Il direttore del Design Museum definisce il più grande manufatto di tutti i tempi: la città Viviamo in un mondo che è ormai prevalentemente urbano. Quindi come definiamo la città mentre si evolve nel ventunesimo secolo? Traendo esempi da tutto il mondo, Deyan Sudjic decodifica le forze sottostanti che modellano le nostre città, come risorse e territorio, alle idee che modellano gli elementi consapevoli del design, che si tratti di edifici o di spazio. Erudito e divertente, considera le differenze tra le capitali e il resto per capire perché spesso ci sentiamo più a nostro agio nelle nostre identità di londinesi, moscoviti o abitanti di Mumbai che nelle nostre identità nazionali.
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Deyan Sudjic is Director of the Design Museum. He was born in London, and studied architecture in Edinburgh. He has worked as a critic for the Observer and The Sunday Times, as the editor of Domus in Milan, as the director of the Venice Architecture Biennale, and as a curator in Glasgow, Istanbul and Copenhagen. He is the author of B is for Bauhaus, The Language of Things and The Edifice Complex.
We live in a world that is now predominantly urban. So how do we define the city as it evolves in the twenty-first century? Drawing examples from across the globe, Deyan Sudjic decodes the underlying forces that shape our cities, such as resources and land, to the ideas that shape conscious elements of design, whether of buildings or of space. Erudite and entertaining, he considers the differences between capital cities and the rest to understand why it is that we often feel more comfortable in our identities as Londoners, Muscovites, or Mumbaikars than in our national identities.
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Paperback. Condizione: New. The director of the Design Museum defines the greatest artefact of all time: the cityWe live in a world that is now predominantly urban. So how do we define the city as it evolves in the twenty-first century? Drawing examples from across the globe, Deyan Sudjic decodes the underlying forces that shape our cities, such as resources and land, to the ideas that shape conscious elements of design, whether of buildings or of space. Erudite and entertaining, he considers the differences between capital cities and the rest to understand why it is that we often feel more comfortable in our identities as Londoners, Muscovites, or Mumbaikars than in our national identities. Codice articolo LU-9780141980591
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Paperback. Condizione: New. The director of the Design Museum defines the greatest artefact of all time: the cityWe live in a world that is now predominantly urban. So how do we define the city as it evolves in the twenty-first century? Drawing examples from across the globe, Deyan Sudjic decodes the underlying forces that shape our cities, such as resources and land, to the ideas that shape conscious elements of design, whether of buildings or of space. Erudite and entertaining, he considers the differences between capital cities and the rest to understand why it is that we often feel more comfortable in our identities as Londoners, Muscovites, or Mumbaikars than in our national identities. Codice articolo LU-9780141980591
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Paperback. Condizione: new. Paperback. The latest addition to the Design series, from the Director of the Design MuseumWe live in a world that is now predominantly urban. So how do we define the city as it evolves in the twenty-first century? Drawing examples from across the globe, Deyan Sudjic decodes the underlying forces that shape our cities, such as resources and land, to the ideas that shape conscious elements of design, whether of buildings or of space. Erudite and entertaining, he considers the differences between capital cities and the rest to understand why it is that we often feel more comfortable in our identities as Londoners, Muscovites, or Mumbaikars than in our national identities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780141980591
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