A journalist and obsessive fan of television's Mad Men analyzes and discusses the context and social history of cultural artifacts featured in the show that capture the historical themes of the mid-century, including ads, paintings, politics and social mores. Original. 45,000 first printing.
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After graduating from UCLA with a BA in history and working as a union organizer in L.A. and Washington, D.C., for a number of years, Natasha Vargas-Cooper began her writing career as a film critic for E! Entertainment. Her reporting, essays, and interviews have appeared in print and Web publications ranging from the Daily Beast, New York magazine, BlackBook, Gawker, and Interview. She is currently the Los Angeles correspondent for The Awl.
Mad Men Unbuttoned, footnotes to the show and the era, including these fascinating tidbits:
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