Sinossi
Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images - whether they are still or moving, 2D or 3D - have evolved at an unprecedented rate. At every stage of image making, artists now face a choice between using analog and using digital tools. Yet a digital image need not look digital; and likewise, a hand-made image or traditional photograph need not look analog. If we do not see the artist's choice between the analog and the digital, what difference can this choice make for our appreciation of images in the digital age?
Image in the Making answers this question by accounting for the fundamental distinction between the analog and the digital; by explicating the technological realization of this distinction in image-making practice; and by exploring the creative possibilities that are distinctive of the digital. Katherine Thomson-Jones makes the case for a new kind of appreciation in the digital age. In appreciating the images involved in every digital art form - from digital video installation to net art to digital cinema - there is a basic truth that we cannot ignore: The nature and technology of the digital expands both what an image can be as an image and what an image can be for us as human beings.
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Informazioni sull?autore
Katherine Thomson-Jones is Professor of Philosophy at Oberlin College. She has published extensively in aesthetics and the philosophy of film.
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Image in the Making: Digital Innovation and the Visual Arts (Thinking Art)
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Hardcover. Condizione: new. Hardcover. Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images - whether they are still or moving, 2D or 3D - have evolved at an unprecedented rate. At every stage of image making, artists now face a choice between using analog and using digital tools. Yet a digital image need not look digital; and likewise, a hand-made imageor traditional photograph need not look analog. If we do not see the artist's choice between the analog and the digital, what difference can this choice make for our appreciation of images in thedigital age? Image in the Making answers this question by accounting for the fundamental distinction between the analog and the digital; by explicating the technological realization of this distinction in image-making practice; and by exploring the creative possibilities that are distinctive of the digital. Katherine Thomson-Jones makes the case for a new kind of appreciation in the digital age. In appreciating the images involved in every digital art form - fromdigital video installation to net art to digital cinema - there is a basic truth that we cannot ignore: The nature and technology of the digital expands both what an image can be as an image and what an imagecan be for us as human beings. Image in the Making examines the ways in which digital technology changes our understanding of and engagement with the visual arts. At the current stage of development in digital technology, we cannot always tell, just by looking, that an image was made with digital - versus analog - tools. But a case can be made for fully appreciating an image only in terms of its underlying digital structure and technology. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9780197567616
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Buch. Condizione: Neu. Neuware - Image in the Making examines the ways in which digital technology changes our understanding of and engagement with the visual arts. At the current stage of development in digital technology, we cannot always tell, just by looking, that an image was made with digital - versus analog - tools. But a case can be made for fully appreciating an image only in terms of its underlying digital structure and technology. Codice articolo 9780197567616
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