Sinossi
Athenian tragedy of the fifth century BCE became an international and a canonical genre with remarkable rapidity. It is, therefore, a remarkable test case through which to explore how a genre becomes privileged and what the cultural effects of its continuing appropriation are. In this collection of essays by an international group of distinguished scholars the particular point of reference is the visual, that is, the myriad ways in which tragic texts are (re)interpreted, (re)appropriated, and (re)visualized through verbal and artistic description. Topics treated include the interaction of comedy and dithyramb with tragedy; vase painting and tragedy; representations of Dionysus, of Tragoedia, and of Nike; Homer, Aeschylus, Philostratus, and Longus; choral lyric and ritual performance, choral victories, and the staging of choruses on the modern stage. The common focus of all the essays is an engagement with and response to the unique scholarly voice of Froma Zeitlin.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Informazioni sull?autore
Chris Kraus is Professor of Classics at Yale University.
Simon Goldhill is Professor of Greek at Cambridge University.
Helene P. Foley is Professor of Classics at Barnard College, Columbia University.
Jas Elsner is Humfry Payne Senior Research Fellow at Corpus Christi College, Oxford University.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Visualizing the Tragic: Drama, Myth, and Ritual in Greek Art and Literature
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Oxford University Press, 2007
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Condizione: Wie Neu. Zustandsbeschreibung: textsauberes Exemplar mit leichten Gebrauchsspuren, leicht berieben/clean text pages, minor traces of use, slightly rubbed. Drama, Myth, and Ritual in Greek Art and Literature. Essays in honour of Froma Zeitlin. Edited by Chris Kraus, Simon Goldhill, Helene P. Foley and Jan Elsner. A collection of essays that brings new insight to the question of the continuing, and inexhaustible, fascination of Athenian tragedy of the fifth century BCE. There is particular reference to the visual - the myriad ways in which tragic texts are interpreted, appropriated, and visualized through verbal and artistic description. XXII,457 Seiten mit 35 Abb., gebunden (Oxford University Press 2007). Statt EUR 226,00. Gewicht: 790 g - Gebunden/Gebundene Ausgabe. Codice articolo 301494
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Hardcover. Condizione: new. Hardcover. Athenian tragedy of the fifth century BCE became an international and a canonical genre with remarkable rapidity. It is, therefore, a remarkable test case through which to explore how a genre becomes privileged and what the cultural effects of its continuing appropriation are. In this collection of essays by an international group of distinguished scholars the particular point of reference is the visual, that is, the myriad ways in which tragic texts are(re)interpreted, (re)appropriated, and (re)visualized through verbal and artistic description. Topics treated include the interaction of comedy and dithyramb with tragedy; vase painting and tragedy;representations of Dionysus, of Tragoedia, and of Nike; Homer, Aeschylus, Philostratus, and Longus; choral lyric and ritual performance, choral victories, and the staging of choruses on the modern stage. The common focus of all the essays is an engagement with and response to the unique scholarly voice of Froma Zeitlin. A collection of essays that brings new insight to the question of the continuing, and inexhaustible, fascination of Athenian tragedy of the fifth century BCE. There is particular reference to the visual - the myriad ways in which tragic texts are (re)interpreted, (re)appropriated, and (re)visualized through verbal and artistic description. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Codice articolo 9780199276028
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Hardcover. Condizione: new. Hardcover. Athenian tragedy of the fifth century BCE became an international and a canonical genre with remarkable rapidity. It is, therefore, a remarkable test case through which to explore how a genre becomes privileged and what the cultural effects of its continuing appropriation are. In this collection of essays by an international group of distinguished scholars the particular point of reference is the visual, that is, the myriad ways in which tragic texts are(re)interpreted, (re)appropriated, and (re)visualized through verbal and artistic description. Topics treated include the interaction of comedy and dithyramb with tragedy; vase painting and tragedy;representations of Dionysus, of Tragoedia, and of Nike; Homer, Aeschylus, Philostratus, and Longus; choral lyric and ritual performance, choral victories, and the staging of choruses on the modern stage. The common focus of all the essays is an engagement with and response to the unique scholarly voice of Froma Zeitlin. A collection of essays that brings new insight to the question of the continuing, and inexhaustible, fascination of Athenian tragedy of the fifth century BCE. There is particular reference to the visual - the myriad ways in which tragic texts are (re)interpreted, (re)appropriated, and (re)visualized through verbal and artistic description. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780199276028
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