This book considers the effects of the American civil war on those writers and artists who helped their young nation imagine itself. the writers and artists of the early to mid-nineteenth century. One of the war's many traumas was the pain of witnessing the disintegration of a symbolic order they had helped construct in previous decades. If Emerson, Whitman, Hawthorne and Melville grounded their writing on a coherent national myth, aimed at a familiar audience, the civil war challenged every prior presumption and called on the writers to confront novel exigencies with a suitable new style and form. Put another way, it forced them to engage anew with the language and symbols that had shaped America's previous conception of itself. As a result, poetry became more important for Emerson and Melville, while the prose form re-emerged in Whitman's undervalued Memoranda During the War. It energized the poetry of Emily Dickinson and seemed to silence Hawthorne, who could no longer organize romance amid the wartime reports he read and the military camps he visited.
Fuller shows how the war shaped and influenced poetic language and narrative during a time of full scale national crisis. In so doing, his book takes up where very few literary historians have previously ventured. Seeking to change the way scholars and students read the late work of major writers such as Hawthorne, Emerson, and Melville, this study challenges easy conclusions and earlier notions about the differences between ante- and postbellum writing. It uncovers a host of continuities extending from the 'Romantic' to the 'Realist' periods of American writing while also revealing previously unseen ruptures and tensions within the work of individual writers. It offers a literary history from the era that forever changed America's early idealism into something rawer-and something more American-that set the stage for a new model of literary social engagement and experimentation.
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Randell Fuller is Associate Professor of English at Drury University. He is the author of Emerson's Ghosts: Literature, Politics, and the Making of Americanists (OUP 2007).
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Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Hardback. Condizione: Good. This book considers the effects of the American civil war on those who helped a young nation imagine itself, the writers and artists of the early to mid-nineteenth century. One of the war's many traumas was the pain of witnessing the disintegration of a symbolic order they had helped construct in previous decades. If Emerson, Whitman, Hawthorne and Melville grounded their writing on a coherent national myth, aimed at a familiar audience, the civil war challenged every prior presumption and called on the writers to confront novel exigencies with a suitable new style and form. Put another way, it forced them to engage anew with the language and symbols that had shaped America's previous conception of itself. As a result, poetry became more important for Emerson and Melville, while the prose form re-emerged in Whitman's undervalued Memoranda During the War. It energized the poetry of Emily Dickinson and seemed to silence Hawthorne, who could no longer organize romance amid the wartime reports he read and the military camps he visited.Fuller shows how the war shaped and influenced poetic language and narrative during a time of full scale national crisis. In so doing, his book takes up where very few literary historians have previously ventured. Seeking to change the way scholars and students read the late work of major writers such as Hawthorne, Emerson, Melville, and others, this study will challenge easy conclusions and earlier notions about the differences between ante- and postbellum writing. It uncovers a host of continuities extending from the 'Romantic' to the 'Realist' periods of American writing while also revealing previously unseen ruptures and tensions within the work of individual writers. It offers a literary history from the era that forever changed America's early idealism into something rawer - and something more American - that set the stage for a new model of literary social engagement and experimentation. Codice articolo 00099059368
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Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Hardback. Condizione: Very Good. This book considers the effects of the American civil war on those who helped a young nation imagine itself, the writers and artists of the early to mid-nineteenth century. One of the war's many traumas was the pain of witnessing the disintegration of a symbolic order they had helped construct in previous decades. If Emerson, Whitman, Hawthorne and Melville grounded their writing on a coherent national myth, aimed at a familiar audience, the civil war challenged every prior presumption and called on the writers to confront novel exigencies with a suitable new style and form. Put another way, it forced them to engage anew with the language and symbols that had shaped America's previous conception of itself. As a result, poetry became more important for Emerson and Melville, while the prose form re-emerged in Whitman's undervalued Memoranda During the War. It energized the poetry of Emily Dickinson and seemed to silence Hawthorne, who could no longer organize romance amid the wartime reports he read and the military camps he visited.Fuller shows how the war shaped and influenced poetic language and narrative during a time of full scale national crisis. In so doing, his book takes up where very few literary historians have previously ventured. Seeking to change the way scholars and students read the late work of major writers such as Hawthorne, Emerson, Melville, and others, this study will challenge easy conclusions and earlier notions about the differences between ante- and postbellum writing. It uncovers a host of continuities extending from the 'Romantic' to the 'Realist' periods of American writing while also revealing previously unseen ruptures and tensions within the work of individual writers. It offers a literary history from the era that forever changed America's early idealism into something rawer - and something more American - that set the stage for a new model of literary social engagement and experimentation. Codice articolo 00099060334
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Da: Greenworld Books, Arlington, TX, U.S.A.
Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy. Codice articolo GWV.0195342305.VG
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Da: BooksRun, Philadelphia, PA, U.S.A.
Hardcover. Condizione: Very Good. 1. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Codice articolo 0195342305-11-6-29
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Da: World of Books Inc, Montgomery, IL, U.S.A.
Hardback. Condizione: Good. This book considers the effects of the American civil war on those who helped a young nation imagine itself, the writers and artists of the early to mid-nineteenth century. One of the war's many traumas was the pain of witnessing the disintegration of a symbolic order they had helped construct in previous decades. If Emerson, Whitman, Hawthorne and Melville grounded their writing on a coherent national myth, aimed at a familiar audience, the civil war challenged every prior presumption and called on the writers to confront novel exigencies with a suitable new style and form. Put another way, it forced them to engage anew with the language and symbols that had shaped America's previous conception of itself. As a result, poetry became more important for Emerson and Melville, while the prose form re-emerged in Whitman's undervalued Memoranda During the War. It energized the poetry of Emily Dickinson and seemed to silence Hawthorne, who could no longer organize romance amid the wartime reports he read and the military camps he visited.Fuller shows how the war shaped and influenced poetic language and narrative during a time of full scale national crisis. In so doing, his book takes up where very few literary historians have previously ventured. Seeking to change the way scholars and students read the late work of major writers such as Hawthorne, Emerson, Melville, and others, this study will challenge easy conclusions and earlier notions about the differences between ante- and postbellum writing. It uncovers a host of continuities extending from the 'Romantic' to the 'Realist' periods of American writing while also revealing previously unseen ruptures and tensions within the work of individual writers. It offers a literary history from the era that forever changed America's early idealism into something rawer - and something more American - that set the stage for a new model of literary social engagement and experimentation. Codice articolo CIN0195342305G
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Da: World of Books Inc, Montgomery, IL, U.S.A.
Hardback. Condizione: Very Good. This book considers the effects of the American civil war on those who helped a young nation imagine itself, the writers and artists of the early to mid-nineteenth century. One of the war's many traumas was the pain of witnessing the disintegration of a symbolic order they had helped construct in previous decades. If Emerson, Whitman, Hawthorne and Melville grounded their writing on a coherent national myth, aimed at a familiar audience, the civil war challenged every prior presumption and called on the writers to confront novel exigencies with a suitable new style and form. Put another way, it forced them to engage anew with the language and symbols that had shaped America's previous conception of itself. As a result, poetry became more important for Emerson and Melville, while the prose form re-emerged in Whitman's undervalued Memoranda During the War. It energized the poetry of Emily Dickinson and seemed to silence Hawthorne, who could no longer organize romance amid the wartime reports he read and the military camps he visited.Fuller shows how the war shaped and influenced poetic language and narrative during a time of full scale national crisis. In so doing, his book takes up where very few literary historians have previously ventured. Seeking to change the way scholars and students read the late work of major writers such as Hawthorne, Emerson, Melville, and others, this study will challenge easy conclusions and earlier notions about the differences between ante- and postbellum writing. It uncovers a host of continuities extending from the 'Romantic' to the 'Realist' periods of American writing while also revealing previously unseen ruptures and tensions within the work of individual writers. It offers a literary history from the era that forever changed America's early idealism into something rawer - and something more American - that set the stage for a new model of literary social engagement and experimentation. Codice articolo CIN0195342305VG
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Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condizione: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Codice articolo G0195342305I5N10
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Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less. Codice articolo G0195342305I2N00
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Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Codice articolo 4892369-6
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Da: Better World Books: West, Reno, NV, U.S.A.
Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Codice articolo 325698-20
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