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9780198737568: The Reader in the Book: A Study of Spaces and Traces
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The Reader in the Book is concerned with a particular aspect of the history of the book, an archeology and sociology of the use of margins and other blank spaces. One of the most commonplace aspects of old books is the fact that people wrote in them, something that, until very recently, has infuriated modern collectors and librarians. But these inscriptions constitute a significant dimension of the book's history, and what readers did to books often added to their value. Sometimes marks in books have no relation to the subject of the book, merely names, dates, prices paid; blank spaces were used for pen trials and doing sums, and flyleaves are occasionally the repository of records of various kinds. The Reader in the Book deals with that special class of books in which the text and marginalia are in intense communication with each other, in which reading constitutes an active and sometimes adversarial engagement with the book. The major examples are works that are either classics or were classics in their own time; but they are seen here as contemporaries read them, without the benefit of centuries of commentary and critical guidance. The underlying question is at what point marginalia, the legible incorporation of the work of reading into the text of the book, became a way of defacing it rather than of increasing its value-why did we want books to lose their history?

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Recensione:
This instructive study affords a compelling example of Stephen Orgel's archaeology of reading, whereby investigation of early inscriptions in the margins and other blank spaces of books contributes greatly to our understanding of the sociology and history of reading. (John N. King, Renaissance Quarterly)

good value ... a study of early modern marginalia but also ― the bit I'm looking forward to ― a reflection on our more recent idolization of the clean, unmarked page. (Hal Jensen, Summer Books selection 2016, Times Literary Supplement)

As Orgel presents his succession of case studies he shows that careful attention to how books were used can enlarge our understanding of the purposes to which earlier readers put them. (Austen Saunders, Cambridge Quarterly)
L'autore:
Stephen Orgel is the Jackson Eli Reynolds Professor in the Humanities at Stanford. He has published widely on the political and historical aspects of Renaissance literature, theater, and art history. He has taught at Harvard, Berkeley and Johns Hopkins, and has been visiting professor at universities throughout the world. In addition to his eight books, he has edited Ben Jonson's masques, Christopher Marlowe's poems and translations, the Oxford Authors John Milton, The Tempest and The Winter's Tale in The Oxford Shakespeare, and several novels by Trollope and Edith Wharton in the Oxford World's Classics. He is a general editor of the New Pelican Shakespeare.

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  • EditoreOUP Oxford
  • Data di pubblicazione2015
  • ISBN 10 0198737564
  • ISBN 13 9780198737568
  • RilegaturaCopertina rigida
  • Numero di pagine186
  • Valutazione libreria

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9780198737551: The Reader in the Book: A Study of Spaces and Traces (Oxford Textual Perspectives)

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ISBN 10:  0198737556 ISBN 13:  9780198737551
Casa editrice: Oxford University Press, 2018
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Descrizione libro Hardcover. Condizione: New. Condizione sovraccoperta: New. First Edition. Dark blue hardback in new condition: firm and square with bright gilt lettering. Complete with original dustjacket, neat and sharp, not showing any scuffs, tears or chips. Contents crisp, tight and clean; no pen-marks. Not from a library so no such stamps or labels. Looks and feels unread. Thus a very nice copy. Codice articolo 132678

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Descrizione libro Hardcover. Condizione: new. Hardcover. The Reader in the Book is concerned with a particular aspect of the history of the book, an archeology and sociology of the use of margins and other blank spaces. One of the most commonplace aspects of old books is the fact that people wrote in them, something that, until very recently, has infuriated modern collectors and librarians. But these inscriptions constitute a significant dimension of the book's history, and what readers did to books often addedto their value. Sometimes marks in books have no relation to the subject of the book, merely names, dates, prices paid; blank spaces were used for pen trials and doing sums, and flyleaves are occasionally therepository of records of various kinds. The Reader in the Book deals with that special class of books in which the text and marginalia are in intense communication with each other, in which reading constitutes an active and sometimes adversarial engagement with the book. The major examples are works that are either classics or were classics in their own time; but they are seen here as contemporaries read them, without the benefit of centuries of commentary and critical guidance. Theunderlying question is at what point marginalia, the legible incorporation of the work of reading into the text of the book, became a way of defacing it rather than of increasing its value-why did we want booksto lose their history? The Reader in the Book examines the history, archaeology, and sociology of the use of margins and other blank spaces in early modern books to shed light on reading practices, how books were read, and what early modern readerse wanted texts to tell them. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780198737568

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Descrizione libro Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The Reader in the Book examines the history, archaeology, and sociology of the use of margins and other blank spaces in early modern books to shed light on reading practices, how books were read, and what early modern readerse wanted texts to tell them. Codice articolo 37121163

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Descrizione libro Hardcover. Condizione: new. Hardcover. The Reader in the Book is concerned with a particular aspect of the history of the book, an archeology and sociology of the use of margins and other blank spaces. One of the most commonplace aspects of old books is the fact that people wrote in them, something that, until very recently, has infuriated modern collectors and librarians. But these inscriptions constitute a significant dimension of the book's history, and what readers did to books often addedto their value. Sometimes marks in books have no relation to the subject of the book, merely names, dates, prices paid; blank spaces were used for pen trials and doing sums, and flyleaves are occasionally therepository of records of various kinds. The Reader in the Book deals with that special class of books in which the text and marginalia are in intense communication with each other, in which reading constitutes an active and sometimes adversarial engagement with the book. The major examples are works that are either classics or were classics in their own time; but they are seen here as contemporaries read them, without the benefit of centuries of commentary and critical guidance. Theunderlying question is at what point marginalia, the legible incorporation of the work of reading into the text of the book, became a way of defacing it rather than of increasing its value-why did we want booksto lose their history? The Reader in the Book examines the history, archaeology, and sociology of the use of margins and other blank spaces in early modern books to shed light on reading practices, how books were read, and what early modern readerse wanted texts to tell them. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9780198737568

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Descrizione libro Hardcover. Condizione: new. Hardcover. The Reader in the Book is concerned with a particular aspect of the history of the book, an archeology and sociology of the use of margins and other blank spaces. One of the most commonplace aspects of old books is the fact that people wrote in them, something that, until very recently, has infuriated modern collectors and librarians. But these inscriptions constitute a significant dimension of the book's history, and what readers did to books often addedto their value. Sometimes marks in books have no relation to the subject of the book, merely names, dates, prices paid; blank spaces were used for pen trials and doing sums, and flyleaves are occasionally therepository of records of various kinds. The Reader in the Book deals with that special class of books in which the text and marginalia are in intense communication with each other, in which reading constitutes an active and sometimes adversarial engagement with the book. The major examples are works that are either classics or were classics in their own time; but they are seen here as contemporaries read them, without the benefit of centuries of commentary and critical guidance. Theunderlying question is at what point marginalia, the legible incorporation of the work of reading into the text of the book, became a way of defacing it rather than of increasing its value-why did we want booksto lose their history? The Reader in the Book examines the history, archaeology, and sociology of the use of margins and other blank spaces in early modern books to shed light on reading practices, how books were read, and what early modern readerse wanted texts to tell them. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Codice articolo 9780198737568

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