Nessun filosofo ha avuto un'opinione più alta dell'arte di Hegel, eppure nessuno è stato così profondamente pessimista sulle sue prospettive, nonostante abbia vissuto nell'età d'oro tedesca di Goethe, Mozart e Schiller. Perché se gli artisti della Grecia classica riuscivano a trovare la fusione ottima di contenuto e forma, la modernità si è trovata ad affrontare questioni complicate e, in ultima analisi, invalidanti. Il cristianesimo, con il suo codice di non mondanità, aveva compromesso l'immediatezza del rapporto dell'uomo con la realtà, e l'ironico distacco lo aveva alienato dai suoi sentimenti più profondi. Le Lezioni introduttive all'estetica di Hegel furono tenute a Berlino negli anni '20 dell'Ottocento e oggi sono un'opera appassionatamente argomentata che ha sfidato la capacità dell'arte di rispondere al mondo moderno.
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Hegel (1770-1831) is one of hte most important of modern philosophers, due to his relation to Marx and the support his philosophy seemed to offer to theories of nationalism and social democracy, and his impact on a range of humanities. He is best known for The Phenomenology of Spirit, The Science of Logic, The Encyclopedia of the Philosophical Sciences, and The Philosophy of Right, as well as his lectures, which were published posthumously by his friends. Bernard Bosanquet was a Fellow of University College, Oxford teaching philosophy and ancient history. From 1903 to 1908 he held the chair of moral philosophy at St Andrews. He died in 1923.
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Paperback. Condizione: New. No philosopher has held a higher opinion of art than Hegel, yet nor was any so profoundly pessimistic about its prospects - despite living in the German golden age of Goethe, Mozart and Schiller. For if the artists of classical Greece could find the perfect fusion of content and form, modernity faced complicating - and ultimately disabling - questions. Christianity, with its code of unworldliness, had compromised the immediacy of man's relationship with reality, and ironic detachment had alienated him from his deepest feelings. Hegel's Introductory Lectures on Aesthetics were delivered in Berlin in the 1820s and stand today as a passionately argued work that challenged the ability of art to respond to the modern world. Codice articolo LU-9780140433357
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Condizione: New. 1993. Reprint. paperback. Christianity had compromised the immediacy of man's relationship with reality, and ironic detachment had alienated him from his deepest feelings. Hegel's "Introductory Lectures on Aesthetics" were delivered in Berlin in the 1820s, and stand as a passionately argued work that challenged the ability of art to respond to the modern world. Editor(s): Inwood, Michael. Translator(s): Bosanquet, Bernard. Num Pages: 256 pages. BIC Classification: DNF; HPC; HPJ; HPN. Category: (G) General (US: Trade). Dimension: 196 x 129 x 18. Weight in Grams: 190. . . . . . Codice articolo V9780140433357
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Condizione: New. 1993. Reprint. paperback. Christianity had compromised the immediacy of man's relationship with reality, and ironic detachment had alienated him from his deepest feelings. Hegel's "Introductory Lectures on Aesthetics" were delivered in Berlin in the 1820s, and stand as a passionately argued work that challenged the ability of art to respond to the modern world. Editor(s): Inwood, Michael. Translator(s): Bosanquet, Bernard. Num Pages: 256 pages. BIC Classification: DNF; HPC; HPJ; HPN. Category: (G) General (US: Trade). Dimension: 196 x 129 x 18. Weight in Grams: 190. . . . . . Books ship from the US and Ireland. Codice articolo V9780140433357
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Paperback. Condizione: New. No philosopher has held a higher opinion of art than Hegel, yet nor was any so profoundly pessimistic about its prospects - despite living in the German golden age of Goethe, Mozart and Schiller. For if the artists of classical Greece could find the perfect fusion of content and form, modernity faced complicating - and ultimately disabling - questions. Christianity, with its code of unworldliness, had compromised the immediacy of man's relationship with reality, and ironic detachment had alienated him from his deepest feelings. Hegel's Introductory Lectures on Aesthetics were delivered in Berlin in the 1820s and stand today as a passionately argued work that challenged the ability of art to respond to the modern world. Codice articolo LU-9780140433357
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Paperback. Condizione: New. No philosopher has held a higher opinion of art than Hegel, yet nor was any so profoundly pessimistic about its prospects - despite living in the German golden age of Goethe, Mozart and Schiller. For if the artists of classical Greece could find the perfect fusion of content and form, modernity faced complicating - and ultimately disabling - questions. Christianity, with its code of unworldliness, had compromised the immediacy of man's relationship with reality, and ironic detachment had alienated him from his deepest feelings. Hegel's Introductory Lectures on Aesthetics were delivered in Berlin in the 1820s and stand today as a passionately argued work that challenged the ability of art to respond to the modern world. Codice articolo LU-9780140433357
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