Drawing on entirely new evidence, The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630 examines the history of English dramatic form and its relationship to the mathematics, technology, and early scientific thought during the Renaissance period. The book demonstrates how practical modes of thinking that were typical of the sixteenth century resulted in new genres of plays and a new vocabulary for problems of poetic representation. In the epistemological moment the book recovers, we find new ideas about form and language that would become central to Renaissance literary discourse; in this same moment, too, we find new ways of thinking about the relationship between theory and practice that are typical of modernity, new attitudes towards spatial representation, and a new interest in both poetics and mathematics as distinctive ways of producing knowledge about the world. By emphasizing the importance of theatrical performance, the book engages with continuing debates over the cultural function of the early modern stage and with scholarship on the status of modern authorship. When we consider playwrights in relation to the theatre rather than the printed book, they appear less as 'authors' than as figures whose social position and epistemological presuppositions were very similar to the craftsmen, surveyors, and engineers who began to flourish during the sixteenth century and whose mathematical knowledge made them increasingly sought after by men of wealth and power.
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Henry S. Turner is Assistant Professor in the English Department at the University of Wisconsin-Madison, where he has taught since 2000. He received his BA from Wesleyan University, an MA in Renaissance Studies and Critical Theory from the University of Sussex, an MA, MPhil and PhD from Columbia University, and a Diplôme Supérieur d'Ètudes Françaises from the Université de Bourgogne. From 1993-94 he taught in the Département d'Anglais at the Université de Nice. At Madison, his primary research and teaching areas are in Renaissance literature and culture and in twentieth-century critical theory. He is affiliated with the Center for European Studies and with the Center for Renaissance and Early Modern Studies at Madison. He has received grants from the National Endowment for the Humanities, the Whiting Foundation, the Andrew W. Mellon Foundation, the University of Wisconsin-Vilas Foundation, and the Folger Shakespeare Library.
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Da: Jackson Street Booksellers, Omaha, NE, U.S.A.
Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Fine copy in hardcover with near fine jacket. Jacket has very light rubbing. Codice articolo 044403
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Da: Anybook.com, Lincoln, Regno Unito
Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:0199287384. Codice articolo 9902353
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Da: Recycle Bookstore, San Jose, CA, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. The book has minimal shelf wear. Otherwise, it is in Like New condition. The dust jacket has two large tears (4 in.) on the top of the front cover. It also has light overall edge wear, and rubbing. Otherwise, the dust jacket is clean, bright, and now adorned with mylar. Codice articolo 992878
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Da: B Street Books, ABAA and ILAB, Burlingame, CA, U.S.A.
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Fine copy in a fine jacket (now in protective plastic cover) of Turner's work on the English stage. 326 pages. 9.75 x 6.5". Codice articolo 2022-M377
Quantità: 1 disponibili
Da: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condizione: new. Hardcover. Drawing on entirely new evidence, The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630 examines the history of English dramatic form and its relationship to the mathematics, technology, and early scientific thought during the Renaissance period. The book demonstrates how practical modes of thinking that were typical of the sixteenth century resulted in new genres of plays and a new vocabulary for problems of poeticrepresentation. In the epistemological moment the book recovers, we find new ideas about form and language that would become central to Renaissance literary discourse; in this same moment, too, we find new ways ofthinking about the relationship between theory and practice that are typical of modernity, new attitudes towards spatial representation, and a new interest in both poetics and mathematics as distinctive ways of producing knowledge about the world. By emphasizing the importance of theatrical performance, the book engages with continuing debates over the cultural function of the early modern stage and with scholarship on the status of modern authorship. When we consider playwrights in relation tothe theatre rather than the printed book, they appear less as 'authors' than as figures whose social position and epistemological presuppositions were very similar to the craftsmen, surveyors, andengineers who began to flourish during the sixteenth century and whose mathematical knowledge made them increasingly sought after by men of wealth and power. Examines the history of English dramatic form and its relationship to the mathematics, technology, and early scientific thought during the Renaissance period. This book demonstrates how the drama of Shakespeare, Dekker, Jonson, and others cannot be explained without reference to early scientific thought. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Codice articolo 9780199287383
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condizione: New. Examines the history of English dramatic form and its relationship to the mathematics, technology, and early scientific thought during the Renaissance period. This book demonstrates how the drama of Shakespeare, Dekker, Jonson, and others cannot be explained without reference to early scientific thought. Num Pages: 328 pages, 27 halftones. BIC Classification: DSBD; DSG; PBX; TBX. Category: (P) Professional & Vocational. Dimension: 242 x 163 x 24. Weight in Grams: 752. . 2006. Illustrated. hardcover. . . . . Codice articolo V9780199287383
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Da: Brook Bookstore On Demand, Napoli, NA, Italia
Condizione: new. Questo è un articolo print on demand. Codice articolo e592df5453cbee35de92fec5a1183992
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Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New. Codice articolo 4092366-n
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
Condizione: As New. Unread book in perfect condition. Codice articolo 4092366
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
Condizione: New. Codice articolo 4092366-n
Quantità: Più di 20 disponibili