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Editore: Yale University Press, 1995
ISBN 10: 0300059493ISBN 13: 9780300059496
Da: HPB-Diamond, Dallas, TX, U.S.A.
Libro
Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Editore: Yale University Press, 1993
ISBN 10: 0300055404ISBN 13: 9780300055405
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Libro
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 3.55.
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Editore: Yale University Press, New Haven, 1993
ISBN 10: 0300055404ISBN 13: 9780300055405
Da: Object Relations, IOBA, London, Regno Unito
Membro dell'associazione: IOBA
Libro Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. 2nd printing (1993). 558pp. VG+/VG+ copy, now preserved in archival jacket protector.
Editore: New Haven/London (Yale University Press), 1993
Da: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
x, 558pp. 262 illus. 4to. Cloth. D.j.
Editore: New Haven/London (Yale University Press), 1993
Da: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
x, 558pp. 262 illus. 4to. Cloth. D.j.
Editore: Yale University Press 1995, 1995
Da: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Nuova Zelanda
Membro dell'associazione: IOBA
Quarto softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently, they are superior examples. Ordering more than one book may reduce your overall postage costs.
Editore: New Haven, London, Yale UP, 1993, 1993
Da: Antiquariaat De Keerkring, Malden, Paesi Bassi
New Haven, London, Yale UP, 1993 (second printing, with corrections). 26 cm. Harsdcover with pictorial dj. x-558 pp. With 262 ills. In a good condition.
Da: SomeThingz. Books etcetera., Averbode, Belgio
New Haven, CT, Yale University Press 1993 Bound, cloth with original dustjacket (protected with removable cellophane), 558pp., 19.5x26.5cm., 262 ills. in b/w. and col., in very good condition. As new. ISBN 9780300055405. Over the last four centuries, historians have increasingly turned to images in their attempts to understand and visualize the past. In this wide-ranging and engrossing book, a distinguished art historian surveys the various ways that they have adopted for making use of this material, and he examines the specific objects that became available to them through excavation, the creation of private collections and public museums, easier means of travel, and the startling displacements brought about by vandalism and art exhibitions. Francis Haskell begins by discussing the antiquarians of the sixteenth and seventeenth centuries who brought to light and interpreted as historical evidence coins, sculptures, paintings discovered in the catacombs beneath Rome, and other relics surviving from earlier ages. He explains that, in the eighteenth century, historians gradually began to acknowledge the significance of such visual sources and to draw on them in order to validate and give color to their narratives or to utilize them as foundation stones for a new branch of learning?the history of culture. Later writers followed the example of Michelet in making inferences from the visual arts to indicate the whole mentality of an age, while (more erratically) others saw in them the harbingers of political, religious, or social upheavals. Haskell concludes by discussing those cultural historians of the nineteenth and early twentieth centuries, Burckhardt and Huizinga above all, who did not merely give the visual arts a prominent and necessary place in their interpretations of the past, but in some ways actually interpreted the past through the visual arts. Francis Haskell is professor of the history of art at Oxford University. His numerous publications include Patrons and Painters: A Study in the Relations between Italian Art and Society in the Age of the Baroque, Rediscoveries in Art, Past and Present in Art and Taste: Selected Essays, and, with Nicholas Penny, Taste and the Antique: The Lure of Classical Sculpture, 1500-1900.
Editore: Yale University Press, New Haven and London 1993. 1993, 1993
Da: Rönnells Antikvariat AB, Stockholm, Svezia
Second printing, with corrections. 26x19,5 cm. X, 558 pp. Illustrated. Publisher's boards, dust jacket. Dust jacket just slightly rubbed at upper corners, else fine. Condition Near Fine. Over the last four centuries, historians have increasingly turned to images in their attempts to understand and visualize the past. In this wide-ranging and engrossing book, a distinguished art historian surveys the various ways that they have adopted for making use of this material, and he examines the specific objects that became available to them through excavation, the creation of private collections and public museums, easier means of travel, and the startling displacements brought about by vandalism and art exhibitions.
Editore: Yale U. P. New Haven 1993, 1993
Da: Andrew Barnes Books / Military Melbourne, Melbourne, VIC, Australia
2nd corrected printing hardback with dust jacket As New large octavo x + 558pp., frontis., col. & b/w pls., text ills., notes, bibliog., index, Author begins by discussing the antiquarians of the 16th and 17th centuries who brought to light and interpreted as historical evidence coins, sculptures, paintings discovered in the catacombs beneath Rome and other relics surviving from earlier ages; explains that in the 18th century, historians gradually began to acknowledge the significance of such visual sources and to draw on them in order to validate and give colour to their narratives'.
Editore: Yale University Press [1993], New Haven, 1993
Da: James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, U.S.A.
Hardcover. Condizione: Fine. Condizione sovraccoperta: fine. 2nd. Bound in publisher's original black cloth with spine stamped in gilt. Endpapers Illustrated with color print of Musee des Monuments Francais, Salle du 13eme Siecle, by Alexandre Lenoir. 262 illustrations.
Editore: New Haven / London: Yale University, 1993
Da: Antiquariat Wilder - Preise inkl. MwSt., Salzhemmendorf, Germania
Membro dell'associazione: GIAQ
Libro
Condizione: Gut. X, 558 S., 262 farb. u. schw./w. Abbild., 26 cm x 20 cm. farb. ill. brosch. Eb., Name auf Titelblatt, ansonsten sehr guter Zustand. Unzugeordnet Altersfreigabe FSK ab 0 Jahre Sprache: Deutsch Gewicht in Gramm: 1500.