Ovid's deliciously clever and exuberant epic, Metamorphoses is a verse translation from the Latin by David Raeburn with an introduction by Denis Feeney in Penguin Classics.
Ovid's sensuous and witty poetry brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation - often as a result of love or lust - where men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of Ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy. Erudite but light-hearted, dramatic yet playful, the Metamorphoses has influenced writers and artists throughout the centuries from Shakespeare and Titian to Picasso and Ted Hughes.
This lively, accessible new translation by David Raeburn is in hexameter verse, which brilliantly captures the energy and spontaneity of the original. The edition contains an introduction discussing the life and work of Ovid as well as a preface to each book, explanatory notes and an index of people, gods and places.
Publius Ovidius Naso (43BC-18AD) was born at Sulmo (Sulmona) in central Italy. Coming from a wealthy Roman family and seemingly destined for a career in politics, he held some minor official posts before leaving public service to write, becoming the most distinguished poet of his time. His works, all published in Penguin Classics, include Amores, a collection of short love poems; Heroides, verse-letters written by mythological heroines to their lovers; Ars Amatoria, a satirical handbook on love; and Metamorphoses, his epic work on change.
If you enjoyed Metamorphoses, you might like Homer's The Odyssey, also available in Penguin Classics.
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A good translation in clear, dignified, poetic English (Prof Elaine Fantham, Princeton)
I think this version is terrific. The light enjambed English hexameters are a great success. The effect is properly propulsive (Prof A D Nuttall, Oxford)
DAVID RAEBURN is a lecturer in Classics at Oxford. He has translated Sophocles & directed numerous school/ university productions of Greek tragedies. DENIS FEENEY is Professor of Classics at Princeton. RICHARD ASHDOWNE is in the Department of Comparative Philology, Linguisits and Phonetics, Oxford.
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