Film Art: An Introduction with Tutorial CD-ROM

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9780073310275: Film Art: An Introduction with Tutorial CD-ROM

Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell's and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. While it continues to provide the best introduction to the fundamentals of serious film study, the eighth edition has been revised be more classroom friendly by introducing film techniques earlier in the text, followed by the chapters on Film Genres. Supported by a text-specific Tutorial CD-ROM with video clips, Film Art is automatically packaged with this outstanding student learning tool.

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

About the Author:

David Bordwell is Jacques Ledoux Professor of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate from the University of Iowa. He is the author of The Films of Carl Theodor Dreyer (University California Press, 1981), Narration in the Fiction Film (University Wisconsin Press, 1985), Ozu and the Poetics of Cinema (British Film Institute/Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997) and Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000). He has won a University Distinguished Teaching Award.

Kristin Thompson is an Honorary Fellow at the University of Wisconsin - Madison. She holds a master's degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin - Madison. She has published Eisenstein's Ivan the Terrible (Princeton University Press, 1981), Exporting Entertainment: America's Place in World Film Markets, 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), and Wooster Proposes, Jeeves Disposes; or Le Mot Juste (James H. Heinman, 1992). In her spare time she studies Egyptology. The authors have collaborated on Film History (McGraw-Hill, 1994) with Janet Staiger, on The Classical Hollywood Cinema (Columbia University Press, 1985) and Storytelling in the New Hollywood (Harvard University Press, 1999)

Contenuti:

Brief TOC

Preface

Part One: Film Art and Filmmaking

Chapter 1. Putting Films on Screen

Part Two: Film Form

Chapter 2. The Significance of Film Form

Chapter 3. Narrative as a Formal System

Part Three: Film Style

Chapter 4. The Shot: Mise-en-Scene

Chapter 5. The Shot: Cinematography

Chapter 6. The Relation of Shot to Shot: Editing

Chapter 7. Sound in the Cinema

Chapter 8. Style as a Formal System

Part Four: Types of Films

Chapter 9. Film Genres

Chapter 10. Documentary, Experimental, and Animated Films

Part Five: Critical Analysis of Films

Introduction: Writing a Critical Analysis of a Film

Chapter 11. Sample Analyses

Part Six: Film Art and Film History

Chapter 12. Film Art and Film History

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Bordwell, David; Thompson, Kristin
Editore: McGraw-Hill Humanities/Social Sciences/Languages
ISBN 10: 0073310271 ISBN 13: 9780073310275
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Bordwell, David; Thompson, Kristin
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