Dopo la restaurazione di re Carlo II al trono britannico nel 1660, i drammaturghi sperimentarono una nuova libertà in un'epoca che ruppe con la rigida moralità del dominio puritano e in cui l'eleganza e l'arguzia divennero le virtù principali. Irriverenti, licenziose e ciniche, le tre opere qui raccolte sono uno specchio di questa abbagliante epoca e satireggiano il divario tra apparenze e realtà. In The Man of Mode (1676) di Etherege, il donnaiolo Dorimant incontra la sua anima gemella quando si innamora della modesta Harriet, mentre The Country Wife (c. 1675) di Wycherley raffigura il libertino Horner che finge impotenza per ingannare i mariti fiduciosi e convincerli a dargli facile accesso alle loro mogli. E in Love for Love (1695) di Congreve, lo stravagante Valentine può conquistare la sua amata Angelica solo se perde la sua eredità.
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George Etherege (1636-1689) invented the comedy of intrigue, and led the way for the masterpieces of Congreve and Sheridan.
William Wycherley (1640?-1716) is famous for his brilliant wit and savagely clever satire which give him a prominent place in the history of English Restoration drama.
William Congreve (1670-1729) was apprenticed under the tutelage of John Dryden. Congreve's wit and his characters' sexual freedom and experimentation were at odds with the thinking of certain moralists of the day. However, he has since been considered one of the most intellectually accomplished of English playwrights.
Gamini Salgado was born in Ceylon (now Sri Lanka), and came to England in 1947 to attend the University of Nottingham. He became an expert on Elizabethan and Jacobean literature, and was appointed to the Chair of English at Exeter University in 1977. He died in 1985.
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