Over 100 years of speculation and controversy surround claims that the great seventeenth-century Dutch artist, Johannes Vermeer, used the camera obscura to create some of the most famous images in Western art.
This intellectual detective story starts by exploring Vermeer's possible knowledge of seventeenth-century optical science, and outlines the history of this early version of the photographic camera, which projected an accurate image for artists to trace. However, it is Steadman's meticulous reconstruction of the artist's studio, complete with a camera obscura, which provides exciting new evidence to support the view that Vermeer did indeed use the camera.
These findings do not challenge Vermeer's genius but show how, like many artists, he experimented with new technology to develop his style and choice of subject matter. The combination of detailed research and a wide range of contemporary illustrations offers a fascinating glimpse into a time of great scientific and cultural innovation and achievement in Europe.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Philip Steadman is Professor of Urban and Built Form Studies at University College London. He trained as an architect, and has taught at Cambridge University and the Open University. He has published several books on geometry in architecture, and on computer-aided design. In the 1960s he edited and published Form, a quarterly magazine of the arts, and co-authored a book on kinetic art. He helped to produce four computer-animated films on the work of Leonardo da Vinci for an exhibition in London in 1989. He has also contributed to other exhibitions, films, and books on perspective geometry and the history of art. Vermeer's Camera is the product of twenty years' fascination with the Dutch painter.
Philip Steadman investigates the claims that the 17th-century artist, Johannes Vermeer, used the camera obscura to create some of his artwork. this study reconstructs his studio, complete with camera. He asserts that that this experimentation with new technology enabled his style to develop.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
EUR 5,79 per la spedizione da Regno Unito a Italia
Destinazione, tempi e costiEUR 2,00 per la spedizione da Irlanda a Italia
Destinazione, tempi e costiDa: Better World Books Ltd, Dunfermline, Regno Unito
Condizione: Very Good. New Ed. Ships from the UK. Used book that is in excellent condition. May show signs of wear or have minor defects. Codice articolo GRP65512557
Quantità: 1 disponibili
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Paperback. Condizione: Very Good. Over 100 years of speculation and controversy surround claims that the great seventeenth-century Dutch artist, Johannes Vermeer, used the camera obscura to create some of the most famous images in Western art. This intellectual detective story starts by exploring Vermeer's possible knowledge of seventeenth-century optical science, and outlines the history of this early version of the photographic camera, which projected an accurate image for artists to trace. However, it is Steadman's meticulous reconstruction of the artist's studio, complete with a camera obscura, which provides exciting new evidence to support the view that Vermeer did indeed use the camera. These findings do not challenge Vermeer's genius but show how, like many artists, he experimented with new technology to develop his style and choice of subject matter. The combination of detailed research and a wide range of contemporary illustrations offers a fascinating glimpse into a time of great scientific and cultural innovation and achievement in Europe. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Codice articolo GOR003432041
Quantità: 1 disponibili
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condizione: New. Philip Steadman investigates the claims that the 17th-century artist, Johannes Vermeer, used the camera obscura to create some of his artwork. this study reconstructs his studio, complete with camera. He asserts that that this experimentation with new technology enabled his style to develop. Num Pages: 222 pages, numerous halftones and line drawings; 8pp colour plates. BIC Classification: 1DDN; ACQ; AFC; AGB; AJG. Category: (G) General (US: Trade). Dimension: 237 x 158 x 15. Weight in Grams: 356. . 2002. 1st Edition. Paperback. . . . . Codice articolo V9780192803023
Quantità: 3 disponibili
Da: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo FU-9780192803023
Quantità: 15 disponibili
Da: Rarewaves.com UK, London, Regno Unito
Paperback. Condizione: New. Over 100 years of speculation and controversy surround claims that the great seventeenth-century Dutch artist, Johannes Vermeer, used the camera obscura to create some of the most famous images in Western art. This intellectual detective story starts by exploring Vermeer's possible knowledge of seventeenth-century optical science, and outlines the history of this early version of the photographic camera, which projected an accurate image for artists to trace. However, it is Steadman's meticulous reconstruction of the artist's studio, complete with a camera obscura, which provides exciting new evidence to support the view that Vermeer did indeed use the camera.These findings do not challenge Vermeer's genius but show how, like many artists, he experimented with new technology to develop his style and choice of subject matter. The combination of detailed research and a wide range of contemporary illustrations offers a fascinating glimpse into a time of great scientific and cultural innovation and achievement in Europe. Codice articolo LU-9780192803023
Quantità: 2 disponibili
Da: C P Books Limited, Oxted, Regno Unito
Card Covers. Condizione: Very Good. First Edition. Light crease to top front corner of cover. ; 9.06 X 6.06 X 0.55 inches; 207 pages. Codice articolo 20693
Quantità: 1 disponibili
Quantità: 3 disponibili
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo FU-9780192803023
Quantità: 15 disponibili
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Very Good. New Ed. Used book that is in excellent condition. May show signs of wear or have minor defects. Codice articolo GRP65512557
Quantità: 1 disponibili
Da: Rarewaves.com USA, London, LONDO, Regno Unito
Paperback. Condizione: New. Over 100 years of speculation and controversy surround claims that the great seventeenth-century Dutch artist, Johannes Vermeer, used the camera obscura to create some of the most famous images in Western art. This intellectual detective story starts by exploring Vermeer's possible knowledge of seventeenth-century optical science, and outlines the history of this early version of the photographic camera, which projected an accurate image for artists to trace. However, it is Steadman's meticulous reconstruction of the artist's studio, complete with a camera obscura, which provides exciting new evidence to support the view that Vermeer did indeed use the camera.These findings do not challenge Vermeer's genius but show how, like many artists, he experimented with new technology to develop his style and choice of subject matter. The combination of detailed research and a wide range of contemporary illustrations offers a fascinating glimpse into a time of great scientific and cultural innovation and achievement in Europe. Codice articolo LU-9780192803023
Quantità: 2 disponibili