In the first comprehensive study of Roman ancestor masks in English, Harriet Flower explains the reasons behind the use of wax masks in the commemoration of politically prominent family members by the elite society of Rome. Broadening her approach from the purely art historical, Flower traces the functional evolution of ancestor masks, from their first appearance in the third century BC to their last mention in the sixth century AD, through the examination of literary sources in both prose and verse, legal texts, epigraphy, archaeology, numismatics, and art. It is by putting these masks, which were worn by actors at the funerals of the deceased, into their legal, social, and political context that Flower is able to elucidate their central position in the media of the time and their special meaning as symbols of power and prestige.
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Harriet Flower is Assistant Professor of Classics at Franklin and Marshall College, Lancaster, Pennsylvania.
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Hardcover. Condizione: new. Hardcover. In the first comprehensive study of Roman ancestor masks in English, Harriet Flower explains the reasons behind the use of wax masks in the commemoration of politically prominent family members by the elite society of Rome. Broadening her approach from the purely art historical, Flower traces the functional evolution of ancestor masks, from their first appearance in the third century BC to their last mention in the sixth century AD, through the examination ofliterary sources in both prose and verse, legal texts, epigraphy, archaeology, numismatics, and art. It is by putting these masks, which were worn by actors at the funerals of the deceased, into their legal,social, and political context that Flower is able to elucidate their central position in the media of the time and their special meaning as symbols of power and prestige. An study of wax masks used in the commemoration of politically prominent family members by the elite society of Rome from the third century BC to the sixth century AD. By putting these masks into their legal, social, and political context, Flower is able to elucidate their special meaning as symbols of power and prestige. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Codice articolo 9780198150183
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Hardcover. Condizione: new. Hardcover. In the first comprehensive study of Roman ancestor masks in English, Harriet Flower explains the reasons behind the use of wax masks in the commemoration of politically prominent family members by the elite society of Rome. Broadening her approach from the purely art historical, Flower traces the functional evolution of ancestor masks, from their first appearance in the third century BC to their last mention in the sixth century AD, through the examination ofliterary sources in both prose and verse, legal texts, epigraphy, archaeology, numismatics, and art. It is by putting these masks, which were worn by actors at the funerals of the deceased, into their legal,social, and political context that Flower is able to elucidate their central position in the media of the time and their special meaning as symbols of power and prestige. An study of wax masks used in the commemoration of politically prominent family members by the elite society of Rome from the third century BC to the sixth century AD. By putting these masks into their legal, social, and political context, Flower is able to elucidate their special meaning as symbols of power and prestige. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9780198150183
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Buch. Condizione: Neu. Neuware - In the first comprehensive study of Roman ancestor masks in English, Harriet Flower explains the reasons behind the use of wax masks in the commemoration of politically prominent family members by the elite society of Rome. Flower traces the functional evolution of ancestor masks, from their first attested appearance in the third century BC to their last mention in the sixth century AD, through the examination of literary sources in both prose and verse, legal texts, epigraphy, archaeology, numismatics, and art. It is by putting these masks, which were worn by actors at the funerals of the deceased, into their legal, social, and political context that Flower is able to elucidate their central position in the media of the time and their special meaning as symbols of power and prestige. Codice articolo 9780198150183
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