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9780195320886: New Directions In American Reception Study

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Contemporary reception study has developed a diversity of approaches and methods, including the institutional, textual, historical, authorial, and reader-response, which, to a greater or lesser extent, acknowledge the various ways in which readers have found texts-literature, television shows, movies, and newspapers-meaningful. This collection emphasizes that new diversity, examining movies, newspapers, fans, television shows, and traditional American as well as modern Hispan

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L'autore

Philip Goldstein is a Professor of English at the University of Delaware. James Machor is a Professor of English at Kansas State University.

Contenuti

  • Philip Goldstein and James L. Machor: Introduction: Reception Study: Achievements and New Directions
  • I. (Re)Theorizing Reception Study
  • Patrocinio Schweickart: "Understanding an Other: Reading as a Receptive Form of Communicative Action"
  • Steven Mailloux: "Judging and Hoping: Rhetorical Effects of Reading about Reading"
  • Jack Bratich: "Activating the Multitude: Audience Powers and Cultural Studies"
  • Tony Bennett: "Habitus Clivé: Aesthetics and Politics in the Work of Pierre Bourdieu"
  • II. Texts, Authors, and the Receptions of Literature
  • James L. Machor: "The American Reception of Melville's Short Fiction in the 1850s"
  • Kenneth Roemer: "Placing Readers at the Forefront of Nowhere: Reception and Utopian Literature"
  • Philip Goldstein: "Richard Wright's Native Son: From Naturalist Protest to Modernist Liberation and Beyond"
  • Amy Blair: "Main Street Reading Main Street"
  • Leonard Diepeveen: "Learning from Philistines: Suspicion, Refusing to Read,and the Rise of Dubious Modernism"
  • Marcial González: "Reception and Authenticity: Danny Santiago's Famous All Over Town"
  • Charlotte Templin:
  • III. Books, Print Culture, and Historical Sites of Reception
  • Ellen Gruber Garvey: "The Power of Recirculation: Scrapbooks and the Reception of the Nineteenth-Century Press"
  • David Paul Nord: "Accuracy or Fair Play? Complaining About Newspapers in Early Twentieth-Century New York"
  • Barbara Hochman: "Sentiment without Tears: Uncle Tom's Cabin as History in the 1890s"
  • IV. Media and Cultural Studies
  • Janet Staiger: "Kiss Me Deadly: Cold War Threats from Spillane to Aldrich, NY to LA, and the Mafia to the H-Bomb"
  • Rhiannon Bury: "Textual Poaching or Game Keeping? A Comparative Study of Two Six Feet Under Internet Fan Forums"
  • Andrea Press and Camille Johnson-Yale: "Political Talk and the Flow of Ambient Television: Women Watching Oprah in an African-American Hair Salon"
  • V. Retrospective Prospects
  • Janice Radway: "What's the Matter with Reception Studies? Some Thoughts on the Disciplinary Origins, Conceptual Restraints, and Persistent Viability of a Paradigm"
  • Toby Miller: "The Reception Deception"
  • David Paul Nord: "Accuracy or Fair Play? Complaining
  • About Newspapers in Early Twentieth-Century New York"
  • Barbara Hochman:
  • Tom's Cabin as History in the 1890s"
  • IV. Media and Cultural Studies
  • Janet Staiger: "Kiss Me Deadly: Cold War Threatsfrom Spillane to Aldrich, NY to LA, and the Mafia to the H-Bomb"
  • H-Bomb"

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9780195320879: New Directions in American Reception Study

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ISBN 10:  0195320875 ISBN 13:  9780195320879
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Soft cover. Condizione: Near Fine. The book presents as clean, bright and unread. There are no creases to the spine, the pages do not have underlining, highlighting, marginalia, or other marks. There are 20 articles, including the Introduction by the editors, in this 379 page, including the Index and Notes on the Contributors, publication. Each essay has its own references. It appears one writing may have two black-and-white images, but the primary content of the book is in a written format. There are a few minor bends to page corners in this volume. This is the first soft cover edition of this title, number line 9-1. Codice articolo Sp360

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Paperback. Condizione: new. Paperback. Contemporary reception study has developed a diversity of approaches and methods, including the institutional, textual, historical, authorial, and reader-response, which, to a greater or lesser extent, acknowledge the various ways in which readers have found texts-- literature, television shows, movies, and newspapers--meaningful. This collection emphasizes that new diversity, examining movies, newspapers, fans, television shows, and traditional American as well asmodern Hispanic, Black, and Women's literature. The essays on literature include James Machor on Melville's short fiction, Kenneth Roemer on Edward Bellamy's utopian work Looking Backward, Amy Blair onthe popularity of Sinclair Lewis's Main Street, Marcial Gonzalez on Danny Santiago and his Hispanic novel Famous All Over Town, and Leonard Diepeveen on modernist fiction and criticism. The theoretical essays on reader-oriented criticism include Patsy Schweickart on interpretation and the ethics of careand Jack Bratich on active audiences. Media versions of response criticism include Andrea Press and Camille Johnson's ethnographic analysis of fans of the Oprah WinfreyShow, Janet Staiger on Robert Aldrich's film version of Mickey Spillane's Kiss Me Deadly, and Rhiannon Bury on the fans of the HBO television show Six Feet Under. History-of-the-book versions include Barbara Hochman on thepopularity of the 1890s editions of Harriet Beecher Stowe's Uncle Tom's Cabin, Ellen Garvey on nineteenth-century scrapbooks of newspaper, and David Nord on early twentieth-century newspapers' relations to audience charges of bias and unfairness. Poststructuralist studies include Philip Goldstein on Richard Wright's Native Son, Steve Mailloux on Reading Lolita in Tehran, and Tony Bennett on the cultural analyses of Pierre Bourdieu. The collection concludes withessays by Janice Radway on the limits of these methods and on the possibility of new forms of sociological and anthropological reception study and byToby Miller on the "reception deception" in relation to the worldwide distributionand reception of movies and television shows. Contemporary reception study has developed a diversity of approaches and methods, including the institutional, textual, historical, authorial, and reader-response, which, to a greater or lesser extent, acknowledge the various ways in which readers have found texts— literature, television shows, movies, and newspapers—meaningful. This collection emphasizes that new diversity, examining movies, newspapers, fans, television shows, and traditional American as well as modern Hispanic, Black, and Women's literature. The essays on literature include James Machor on Melville's short fiction, Kenneth Roemer on Edward Bellamy's utopian work Looking Backward, Amy Blair on the popularity of Sinclair Lewis's Main Street, Marcial Gonzalez on Danny Santiago and his Hispanic novel Famous All Over Town, and Leonard Diepeveen on modernist fiction and criticism. The theoretical essays on reader-oriented criticism include Patsy Schweickart on interpretation and the ethics of careand Jack Bratich on active audiences. Media versions of response criticism include Andrea Press and Camille Johnson's ethnographic analysis of fans of the Oprah Winfrey Show, Janet Staiger on Robert Aldrich's film version of Mickey Spillane's Kiss Me Deadly, and Rhiannon Bury on the fans of the HBO television show Six Feet Under. History-of-the-book versions include Barbara Hochman on the popularity of the 1890s editions of Harriet Beecher Stowe's Uncle Tom's Cabin, Ellen Garvey on nineteenth-century scrapbooks of newspaper, and David Nord on early twentieth-century newspapers' relations to audience charges of bias and unfairness. Poststructuralist studies include Philip Goldstein on Richard Wright's Native Son, Steve Mailloux on Rea Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780195320886

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