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Editore: University of Texas Press, 2003
ISBN 10: 0292719523ISBN 13: 9780292719521
Da: Books From California, Simi Valley, CA, U.S.A.
Libro
Paperback. Condizione: Very Good. Light shelfwear. Pages clean and intact.
Editore: University of Texas Press, 2003
ISBN 10: 0292719523ISBN 13: 9780292719521
Da: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
Libro
Paperback. Condizione: new. New. Fast Shipping and good customer service.
Editore: University of Texas Press, 2003
ISBN 10: 0292719523ISBN 13: 9780292719521
Da: Front Cover Books, Denver, CO, U.S.A.
Libro
Condizione: new.
Editore: University of Texas Press, 2003
ISBN 10: 0292719523ISBN 13: 9780292719521
Da: Wizard Books, Long Beach, CA, U.S.A.
Libro
Paperback. Condizione: new. New.
Editore: University of Texas Press, 2008
ISBN 10: 0292719523ISBN 13: 9780292719521
Da: Bestsellersuk, Hereford, Regno Unito
Libro
paperback. Condizione: Good. Bumped edges and book is warped Watermarks to edge of pages No.1 BESTSELLERS - great prices, friendly customer service â " all orders are dispatched next working day.
Editore: University of Texas Press, 2003
ISBN 10: 0292791550ISBN 13: 9780292791558
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Libro
Hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.
Editore: University of Texas Press 1/1/2003, 2003
ISBN 10: 0292719523ISBN 13: 9780292719521
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Libro
Paperback or Softback. Condizione: New. The Cast of Character: Style in Greek Literature 0.95. Book.
Editore: University of Texas Press, 2003
ISBN 10: 0292719523ISBN 13: 9780292719521
Da: GoldBooks, Denver, CO, U.S.A.
Libro
Paperback. Condizione: new. New Copy. Customer Service Guaranteed.
Editore: University of Texas Press, 2003
ISBN 10: 0292719523ISBN 13: 9780292719521
Da: Lucky's Textbooks, Dallas, TX, U.S.A.
Libro
Condizione: New.
Editore: Univ of Texas Pr, 2008
ISBN 10: 0292719523ISBN 13: 9780292719521
Da: Revaluation Books, Exeter, Regno Unito
Libro
Paperback. Condizione: Brand New. 274 pages. 9.25x6.25x0.75 inches. In Stock.
Editore: University of Texas Press, U.S.A., 2003
ISBN 10: 0292791550ISBN 13: 9780292791558
Da: Caffrey Books, Oundle, Regno Unito
Libro Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition.
Editore: University of Texas Press, 2002
ISBN 10: 0292719523ISBN 13: 9780292719521
Da: Cambridge Rare Books, Cambridge, GLOUC, Regno Unito
Libro
PAPERBACK. Condizione: GOOD. 2002. University of Texas Press. Paperback. GOOD.
Editore: Austin: University of Texas Press., 2002
ISBN 10: 0292791550ISBN 13: 9780292791558
Da: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germania
Libro
Condizione: Gut. 274 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - very good condition - Well before Aristotle's Rhetoric elucidated the elements of verbal style that give writing its persuasive power, Greek poets and prose authors understood the importance of style in creating compelling characters to engage an audience. And because their works were composed in predominantly oral settings, their sense of style included not only the characters' manner of speaking, but also their appearance and deportment. From Homeric epic to classical tragedy and oratory, verbal and visual cues work hand-in-hand to create distinctive styles for literary characters. -- In this book, Nancy Worman investigates the development and evolution of ideas about style in archaic and classical literature through a study of representations of Odysseus and Helen. She demonstrates that, as liars and imitators, pleasing storytellers, and adept users of costume, these two figures are especially skillful manipulators of style. In tracing the way literary representations of them changed through time from Homer's positive portrayal of their subtle self-presentations to the sharply polarized portrayals of these same subtleties in classical tragedy and oratory Worman also uncovers a nascent awareness among the Greek writers that style may be used not only to persuade but also to distract and deceive. -- Kosmos and the Typical Casts of Character -- Oral Performance, Speech Types, and Typical Styles in Homer -- Visible Types and Visualizing Styles in Archaic Poetry -- Verbal Masquerade and Visual Impact in Tragedy -- Manipulating the Senses in Rhetorical Set Pieces. ISBN 9780292791558 Sprache: Englisch Gewicht in Gramm: 549 Originalhardcover with dustjacket.
Editore: University of Texas Press, 2003
ISBN 10: 0292719523ISBN 13: 9780292719521
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
Libro Print on Demand
PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Editore: University Of Texas Press, 2003
ISBN 10: 0292719523ISBN 13: 9780292719521
Da: AHA-BUCH GmbH, Einbeck, Germania
Libro Print on Demand
Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Well before Aristotle's Rhetoric elucidated the elements of verbal style that give writing its persuasive power, Greek poets and prose authors understood the importance of style in creating compelling characters to engage an audience. And because their works were composed in predominantly oral settings, their sense of style included not only the characters' manner of speaking, but also their appearance and deportment. From Homeric epic to classical tragedy and oratory, verbal and visual cues work hand-in-hand to create distinctive styles for literary characters.In this book, Nancy Worman investigates the development and evolution of ideas about style in archaic and classical literature through a study of representations of Odysseus and Helen. She demonstrates that, as liars and imitators, pleasing storytellers, and adept users of costume, these two figures are especially skillful manipulators of style. In tracing the way literary representations of them changed through time-from Homer's positive portrayal of their subtle self-presentations to the sharply polarized portrayals of these same subtleties in classical tragedy and oratory-Worman also uncovers a nascent awareness among the Greek writers that style may be used not only to persuade but also to distract and deceive.