Early Music: A Very Short Introduction

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9780199730766: Early Music: A Very Short Introduction

From Gregorian chant to Bach's Brandenburg Concerti, the music of the Medieval, Renaissance, and Baroque periods is both beautiful and intriguing, expanding our horizons as it nourishes our souls. In this Very Short Introduction, Thomas Forrest Kelly provides not only a compact overview of the music itself, but also a lively look at the many attempts over the last two centuries to revive it. Kelly shows that the early-music revival has long been grounded in the idea of spontaneity, of excitement, and of recapturing experiences otherwise lost to us--either the rediscovery of little-known repertories or the recovery of lost performing styles, with the conviction that, with the right performance, the music will come to life anew. Blending musical and social history, he shows how the Early Music movement in the 1960s took on political overtones, fueled by a rebellion against received wisdom and enforced conformity. Kelly also discusses ongoing debates about authenticity, the desirability of period instruments, and the relationship of mainstream opera companies and symphony orchestras to music that they often ignore, or play in modern fashion.

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About the Author:


Thomas Forrest Kelly is Morton B. Knafel Professor of Music at Harvard University and a past president of Early Music America.

Review:


When this book was announced, the only question was whether it would be any good. The answer, emphatically, is yes, and the author addresses both specialist readers and newcomers. - The Independent


"This introduction may be 'short' but it's packed with good stuff. Authoritative, surprisingly comprehensive for its size, and presented with all of Professor Kelly's usual grace, wit, and clarity."--Paul Hillier, founding director, The Hilliard Ensemble, and former director, Early Music Institute, Indiana University


"Smart opinions and a coherent overview of what many still consider a Very Contentious Topic. Professor Kelly offers historical perspective, not only on the music itself, but the long trail of interpreters who preceded the more recent Revival, plus a very astute recognition that present ideas could soon seem as dated as those of Beecham and Stokowski -- or Mozart and Mendelssohn. Not only is Professor Kelly's heart in the right place, but his ears and brain seem to be more correctly connected than usual in the polemical world of early music."--Christopher Hogwood, emeritus director, Academy of Ancient Music


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Professor Thomas Forrest Kelly
Editore: Oxford University Press Inc, United States (2011)
ISBN 10: 0199730768 ISBN 13: 9780199730766
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Descrizione libro Oxford University Press Inc, United States, 2011. Paperback. Condizione libro: New. Language: English . Brand New Book. The music of the medieval, Renaissance, and baroque periods have been repeatedly discarded and rediscovered ever since they were new. An interest in music of the past has been characteristic of a part of the musical world since the early 19th century. The revival of Gregorian chant in the early 19th century; the Cecilian movement in later 19th-century Germany seeking to immortalize Palestrina s music as a sound-ideal; Mendelssohn s revival of Bach: these are some of the efforts made in the past to restore still earlier music. In recent years this interest has taken on particular meaning, representing two specific trends: first, a rediscovery of little-known underappreciated repertories, and second, an effort to recover lost performing styles, with the conviction that such music will come to life anew with the right performance. Much has been gained in the 20th century from the study and revival of instruments, playing techniques, and repertories. In this VSI, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories practices of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should be revived, as well as a short history of early music revivals. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. Codice libro della libreria AOP9780199730766

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Descrizione libro Oxford University Press Inc, United States, 2011. Paperback. Condizione libro: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. The music of the medieval, Renaissance, and baroque periods have been repeatedly discarded and rediscovered ever since they were new. An interest in music of the past has been characteristic of a part of the musical world since the early 19th century. The revival of Gregorian chant in the early 19th century; the Cecilian movement in later 19th-century Germany seeking to immortalize Palestrina s music as a sound-ideal; Mendelssohn s revival of Bach: these are some of the efforts made in the past to restore still earlier music. In recent years this interest has taken on particular meaning, representing two specific trends: first, a rediscovery of little-known underappreciated repertories, and second, an effort to recover lost performing styles, with the conviction that such music will come to life anew with the right performance. Much has been gained in the 20th century from the study and revival of instruments, playing techniques, and repertories.In this VSI, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories practices of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should be revived, as well as a short history of early music revivals. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. Codice libro della libreria BTE9780199730766

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Descrizione libro Oxford University Press Inc, United States, 2011. Paperback. Condizione libro: New. Language: English . Brand New Book. The music of the medieval, Renaissance, and baroque periods have been repeatedly discarded and rediscovered ever since they were new. An interest in music of the past has been characteristic of a part of the musical world since the early 19th century. The revival of Gregorian chant in the early 19th century; the Cecilian movement in later 19th-century Germany seeking to immortalize Palestrina s music as a sound-ideal; Mendelssohn s revival of Bach: these are some of the efforts made in the past to restore still earlier music. In recent years this interest has taken on particular meaning, representing two specific trends: first, a rediscovery of little-known underappreciated repertories, and second, an effort to recover lost performing styles, with the conviction that such music will come to life anew with the right performance. Much has been gained in the 20th century from the study and revival of instruments, playing techniques, and repertories. In this VSI, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories practices of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should be revived, as well as a short history of early music revivals. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. Codice libro della libreria AOP9780199730766

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