L'uomo che di tutti i poeti moderni, e forse antichi, aveva l'anima più grande e completa' John DrydenAntonio, un mercante veneziano, desidera aiutare il suo amico a ottenere denaro per impressionare una ricca ereditiera. Ma è costretto a prendere in prestito la somma da un cinico e abusato usuraio ebreo, Shylock, e firma un contratto agghiacciante per onorare il debito con una libbra della sua stessa carne. Una commedia ambigua, complessa e controversa, Il mercante di Venezia esplora pregiudizi, matrimonio, denaro e la vera natura della giustizia in un mondo spietato.Utilizzato e consigliato dal National TheatreDirettore generale Stanley WellsA cura di W. Moelwyn MerchantIntroduzione di Peter Holland
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
William Shakespeare was born some time in late April 1564 in Stratford-upon-Avon and died in 1616. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist.
Stanley Wells is Emeritus Professor of the University of Birmingham and Honorary President of the Shakespeare Birthplace Trust.
Peter Holland is McMeel Family Professor in Shakespeare Studies in the Department of Film, Television and Theatre at the University of Notre Dame.
'The man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul' John Dryden
Antonio, a Venetian merchant, wishes to help his friend get money to impress a rich heiress. But he is forced to borrow the sum from a cynical, abused Jewish moneylender, Shylock, and signs a chilling contract to honour the debt with a pound of his own flesh. An ambiguous, complex and controversial comedy, The Merchant of Venice explores prejudice, marriage, money and the true nature of justice in an unforgiving world.
Used and Recommended by the National Theatre
General Editor Stanley Wells
Edited by W. Moelwyn Merchant
Introduction by Peter Holland
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