theorist. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.