In Falling Out of Time, David Grossman ha creato un dramma che sfida il genere, in parte opera teatrale, in parte prosa, pura poesia, per raccontare la storia di genitori in lutto che partono per raggiungere i loro figli perduti. Inizia in un piccolo villaggio, in una cucina, dove un uomo annuncia alla moglie che se ne andrà, intraprendendo un viaggio alla ricerca del figlio morto. L'uomo, chiamato semplicemente "Walking Man", cammina in cerchi sempre più ampi intorno alla città. Uno dopo l'altro, tutti i tipi di cittadini si mettono al suo passo (il Net Mender, l'Ostetrica, l'Anziana Insegnante di Matematica, persino il Duca), ognuno sopportando la propria perdita. I camminatori sollevano questioni di dolore e lutto: la morte può essere superata da un'intensità di parola o memoria? È possibile, anche per un fugace momento, chiamare i morti e liberarli dalla loro morte? La risposta di Grossman a tali domande è un inno a questi personaggi, che alla fine trovano conforto e speranza nel loro atto comune di violare l'ermetica separatezza della morte. Per il lettore, il conforto sta nella loro clamorosa vitalità e nel dono della narrazione di Grossman, un regno in cui la perdita non è una semplice assenza, ma una forza vitale a sé stante.
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David Grossman is the bestselling author of numerous works, which have been translated into thirty-six languages. His most recent novel, A Horse Walks into a Bar, was awarded the International Man Booker Prize 2017, and shortlisted for the TLS-Risa Domb/Porjes Prize 2019. Grossman is also the recipient of the French Chevalier de l’Ordre des Arts et des Lettres and the 2010 Frankfurt Peace Prize.
In Falling Out of Time, David Grossman has created a genre-defying drama - part play, part prose, pure poetry - to tell the story of bereaved parents setting out to reach their lost children. It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son.The man - called simply the 'Walking Man' - paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net Mender, the Midwife, the Elderly Maths Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory? Is it possible, even for a fleeting moment, to call to the dead and free them from their death? Grossman's answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching death's hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossman's storytelling - a realm where loss is not merely an absence, but a life force of its own.
In Falling Out of Time, David Grossman has created a genre-defying drama - part play, part prose, pure poetry - to tell the story of bereaved parents setting out to reach their lost children. It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son.The man - called simply the 'Walking Man' - paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net Mender, the Midwife, the Elderly Maths Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory? Is it possible, even for a fleeting moment, to call to the dead and free them from their death? Grossman's answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching death's hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossman's storytelling - a realm where loss is not merely an absence, but a life force of its own.
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